Right before the imminent demolition of a massive warehouse in Brisbane, street artists Sofles (previously), Fintan Magee, Treas, and Quench had the opportunity to go wild. The four artists cover almost every inch of wall space with a seemingly unlimited amount of paint in this timelapse shot by Selina Miles. (via Neatorama, thnx Kat!)
Even though I thought I could fully anticipate what this video would look like, I still wound up being delightfully surprised. Shot and edited by Joel Schat at the 2013 Balloon Festival in Albuquerque, New Mexico. (via swissmiss)
Happy Halloween folks. Here’s a pretty spooky animation of a pumpkin carved by Brooklyn-based artist and pro pumpkin carver Chris Soria based on an illustration by Jason Smith. The piece took about 15 hours to carve. If you liked this, don’t miss Rot from last year. (via And is Better)
Update: The clip was created and directed by Joe Vaughn.
Shot over a period of three nights in April of this year, this timelapse from Sean Goebel shows the myriad telescopes at the summit of Mauna Kea in Hawaii. The clear view at 14,000 feet is the premiere location for astronomy in the Northern Hemisphere. The lasers you see are called laser guide stars and they help astronomers correct the atmospheric distortion of light by creating an artificial “star” to use as a reference point. (via Coudal)
The folks over at MyLapse just created this fascinating glimpse of Barcelona using a technique that turns timelapse footage into a kaleidoscope, similar to the Mirror City video we saw back in July. Beautiful.
Last Thanksgiving, Cerniello traveled to his friend Danielle’s family reunion and with still photographer Keith Sirchio shot portraits of her youngest cousins through to her oldest relatives with a Hasselblad medium format camera. Then began the process of scanning each photo with a drum scanner at the U.N. in New York, at which point he carefully edited the photos to select the family members that had the most similar bone structure. Next he brought on animators Nathan Meier and Edmund Earle who worked in After Effects and 3D Studio Max to morph and animate the still photos to make them lifelike as possible. Finally, Nuke (a kind of 3D visual effects software) artist George Cuddy was brought on to smooth out some small details like the eyes and hair.
The final result is pretty remarkable, if a little bizarre. Not quite out of the uncanny valley, and yet pause the movie at any moment and it feels like you’re looking at a plain portrait. While it plays the transitions are just slow enough that you’re only vaguely aware anything is happening. It’s amazing as it is weird. He tells me via email:
I wanted to make a person, I felt like I could tell a story with that, but it ended up feeling slightly robotic, like an android. I’m OK with that. Things never come out the exact way you plan them, but that’s the fun. The score I imagined would tell this woman’s life, with events speeding by as she aged, but in the end I thought it would be more interesting to go with an abstract piece of sound, and my friend Mark Reveley really came through because I love how it sounds.
Cerniello normally edits commercials and music videos for the likes of 30 Seconds to Mars and Kings of Leon, you can see much more of his work over on his website.
Designed by engineer André Waterkeyn for the 1958 World’s Fair in Brussels, Belgium, Atomium is a 102m (335 ft) tall model of a unit cell of an iron crystal (each sphere representing an atom) enlarged 165 billion times. Filmmaker Richard Bently was allowed access to shoot this great exterior and interior timelapse of the building which is comprised of 27 sequences filmed over five nights and two days. (via Vimeo)