The female characters inhabiting the world of London-based illustrator Miles Johnston appear to be undergoing near perpetual transformation, their faces or bodies split in half, or their entire form morphing into globby organic forms. Over the past few years he’s examined four specific transformations organized into series titled Deform, Divide, Attract, and Recur. Johnston will have work on view at the upcoming Small Works exhibition at beinArt Gallery and you can also follow him on Instagram. (via Booooooom, Artnau)
Working with a mixture of cold porcelain and polymer atop a metal wire armature, artist Ellen Jewett (previously) creates wildly intricate sculptures of animals covered in a tangle of surreal embellishments. The artist describes her works as “anthrozoology meets psychoanalysis,” where tiny clues left in the feathers, fur, and tentacles of each piece lead to a greater story of its meaning. From her artist statement:
Each detail, down to the finest filigree, is free-modeled by hand. Within each piece precision is balanced by chaos. The overarching aesthetic knocks on the door of realism, yet the hand of the artist is never intentionally erased; brush strokes and fingerprints abound. Even the narratives themselves harbor a degree of anarchy as they are rarely formally structured. Rather, I seek to achieve flow states while working to create a fluid progression of unconscious imagery.
Jewett most recently exhibited at Modern Eden Gallery in San Francisco for a group show titled Hindsight, and just wrapped up work on a body of 10 new artworks. You can see some great behind-the-scenes process photos on Instagram.
Each image created by Chinese illustrator Jin Xingye seems suggest a moment from an untold story, where people and creatures appear to share surreal, tender moments from within a larger narrative. You can see more of his recent work over on Behance. (via This Isn’t Happiness)
Illustrator and graphic designer Simon Prades (previously here and here) creates illusion and intrigue through old school methods of illustration, choosing to loyally stick to pen and ink as his go-to medium. Despite choosing to clean up and sometimes color his work digitally, Prades’ physical mark making remains apparent, such as in the realistic details provided in his subjects’ faces.
The German illustrator tends to focus on select colors when creating work for clients such as The New York Times, The New Yorker, Rolling Stone, and The Atlantic, staying within a palette of bright greens and yellows, and muted blues. You can see more of Prades’ recent editorial work on his Instagram, Tumblr and Behance.
Antanas Gudonis is a Helsinki-based illustrator who created this wonderful series of images as part of a personal project centered on a handful of rotund egg-like creatures and their adventures. You can see more of his digital illustration work on Behance. (via Lustik)
Scottish painter Andrew McIntosh (aka Mackie) takes ubiquitous structures often abandoned on rural homesteads like travel campers or sheds and reveals hidden worlds within: radiant sunsets and expansive skies that appear like portals into another place. Drawing inspiration from a childhood spent in the Highlands of Scotland, the London-based painter gives unexpected life to derelict buildings set against the backdrop of mist-filled woods and frozen mountains. From his artist statement:
My paintings are an exercise in attraction. Through them I am constantly searching for new ways of communicating with the viewer. By seducing them with my imagery, I try to create a new visual language with the power to pique their attention and make them stop to ask: why? Desolate landscapes, decrepit houses, and incongruous moments of glory come together to suggest the presence of a narrative that exists as much in the viewer’s mind as in the painting. This is how I aim to use my works: as the space for an imaginary dialogue between strangers.
McIntosh most recently exhibited a new body of work with bo.lee gallery last month titled “Where we Belong” at Pulse Miami. You can see many more recent paintings in his online portfolio. (via The Jealous Curator)