It turns out that watching paint mix is a heck of a lot more interesting than watching paint dry. French director Thomas Blanchard shot this lovely short of colored paints, oil, milk, and honey as they mix and bead under a macro lens. He says the video is intended as “an analogy of feelings such as anger, love, sadness and joy [as they] they mix and eventually ease.” If you liked this also check out similar liquid experiments by Ruslan Khasanov.
This exceedingly clever animation by artist Alan Warburton transforms two compositions from J.S. Bach’s The Well Tempered Clavier (Prelude and Fugue in C Major) into a visual interpretation of music. Warburton used a form of graphical notation manifested as thousands of fluorescent light bulbs mounted around a gallery space and parking garage. As each light pops on in sync with the music, the bulb shape correlates with with length and pitch of each note.
You can learn more about how Warburton and a team of programmers and sound designers created the piece over on Sinfini Music who commissioned the piece. Music performed by Pierre-Laurent Aimard.
Austrian director and visual artist Clemens Wirth created this gorgeous visual feast of gravitational experiments called Gravity. With the exception of a segment depicting digital black fabric, all the visuals were made with practical effects inside a special rig that can be rotated 360° with or without the camera. Wirth says he found inspiration both from the film Inception, and a similar project from a few years ago by Feedme Design. (via swissmiss, Vimeo Staff Picks)
Trying to describe this short film by artist Daniel Crooks (previously) is a bit challenging, but once you start watching you’ll get the idea. Crooks filmed narrow passages, alleys, and other nooks and crannies that he stitched together into this seemingly infinite corridor. Make sure to turn up the volume or put on some headphones, Byron Scullin‘s sound design adds an entirely different dimension. The piece was originally commissioned by Silvia and Michael Kantor for the National Gallery of Victoria, Melbourne.
The above clip is a trailer of sorts for an upcoming non-verbal film titled Prograve by Italian filmmaker and documentarist Sandro Bocci. The feature is billed as (translated from Italian) “an experimental film orbiting scientific and philosophical reflections on time and space, and that through various shooting techniques, fields of magnification, and an exciting soundtrack, weaves a web between science and magic.” The section shown here depicts beautiful macro timelapses of coral, sponges and other aquatic wildlife filmed under ultraviolet light. You can see additional stills from the upcoming film here. Music by Maurizio Morganti. (via Vimeo Staff Picks, Coudal)
Videographer Paul Parker used the ‘echo’ effect in video editing software After Effects to show the flight paths of birds near his home in Cornwall, UK. Parker also filmed birds flying past his window for an hour and compressed it into just a few seconds to show what it would look like if they all flew by at once. Artist Dennis Hlynsky uses the same effect any many of his own bird and insect videos seen here previously. (via Kottke)