Wearable Lettering is a project by designer Amandine Alessandra. She also created this nifty clock and website for Optimus Kanguru Kolors using the same concept of wearable typography. (via quipsologies)
UK agency PrettyGreen made this awesome sign for Cadbury’s Race Season, a challenge to find the world’s fastest racers including the world’s fastest coin stacker. The work required the expertise of several 2D and 3D artists and took five days to construct utilizing 31,010 coins. Check out the making of video to see how they did it. (thnx, andy!)
Alida Rosie Sayer graduated from Glasgow School of Art in 2009 and by the following year had her first solo exhibition. Layering hundreds of carefully sliced screen prints, Sayer creates three-dimensional typographic forms in this series entitled There is no why using quotes from Kurt Vonnegut’s Slaughterhouse Five.
The series of seven three-dimensional typographic illustrations were shown in their entirety at a solo exhibition titled ‘There is no why’ at Marsden Woo Project Space, Marsden Woo Gallery (London) in June – July 2010. Each piece has been made without any digital processes: every sheet printed using traditional techniques, such as letterpress or screen-printing, and cut or constructed completely by hand.
An enormous typographic installation using thousands of paper components by Kyosuke Nishida and Brian Li. The work was exhibited in the FOFA Gallery hallway-vitrine for the Concordia University Design Department End of Year exhibition, during the Montréal Design Portes Ouvertes 2010. View the entire project here. (via type goodness)