I was astounded to learn that 22-year-old Hungarian photographer Noell S. Oszvald who lives and works in Budapest picked up a camera only a year ago. The gifted artist has shared only two dozen or so images with the world via Flickr but they already show an accomplished grasp of composition, editing and digital manipulation. Oszvald tells Alice over at My Modern Met that she chooses only to work in black and white because she finds color distracting from her conceptual ideas. She also mentions that she wishes for viewers of her work to find their own meaning and interpretation of each image. “I don’t want to tell people what to see in my images,” explains Oszland to My Modern Met, “this is the reason why I never really write any descriptions other than titles. It shows what I wish to express but everyone is free to figure out what the picture says to them. It’s very interesting to read so many different thoughts about the same piece of work.” See many more of her photographs here. (via my modern met)
Photographer Thomas Jackson (previously) has been working on a new series of images based on the idea of swarms, shooting large hovering masses of objects in locations around New York. He says the idea is still a work in progress and that some of these photos should just be considered “sketches,” but I think they’re really fantastic already. See them a bit larger on his site.
One would assume at first glance that there is no other place Hengki Koentjoro could be taking photographs than a fantastical, alternate dimension, perhaps retrieving the photos nightly from his dreams. As it turns out these recent photos were taken in various places around Indonesia, and you can follow Koentjoro’s journies on Flickr.
Just discovered these fun collages and illustrations by Moscow-based artist Philipp Igumnov. He strikes an intriguing balance in his work with many pieces being laugh-out-loud ridiculous while others are filled with a sort of sad, dreamlike melancholy. Whatever he’s doing, it works, and I found myself sad when I reached the end of his gallery so quickly.