It’s fascinating to know while looking at these desaturated images of the Czech Bohemian Forest that the person who shot them, Cologne-based photographer Kilian Schönberger, is color blind. One can’t help but wonder if the condition leads to a greater appreciation for light and composition present in these mysterious, fog-soaked landscapes. That said, these particular monochromatic photos from Schönberger’s Cloud Forest series are more of an exception, as he generally shoots in full color, but the results are equally as magical. You can see much more of his work over on Facebook and Behance. (via Faith is Torment)
Chinese artist Zheng Chunhui recently unveiled this exceptionally large wooden sculpture that measures some 40 feet (12.286) meters long. Four years in the making, the tree carving is based on a famous painting called “Along the River During the Qingming Festival,” which is a historical holiday reserved to celebrate past ancestors that falls on the 104th day after the winter solstice. On November 14th the Guinness World Records arrived in Fuzhou, Fujian Province where the piece is currently on display to declare it the longest continuous wooden sculpture in the world. You can see many more photos over on China News. (via Shanghaist)
It seems like nothing is safe from yarn bombing these days from airplanes to bridges to trains. Not to be outdone, Jill Watt and her sister Lorna Watt recently wrapped this magnolia tree in downtown San Mateo with more than four miles of yarn to create this awesome squid. It’s one thing to completely cover an object in textiles, but to transform a tree into an organism like this seems that much more special. Read more about how they did it on their respective blogs Knits for Life and Dapper Toad. (via Neatorama, Laughing Squid)
Known for his ethereal and seemingly weightless installations of plastic membranes suspended in midair by black hot glue, Japanese artist Yasuaki Onishi embarked on a slightly different approach with his latest work, Vertical Emptiness. Currently on view at the Kyoto Art Center, the piece is made from upside down tree branches from which is draped a delicate framework of hot glue and crystallized urea compounds. The result is a sort of frozen snowfall that connects the gallery floor and ceiling. You can see the piece in much more detail in the video above by Kuroyanagi Takashi. (via Spoon and Tamago)
In this clip shot yesterday by members of the Assumption Parish Office of Emergency Preparedness in Louisiana, an entire stand of trees is suddenly swallowed by an underwater sinkhole above a collapsing salt mine. The sinkhole is part of an ongoing environmental disaster in Bayou Corne, and efforts are underway to prevent it from spreading, however it has already forced the evacuation of an entire town. (via Stellar)
Several years ago Los Angeles-based airbrush make-up artist, photographer and designer Adam Tenenbaum was bequeathed several large vintage chandeliers that he thought might look good in his home, but to his dismay they were a bit too large. Then an idea struck him: why not hang a few in the giant tree in his front yard. The Chandelier Tree was born. Filmmaker Colin Kennedy passed the tree almost daily for nearly six years and finally decided to sit down the Tenenbaum to shoot this short documentary about this strange and beautiful tree. (via kuriositas, boing boing)
Homebush Bay in Sydney, Australia is home to the remnants of a ship-breaking yard that operated during the mid 20th-century. Large watercraft that outlived their usefulness were towed to Homebush Bay and dismantled to salvage any components that could be reused or sold for scrap.
One such ship was the SS Ayrfield, a 1,140-tonne behemoth built in 1911 as a steam collier that was later used during WWII as a transport ship. In 1972 it was brought to Homebush Bay to be dismantled, but fate would decide differently. Operations at the ship-breaking yard subsequently ceased and parts of several large vessels including the Ayrfield were left behind, the largest objects in an area now infamous for decades of chemical dumping and pollution. But only this century-old transport ship would be transformed by time into a floating forest, a peculiar home for trees and other vegetation that have since sprouted over the last few decades.
From 2008-2010 a concerted effort was made to remove many of the lingering chemicals in Homebush left from the industrial era. Not far away is the Brickpit Ring Walk, a former industrial site where nearly three billion bricks were made from 1911 through the 1980s that is now a carefully protected natural habitat. As the forest has grown inside the SS Ayrfield, the bay is now a popular place for photographers who wish to capture the uncanny sight of this strangely beautiful relic of the bay’s industrial past, not to mention nature’s resiliency.