trompe l’oeil

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with trompe l’oeil



Art

Trees Grow from Bricks and a Storefront on the Streets of New York by Pejac

April 3, 2018

Laura Staugaitis

Elusive Spanish artist Pejac (previously) travels the world creating street interventions, often integrating natural elements into man-made structures through a combination of stenciling and trompe l’oeil painting. His most recent projects have brought him to New York City for the first time, where he has created two arboreal artworks in Bushwick and Chinatown.

Pejac formed Fossil, in Brooklyn’s Bushwick neighborhood, using a brick-sized stencil to spray paint carefully placed shadows on a brick wall. This illusion of bricks sinking back and surging forward  creates a pixelated tree. Chinatown’s Inner Strength is fully hand-painted, depicting a cherry blossom branch growing out of a security gate and surrounding by flying swallows. Pejac, who often addresses humanity’s fraught relationship to the natural world, describes his newest artworks to Colossal:

Taking a sturdy structure and familiar urban element as a base, Fossil is proposing a hypothetical fatal future in which the only memory of nature is the fossilized appearance of a tree on a brick wall. Opposing the first work, Inner Strength is an empowering piece portraying another hypothetical future in which nature breaks the barriers imposed by the hand of man, recovering the lost ground along the way.

In addition to his outdoor work, Pejac occasionally creates editioned prints using a variety of techniques ranging from lithography to screenprinting. You can follow the artist’s travels on Instagram and Facebook. For those in New York, Fossil is located at 27 Scott Avenue in Brooklyn, and Inner Strength can be found at 2 Henry Street in Manhattan.

 

 



Art

Butterfly Specimen Boxes Painted as Multi-Story Murals by Mantra

October 18, 2017

Christopher Jobson

Wiener Schmetterlinge, 2017. Wien, Austria.

France-based street artist Mantra has been unveiling a series of trompe l’oeil murals that convert the facades of commercial and residential buildings into larger-than-life butterfly display cases in Spain, Austria, France, and Bogota. Seen here are a few pieces from the last year, but you can explore a bit more on Facebook.
(via Lustik)

El asalto de Apollo, 2017. Saragosse, Spain.

Mariposas de Aragón, 2017. Festival Internacional de Arte Urbano. Photo by Juanjo Fernandez.

Mariposas de Aragón, progress.

Yasuni’s Imago, 2017. Thionville, France.

Bogota, 2015.

Collaboration with Stinkfish. Vienna, Austria.

 

 



Art Craft

Ceramic Mugs That Imitate Used Cardboard by Artist Tim Kowalczyk

October 14, 2016

Kate Sierzputowski

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Ceramic artist Tim Kowalczyk is drawn to objects of little material value—crushed tin cans, ripped up cardboard, and Polaroids that have been damaged during development. It is in these typical throw aways that he finds beauty, an attraction to the history embedded in their wrinkles and folds. To memorialize these items Kowalczyk creates their likeness in clay, creating works that look exactly like mugs haphazardly formed from cardboard with “Please Handle With Care” stickers still stuck to their sides.

“Ceramic’s ability to replicate any form, texture, or surface is what draws me to the material,” says Kowalczyk in his artist statement. “Replicating real objects out of ceramic material and putting them in a tableau is my version of writing a poem. I am able to sculpt, form, design, and construct sculptures with a sense of purpose, priority, and preciousness.”

The Illinois-based artist graduated with an MFA from Illinois State University in 2011, and is the adjunct Ceramics instructor at Illinois Central in East Peoria, IL. You can see more of his work on his website or at Companion Gallery where he is represented.

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Art

An Explosive New Mural and Paintings by Collin van der Sluijs

May 10, 2016

Christopher Jobson

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From the smallest details expressed on canvas to the cracked facade of a multi-story building, Dutch artist Collin van der Sluijs is comfortable investigating what he refers to as “personal pleasures and struggles in daily life.” Working without sketches or notes, the artist dives into each artwork with spray paint, acrylics, and ink as ideas take hold and images slowly emerge. He frequently examines themes of the natural world such as the cycle of life, the depictions of various species of birds, and the psychology of beings both human and animalistic.

Van der Sluijs was most recently in Chicago where he completed a tremendous mural in the south loop as part of the Wabash Arts Corridor that depicts two endangered Illinois birds amongst an explosion of blooms. He also opened his first solo show in the U.S. titled “Luctor Et Emergo” at Vertical Gallery, featuring a wide range of paintings and drawings. You can follow more of his work on Flickr.

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Art Illustration

Quirky New Chalk Characters on the Streets of Ann Arbor by David Zinn

February 22, 2016

Christopher Jobson

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Michigan illustrator David Zinn (previously) has brightened the streets of Ann Arbor with his off-the-wall (or technically on-the-wall) chalk drawings since 1987. The artist works with chalk or charcoal to create site-specific artworks that usually incorporate surrounding features like cracks, street infrastructure, or found objects. Over the years he’s developed a regular cast of recurring characters including a bright green monster named Sluggo and a “phlegmatic flying pig” named Philomena.

Many of Zinn’s artworks are available as archival prints, and he recently published a new book titled Temporary Preserves. You can follow his almost daily street chalk adventures on Instagram and Facebook.

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Art

Hyperrealistic Oil Paintings of Haphazardly Wrapped Packages and Gifts by Yrjö Edelmann

December 23, 2015

Kate Sierzputowski

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Image provided Craighead Green Gallery

The works of Yrjö Edelmann are so precise that they translate without question as photograph. Even with double, triple, and quadruple takes it is nearly impossible to imagine that the pieces have been produced from precisely placed oil paint. The objects Edelmann depicts are not perfectly wrapped pieces, but rather haphazardly taped and constructed, often on irregularly shaped canvases to heighten the trompe-l’œil effect. Scotch tape and twine hold the wrapping paper in place, with wrinkles covering the bright and often reflective package’s surface.

Edelmann was born in 1941 in Finland, and studied at the University College of Arts in Stockholm, Sweden. Edelmann is represented by Craighead Green Gallery in Dallas, Gallerie GKM in Malmö, and Scott Richards Contemporary Art in San Francisco where he has an upcoming solo exhibition in March of 2016. You explore more of his work in detail on Artsy.  (via This Isn’t Happiness)

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Image provided Craighead Green Gallery

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Image courtesy of Scott Richards Contemporary Art

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Art

Trompe L’Oeil Ceramics That Imitate the Natural Appearance of Decaying Wood

August 18, 2015

Kate Sierzputowski

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Going Hand In Hand, 8.5″ x 26″ x 15.5″, 2015, (Ceramic, acrylic)

Ceramicist Christopher David White (previously) accurately captures the decay of wood through ceramics, portraying the distinct character of the natural material from the fine wood grain to the light ash coloration at the pieces’ edges. By utilizing a trompe l’oeil technique, White forces the viewer to take a closer look at his work while also investigating the truth hidden in the hyperrealistic sculptures.

Through his ceramic pieces White explores the reality of impermanence, often combining man and nature through treelike limbs and faces. “I seek to expose the beauty that often results from decay while, at the same time, making my viewer question their own perception of the world around them,” explains White. He hopes to highlight the fact that we are not separate from nature, but rather intrinsically connected to it.

White has a BFA in Ceramics from Indiana University and MFA in Craft and Material Studies from Virginia Commonwealth University. White’s work will be included in the exhibition Hyper-realism at the Daejeon Museum of Art in South Korea opening this fall. (via Artist a Day)

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Going Hand In Hand, 8.5″ x 26″ x 15.5″, 2015, (Ceramic, acrylic)

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Going Hand In Hand, 8.5″ x 26″ x 15.5″, 2015, (Ceramic, acrylic)

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A Walk That Is Measured And Slow, 14″ x 14″ 29″, 2015, (Ceramic, acrylic, drywall, iron oxide)

Theis Exhibition

A Walk That Is Measured And Slow, 14″ x 14″ 29″, 2015, (Ceramic, acrylic, drywall, iron oxide)

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A Walk That Is Measured And Slow, 14″ x 14″ 29″, 2015, (Ceramic, acrylic, drywall, iron oxide)

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Asphyxia, 2013, H: 11″ W: 9″ D: 11″, (Ceramic, acrylic)

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Asphyxia, 2013, H: 11″ W: 9″ D: 11″, (Ceramic, acrylic)

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Asphyxia, 2013, H: 11″ W: 9″ D: 11″, (Ceramic, acrylic)