It is almost impossible these days to click around the web without running into the work of filmmaker and architectural photographer Rob Whitworth who spends months at a time filming immersive time-lapse videos in some of Asia’s largest cities. Whitworth is currently based in Shanghai where he recently completed his latest film, This is Shangai in conjunction with JT Singh. While often extremely fast-paced it’s amazing to see the filmmaker’s camera move so effortlessly through space, a trick he achieves with the use of extremely high-powered telephoto lenses and other filming techniques. I’ve included two additional videos above which you many have seen elsewhere but are certainly worth another view.
Update: You can read a great interview with Rob over at Asia Blog.
I love to watch artists work and this time-lapse video by Australian artist Paul White white is no exception. Filmed by Johnny Blank over 30 hours it captures White working on a pencil drawing of a single wrecked vehicle, a theme of transportation meets decay that plays a prominent role in much of his artwork. The video was shown as part of a recent presentation at Semi-Permanent in Sydney earlier this month and is best viewed full-screen with HD turned on so you can see the finer details. See much more of his work here.
Magnetic putty is just like any other putty in that you can handle it, sculpt it, and squeeze it in a fist as you visualize your enemies. But place it anywhere near a strong magnetic field and it will SPONTANEOUSLY ANIMATE and move to consume anything magnetic in its path like a voracious mutated slug. In fact the putty won’t stop moving until the object has been equally engulfed on all sides. PBS Digital Studios and Shanks FX used the putty in parts of their recent film short SCI-FLY, and just posted this extended cut of special effects shots that explore its heinous capabilities. To be fair, these clips are sped up quite a bit as the actual motion of the putty consuming other objects is only faintly perceptible in real time. Want to experiment with magnetic putty yourself? Get it here.
The folks over at Teehan+Lax have just released a new tool (you’ll need Google Chrome and a pretty kickin’ internet connection) that lets you scrape public data from Google Street View to create sweeping hyperlapse videos. What’s a hyperlapse? Via Teehan+Lax:
Hyper-lapse photography—a technique combining time-lapse and sweeping camera movements typically focused on a point-of-interest—has been a growing trend on video sites. It’s not hard to find stunning examples on Vimeo. Creating them requires precision and many hours stitching together photos taken from carefully mapped locations. We aimed at making the process simpler by using Google Street View as an aid, but quickly discovered that it could be used as the source material. It worked so well, we decided to design a very usable UI around our engine and release Google Street View Hyperlapse.
The team turned their new UI over to one of their motion designers, Jonas, who made the stunning clip above. Incredible. Some other great examples of art made with Google Street View: Address is Approximate and this clip from Giacomo Miceli. (via it’s nice that)
This is one of the more impressive full moon time-lapses films you’ll ever see. Directed by Mikey Schaefer and produced by adventure filmmaker Bryan Smith, this remarkable clip captures American free climber Dean Potter as he traverses a highline tied to Cathedral Peak in Yosemite National Park. To get the wild perspective Potter used a camera equipped with a Canon 800mm super telephoto lens positioned over a mile away. Beautiful.
Update: Several people have written to clarify that this is technically not a “time-lapse” film, as both the climber and moon are actually moving in real time, it’s only the magnification of the moon that seems to mimic similar films that capture it in motion. Fair enough.
This is a beautiful video showing the exquisite control of 27-year old Indonesian artist Elfan Diary as he draws a new portrait. Watch as he works with Fine Color markers, a Sakura Pigma Micron pen, and standard Faber-Castell colored pencils over a period of about three hours. Beautiful work.
Shot just outside the San Diego Internation Airport on Black Friday this remarkable time-lapse captures every landing over a five hour period from 10:30am through 3pm. The video is of course a composite, photographer and film professor Cy Kuckenbaker shot the individual planes against a clear blue sky and then used a process called chroma key (ie. green screen) to make the sky transparent and layer the planes on top a separate video of clouds.
This gorgeous time-lapse by filmmaker Jamie Scott starts off like any other video capturing the change of the seasons with the movement of the sun, but then around :30 something pretty remarkable happens. To create the effect Scott filmed in 15 locations around New York City’s Central Park, two times a week, for six months using the exact same tripod and camera lens settings resulting in the footage you see here. (via jason sondhi)