Here’s a clever but of instrumentation and video work. Musician Steve-san Onotera, aka the Samurai Guitarist, recorded himself playing the Beatles’ Here Comes the Sun at an excruciatingly slow pace—almost 30 minutes to play the song once. He then sped the recording up 20 times and played it back, creating a sound that could easily be mistaken for some kind of modulated violin. Shooting during a sunrise was a nice touch. (via Kottke)
In this new timelapse video, woodworker Frank Howarth (previously) demonstrates how he designed and constructed a replica of the Star Wars’ Death Star out of bamboo. The Portland-based designer, who also has a degree in architecture from Harvard, shares much of his behind-the-scenes processes through his wildly popular YouTube channel. I expected to skip through different parts of the video, but Howarth has an uncanny ability to film himself working, it really is worth watching the whole thing straight through. Even the sound design is great.
Swedish photographer Erik Johansson had a vision for a digital photograph of a lake shattering like a mirror, an image he wanted to produce as accurately as possible. To achieve this effect for Impact, Johansson bought 17 square meters of mirrors, found a boat and a model, and posed all three in a stone pit until he got the best shot for the final image. Several months of planning, shooting, and editing later and he has an entire video that documents the tasks that lie far beyond the many hours he spent in Photoshop.
For this personal project Johansson shot on a Hasselblad H5D-40, edited on a Eizo CG318-4k monitor with Adobe Photoshop, and filmed the entire process with a 4k GoPro. You can see more of Johansson’s behind-the-scenes videos and finished images on his Instagram and Youtube channel. (via Colossal Submissions)
There have been countless films set against the backdrop of a post-apocalyptic New York teeming with wildlife and overgrown with plants, both Planet of the Apes and I Am Legend come to mind. In this animated short titled Wrapped from Roman Kaelin, Falko Paeper and Florian Wittmann, we instead see the demise of the city as a vivid time-lapse that blends real footage, CG, and several of its own science fiction twists. The time-lapse begins with the death of a small rat that sets in motion the complete demise of the city’s human-made infrastructure that is quickly razed by super powerful vines. They share about the project:
“Wrapped” is a VFX driven short film by Roman Kälin, Falko Paeper and Florian Wittmann that combines Time Lapse Photography with CG to create a new reality. The short explores the effects of time and change focusing on the the world’s seemingly never ending cycles. The deterioration of one is the foundation for another. This fact takes on new dimensions when the unexpected forces of nature clash with the existing structures of our civilization.
Wrapped was originally released in 2014 and was screened at over 100 festivals picking up tons of accolades along the way. The film was made viewable online for the first time ever today. (via Vimeo Staff Picks)
When looking in a science textbook or a toy mobile of the solar system, it’s easy to depict the sun, planets and moon to scale in comparison to each other. What’s not so easy to visually comprehend the staggering distance that separates each planet on its individual orbit around the sun. Filmmakers Alex Gorosh and Wylie Overstreet challenged themselves to build such a model and the result is this fascinating short film To Scale.
Starting with the Earth as the size of a marble, it turns out you need an area about 7 miles (11.2km) to squeeze in the orbit of the outermost planet, Neptune. The team used glass spheres lit by LEDs and some GPS calculations to map out the solar system on the dry bed of the Black Rock Desert in Nevada. Once nighttime arrived they shot a timelapse from a nearby mountain that accurately reflects the distance of each orbital path at a scale of roughly 1:847,638,000. Amazing.
San Francisco-based artist and illustrator Karla Ortiz works by day as a concept artist for Marvel Film Studios, but in her spare time also produces surreal fine art illustrations rendered in graphite. Seen here is a timelapse of a new piece that will be on view later this week as part of a new body of work titled Omens at Thinkspace Gallery.