UK agency PrettyGreen made this awesome sign for Cadbury’s Race Season, a challenge to find the world’s fastest racers including the world’s fastest coin stacker. The work required the expertise of several 2D and 3D artists and took five days to construct utilizing 31,010 coins. Check out the making of video to see how they did it. (thnx, andy!)
Alida Rosie Sayer graduated from Glasgow School of Art in 2009 and by the following year had her first solo exhibition. Layering hundreds of carefully sliced screen prints, Sayer creates three-dimensional typographic forms in this series entitled There is no why using quotes from Kurt Vonnegut’s Slaughterhouse Five.
The series of seven three-dimensional typographic illustrations were shown in their entirety at a solo exhibition titled ‘There is no why’ at Marsden Woo Project Space, Marsden Woo Gallery (London) in June – July 2010. Each piece has been made without any digital processes: every sheet printed using traditional techniques, such as letterpress or screen-printing, and cut or constructed completely by hand.
Really incredible stuff. See also her beautifully sculpted atlas. All images copyright Alida Sayer. (via it’s nice that)
An enormous typographic installation using thousands of paper components by Kyosuke Nishida and Brian Li. The work was exhibited in the FOFA Gallery hallway-vitrine for the Concordia University Design Department End of Year exhibition, during the Montréal Design Portes Ouvertes 2010. View the entire project here. (via type goodness)
The set would come in the font of your choice or with an assorted font pack. The scrabble board and interior box are made out of solid walnut, and the exterior box is made from birch. Each of the 6 board pieces is magnetized to fit together perfectly and each piece slides nicely into its respective slot in the box and is secured by interior magnets as well. The interior of the exterior box as well as the bottoms of the 6 board pieces are lined with cork, to protect them while in use.
A game board this sexy could reinvigorate an entire industry. Nice work Andrew. (via lovely package)
I’m thrilled to share the work of graphic designer Martin Pyper with you. Martin runs a small, award-winning design studio in Amsterdam called mestudio where design, craft, and time-consuming repetition converge to create incredible typographic layouts. I couldn’t imagine how much time these projects consume so I shot a quick email to Martin. As it turns out some work like the “Frontiers of Reality” stop motion clip can take up to a week to complete (though he had to repeat it at a larger scale), while he was able to do the “Boring” type using hundreds of steel pins in just two days.
The fact that it is all so time consuming is precisely the point; it is a perfect antidote to the crazy deadlines and usual design work I do sitting behind the Mac, this stuff slows me down, makes me think about materials, the structure, feeling and way type works in the real physical world, back to the roots of typography before the digital age, but also combined with the digital age.
Iwona Przybyla created this DIY embroidery calendar concept that would come packaged with the materials needed to stitch the typography for each month. I think regardless of your skill level with needle and thread you would feel pretty accomplished finishing the year. Really beautiful. (via typography served)
Oslo resident and designer Veronica Falsen Hiis settled down in a cozy snow drift to sculpt this great collection of icy type. The clarity of the letterforms is truly impressive despite the frozen medium. See also her type made from the edges of books. (via fastco)