In this new music video for Son Lux‘s “Change Is Everything,” a montage of singing faces and geometric forms is set in motion with hundreds of pins and rubberized thread moved across the surface of foam boards. The clip was created by The Made Shop who used a mixture of rotoscoping and stop motion to bring Son Lux’s new track to life through 4,000 frames over a period of three weeks. In this making of clip, director Nathan Johnson details the arduous and surprisingly painful process of moving pins thousands of times. (via Quipsologies, NPR)
Over the last year, French artist Julien Salaud has installed several new works as part of his “Stellar Cave” series involving elaborate thread drawings illuminated by ultraviolet light. The polygonal depictions of people, animals, and zoomorphic figures are meant to evoke the idea of star constellations with allusions to mythology and mysticism. Salaud works with cotton thread coated in ultraviolet paint wrapped around precisely placed nails on ceilings or gallery walls. One of his largest installations, Stellar Cave IV, was recently on view at the Hezliya Museum of Contemporary Art. More on Facebook. (via My Modern Met)
Two new portraits this morning from one of my favorite artists Kumi Yamashita (previously). The first one is part of her Constellation series titled Mana #2. The portrait is made from a single unbroken sewing thread wrapped through a dense network of galvanized nails, a process that takes several months. The second artwork, Mother #2, is part of her ongoing Warp and Weft series where Yamashita works with a panel of black denim and then meticulously cuts threads from the fabric to form an image. If you happen to be in California, both works will be in a group show from April 20th through June 1st, 2013 at Scott White Contemporary Art in La Jolla. You can also now follow the artist over on Facebook.
When first approaching the artwork of Japanese artist Takahiro Iwasaki it’s entirely possible you might miss it altogether. Not only are his small buildings and electrical towers excruciatingly small and delicate, but they also rest on absurdly mundane objects: rolls of tape, a haphazardly wrinkled towel, or from the bristles of a discarded toothbrush. Only on close inspection do the small details come into focus, faint hints of urbanization sprouting from disorder. My favorite pieces are his topographical maps that have been carefully cut from thick rolls of gray and blue electrical tape. Many of these objects were on view as part of the Constellations show at Cornerhouse in Manchester back in 2011 and at C24 Gallery last year. However Iwasaki currently has a new collection of much larger works at the 7th Asia Pacific Triennial of Contemporary Art at GOMA in Queensland, much of which you can see over at designboom. (via artscharity.org, cornerhouse, c24 gallery, karl steel)
Artist Jeongmoon Choi uses light and thread to create amazing installations that play with aspects of perspective and illusion. Reminiscent of something produced at a laser light show, her fields of three-dimensional lines are installed in place and lit with ultraviolet light to create interactive environments. Choi currently has a solo show at Gallerie Laurent Mueller in Paris through January 26th. You can see much more of her work via her website and on Facebook. (via my modern met)
A few days ago I stopped by Carrie Secrist Gallery here in Chicago to discover a new thread installation from Kansas City-based artist Anne Lindberg (previously) called Zip Drawing. The piece was created by stapling taunt strands of Egyptian cotton thread in a meticulous yet seemingly haphazard fashion between opposing gallery walls resulting in an ethereal field of suspended color. Although these photos by Derek Porter do a great job of conveying the hue and scale of the piece (35 feet at its widest) it’s hard to feel the magnitude and energy of the piece without standing right in front of it. Stop by if you can, the exhibition runs through October 20 and also includes a number of her colored pencil drawings.
Dallas-based artist Gabriel Dawe (previously here and here) creates colorful site-specific installations using bright gradients of suspended thread. Above is a small selection of his work over the past year as part of his Plexus series. Despite the geometric precision in each installation, it’s fascinating to see how some works become sort of amorphous clouds of floating color, and I’m sure seeing these on a computer screen hardly compares to seeing them up close. See much more on his website.