Ellen Jewett (previously) effortlessly blends animals with elements from their environments, creating ceramic pieces that often balance unexpected species together in a singular piece. Each work is highly detailed—flowers, leaves, and vines wrapping themselves around animals from coyotes to chameleons.
By focusing on negative spaces within the animals’ bodies, Jewett strips away the weight of her objects, a quality that is usually inextricably linked to the medium of sculpture. She constructs her ceramic pieces using an additive technique, beginning with the innermost parts of the sculptures and layering outward. As periphery components of the animals’ surroundings are added to the piece, a narrative begins to form. These additional pieces Jewett describes as being beautiful, grotesque, or fantastical and add to the object’s exploration of domestication, death, growth, visibility, and wildness.
Jewett’s materials are just as important as her process—only using clay, paints, finishes, and glazes that are free from toxic properties. In addition to being toxic free, she also attempts to source locally and naturally whenever possible. You can keep updated on the Canadian artist’s new work on her Facebook page, and several new pieces are currently available.
When flipping through these prints by Netherlands-based printmaker Jaco Putker it’s difficult to pintpoint the exact emotion one should feel, but generally, if it’s somewhere between amused and terrified, that’s just what the artist intends. Putker combines both digital preparation with traditional photopolymer (solar plate) etching to create collages that can be both highly ridiculous and downright frightening. He refers to the artworks as “illustrations to fables which don’t exist, but hopefully take shape in the beholders’ minds.”
Putker has exhibited in countries across Europe, Canada, and the United States, and currently has work at the Tokyo International Mini-Print Triennial. You can explore a trove of his prints on his website and many of his originals are avaiable online through Saatchi Art. (via The Jealous Curator)
880 East Main Street, photo by Jason Wilder
14 Capron Street, photo by Jason Wilder
40 Greenleaf Street, photo by Jason Wilder
488 Joseph Avenue, photo by Jason Wilder
43 Public Market, photo by @markdeffphoto
820 South Clinton Avenue, photo by @markdeffphoto
In its fifth year, WALL/THERAPY continues to transform Rochester, New York through art and neighborhood intervention, using elaborate public murals to inspire and bond communities. Not only are the images provided for the community a way to inspire the areas that they are placed into, but the walls on which the artists create their work are also resurfaced and rehabilitated, bringing a literal therapy to the murals’ structures.
This year the 14 murals were focused on the themes of surrealism and the fantastic, with work ranging from a gigantic superhero casually sitting on the side of a building, to a gigantic whale swimming within a whale-shaped bubble. Each also varied in size and location, with murals wrapping around corners of brick walls and scaling vertically to the top of buildings.
To see more murals from this year’s WALLTHERAPY and learn about other programs associated with the project follow the link here.
Multi-disciplinary artist and illustrator James R. Eads plays with motion and color to render harmonizing illustrations of people and nature. With swirling van Gogh inspired skies and percussive strokes of color, his style is well-suited for meditations on human connection and the relationships between humans and the natural world. He also makes pretty wicked gig posters.
The LA-based artist lives and works at the The Brewery where his studio is open to the public during bi-annual art walks. You can follow his work on Instagram or Facebook, and prints are available in his shop.
Brooklyn-based graphic designer Victoria Siemer (previously) explores the idea of fractured landscapes through photo manipulations and collages. Siemer makes use of reflected geometric shapes suspended over gloomy natural landscapes shrouded in fog and clouds resulting in portal-like mirrors. She says much of her work is guided by the idea of emotional fragmentation and “fragmentation of the self,” a topic she explored in-depth while studying design at SUNY Buffalo. You can keep up with her work on Instagram and some of her pieces are available as prints.
One of my new favorite Tumblrs to follow is Un gif dans ta gueule… (roughly ‘A gif in the mouth…’) run by French photographer and animator Nicolas Monterrat who brings his surreal sense of humor to historical photos, paintings, and other borrowed imagery by creating bizarre and humorous animations. Collected here is just a sampling, do yourself and dive into his archive, you won’t regret it. (via Lustik)
Ellie Davies' studio is the forest, creating magical, fairytale-like stills throughout the UK. Davies has been exploring this terrain for the past seven years, attempting to uncover the complex interrelationships between landscape and the individual.
Davies creates both temporary and non-invasive interventions within each forested scene. By incorporating pools of light, smoke, and craft materials she places the viewer in the liminal space between reality and fantasy, a re-exploration of the natural world around us. In her series Stars, the artist overlays her own photography with stars plucked from imagery taken by the Hubble space telescope. These mystical images are created in order to encourage pause, and provoke thoughts about how landscapes influences our identity.
Davies lives in London and received her MA in Photography from London College of Communications in 2008. She is represented by several international galleries including A.Galerie in Paris, Crane Kalman Brighton, Sophie Maree Gallery in The Netherlands, Brucie Collections in Kiev, and Art Gemini, Singapore. Recently Crane Kalman Gallery Brighton took her work to the Photo London Art Fair at Somerset House from May 21st through 24th, 2015. (via Kateoplis, My Modern Met)