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Art

Vibrant Sunsets Hover Inside Abandoned Scottish Castles and Homes by Andrew McIntosh

October 17, 2017

Kate Sierzputowski

Scottish painter Andrew McIntosh (previously) paints bridges, castles, and forgotten homes, repurposing the structures’ windows and arches as vibrant portals into another world. The deep red and orange sunsets found in these negative spaces serve as the heart of each work, which each cast an intense glow into the surrounding desolate landscapes. The works are centered around scenes found in his native Scotland, areas that don’t necessarily illicit awe or intrigue from the average viewer.

“McIntosh is drawn to the plain and ordinary – a Victorian lodge, a simple tower house, or an unremarkable castle set in scenery that is not immediately picturesque or inspiring – subjects that wouldn’t usually attract an artist’s attention,” writes Dr. Richard Davey in an essay about McIntosh’s paintings. “They are born from deep knowledge of the land, painted by an artist who wants to probe the limits of landscape painting, who knows that nature is much quieter than it is more usually portrayed, and that capturing the undramatic, ordinariness of nature, is more difficult than it may seem.”

The confined sunsets serve as secretive elements of power to each crumbling form of architecture. McIntosh intends for these private moments to remind the viewer of everyday wonder, and to search for these moments during the mundane aspects of the day-to-day. The painter has an upcoming solo exhibition of his work at Beaux Arts London opening October 19 and running through November 18, 2017.


 

 

 



Art Photography

Three-Dimensional Landscapes Formed with Layered Acrylic Photographs by Nobuhiro Nakanishi

June 6, 2017

Kate Sierzputowski

© Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Susanne Hakuba

Japanese artist Nobuhiro Nakanishi creates sculptural works that attempt to preserve a singular moment in the natural world, capturing deeply pigmented sunsets and brightly-lit forests in a series he’s titled Layer Drawings. To produce the three-dimensional installations, Nakanishi first photographs an environment over a period of time. He then mounts selected images from his documentation on panels of acrylic in chronological order, allowing slight variation from frame to frame.

“We are all subject to the passing of time, yet each of us feels and perceives it in our own way,” says Nakaniski, “Time itself has no shape or boundary and cannot be fixed or grasped. When we look at the photographs in these sculptures, we attempt to fill in the gaps between the individual images. We draw from our physical experiences to fill in missing time and space, both ephemeral and vague. In this series, I attempt to depict time and space as sensations shared by both viewer and artist.”

Nakaniski is represented by Yukimo Chiba Associates in Tokyo. You can see more of his layered works on his website. (via Tu Recepcja)

Installation view: Transparent view, Aomori Contemporary Art Centre, Aomori, Japan (2011), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Tadasu Yamamoto, Photo Courtesy: Aomori Contemporary Art Centre, Aomori, Japan

Installation view: Transparent view, Aomori Contemporary Art Centre, Aomori, Japan (2011), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Tadasu Yamamoto, Photo Courtesy: Aomori Contemporary Art Centre, Aomori, Japan

Installation view: Transparent view, Aomori Contemporary Art Centre, Aomori, Japan (2011), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Tadasu Yamamoto, Photo Courtesy: Aomori Contemporary Art Centre, Aomori, Japan

Installation view: Saturation, Osaka Contemporary Art Center, Japan
 (2006), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Seiji Toyonaga

Installation view: Saturation, Osaka Contemporary Art Center, Japan 
(2006), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Seiji Toyonaga

Installation view: Saturation, Osaka Contemporary Art Center, Japan 
(2006), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Seiji Toyonaga

© Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Susanne Hakuba

 

 



Art

Radiant Sunsets and Landscapes Hidden Inside Forgotten Places by Andrew McIntosh

January 2, 2017

Christopher Jobson

Scottish painter Andrew McIntosh (aka Mackie) takes ubiquitous structures often abandoned on rural homesteads like travel campers or sheds and reveals hidden worlds within: radiant sunsets and expansive skies that appear like portals into another place. Drawing inspiration from a childhood spent in the Highlands of Scotland, the London-based painter gives unexpected life to derelict buildings set against the backdrop of mist-filled woods and frozen mountains. From his artist statement:

My paintings are an exercise in attraction. Through them I am constantly searching for new ways of communicating with the viewer. By seducing them with my imagery, I try to create a new visual language with the power to pique their attention and make them stop to ask: why? Desolate landscapes, decrepit houses, and incongruous moments of glory come together to suggest the presence of a narrative that exists as much in the viewer’s mind as in the painting. This is how I aim to use my works: as the space for an imaginary dialogue between strangers.

McIntosh most recently exhibited a new body of work with bo.lee gallery last month titled “Where we Belong” at Pulse Miami. You can see many more recent paintings in his online portfolio. (via The Jealous Curator)

 

 



Art

Neon Sunsets and Technicolor Landscapes Painted by Grant Haffner

September 8, 2015

Christopher Jobson

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Deeply influenced by a childhood spent growing up on Long Beach in Sag Harbor, N.Y., artist Grant Haffner tries to capture the color and feeling of sunsets burnt into his memories. Haffner works primarily with a mixture of acrylic, marker, pencil and paint pen on wood panels to create vibrant neon depictions of Long Island landscapes from the viewpoint of roadways punctuated with power lines. He shares about his paintings:

The East End of Long Island has been my home for most of my life. I spent many years exploring the trails through the woods, cruising the quiet country roads, and hanging out on the beaches. My childhood here, surrounded by nature and water, was an experience that I cherish. Now that I am older, I can see how the landscape is changing and am reminded that it will never be the same. Hopefully, my paintings will capture the memory of that landscape before it fades.

Haffner is represented by Damien A. Roman Fine Art where you can see more of his recent work. (via My Modern Met)

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Art Photography

Photographs of Sunsets as Reflected through Shattered Mirrors by Bing Wright

April 4, 2014

Christopher Jobson

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Broken Mirror/Evening Sky is a series of images by New York photographer Bing Wright who captured the reflections of sunsets on shattered mirrors. The final prints are displayed quite large, measuring nearly 4′ across by 6′ tall, creating what I can only imagine to be the appearance of stained glass windows. The series was on view early this year at Paula Cooper Gallery where you can learn more about the works, and you can see more on Wright’s website. (via Found Inspiration Moving Forward)

 

 



Photography

A Breathtaking Aerial View of the Chicago Skyline as Reflected on Lake Michigan

March 6, 2014

Christopher Jobson

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While on approach to Chicago O’Hare International Airport last week after a business trip, amateur photographer Mark Hersch glanced out his window at the setting sun and decided to pull out his iPhone to take a photo. Right then the plane banked for a 180-degree left turn over Lake Michigan for a final westward approach when an unexpected play of light occurred: the entire skyline of Chicago was suddenly projected in shadow from underneath the cover of clouds. It’s safe to say this is textbook definition of a once-in-a-lifetime shot. Photo courtesy Mark Hersch. (via Twisted Sifter)

 

 



Art Photography

The Passage of Time Captured in Layered Landscape Collages by Fong Qi Wei

August 5, 2013

Christopher Jobson

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Time can be a difficult variable to visually convey in still photography, both the length of time an exposure takes or a series of photos meant to depict the passage of time can be somewhat ambiguous without a written explanation. In his latest series, Time is a dimension, Singapore-based photographer Fong Qi Wei (previously) explores just that idea by shooting landscapes from a stationary position over a 2-4 hour period and then digitally slicing the images to create a layered collage. He shoots at sunset or sunrise to obtain a wide variation in light and then carefully cuts each image to reveal incremental timeframes. He explains:

The basic structure of a landscape is present in every piece. But each panel or concentric layer shows a different slice of time, which is related to the adjacent panel/layer. The transition from daytime to night is gradual and noticeable in every piece, but would not be something you expect to see in a still image.

Similarly, our experience of a scene is more than a snapshot. We often remember a sequence of events rather than a still frame full of details. In this series, I strive to capture both details and also a sequence of time in a single 2 dimensional canvas. I hope it gives you pause and reconsider what you experience versus what you shoot with your next camera phone.

You can see many more examples on his website, and read more about his process right here.

 

 

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