This new promotional clip for Philips TV and Atomic Skis features several skiers wearing multi-colored LED light suits as they traverse mountains at an Alaskan ski resort at night. The brightly lit suits create a fantastic glow around each skier that illuminates anything nearby. While I don’t see him listed in the credits, the video seems to be an homage to Jacob Sutton’s L.E.D. Surfer from two years ago. (via Vimeo)
You can safely file this video titled Regular Division from artist Joe Hamilton under I don’t know what it is but I like it. One way to explain it would be a collaged cinematic journey through ornate botanical gardens … augmented with famous oil paintings. Or something? Intrigued, I reached out to Hamilton and he shares a bit via email:
Regular Division is a collaged video loop that was shot and digitally composed on location in Europe, Asia and the Middle East as part of a new series of works looking at landscape. The series responds to the impact of the digital technologies on our representation of landscape and the effect of this on our relationship with landscape.
Regular Division, the first in this series of works, features a spiral of intermingled scenes filmed from inside a number of green houses and domes. An artificial paradise of foliage under a canopy of gridded glass. The video also features high resolution images of brush strokes taken from classical oil paintings bridging a connection to the traditional medium that has played such an important role in the representation of landscape in the past.
Circle of an Abstract Ritual is the latest stop motion timelapse from artist Jeff Frost (previously) who creates short films that defy description. This latest work gathers hundreds of thousands of photographs taken over the last two years during wildfires, riots, and inside abandoned houses where he created a series of optical illusion paintings. Frost says the film “began as an exploration of the idea that creation and destruction might be the same thing,” and that it is in part “a way to get an ever so slight edge on the unknowable.” Whatever it is, or is not, it’s really up to you to decide. I definitely recommend watching through to the end for the scene with trees—keep in mind the entire film was created without digital special effects or graphics. (via Vimeo Staff Picks)
Fernando Livschitz of Black Sheep Films (previously) is back with his magnificent live video editing skills. This time the Argentina-based director transforms a typical intersection into an absurdly choreographed dance of cloned cars, bicyclists and pedestrians who at almost every moment appear destined to collide. I’ve watched this three times and I still keep yelling at the screen. So well done.
This independet film project from filmmaker Hiroshi Kondo starts as a fairly typical time-lapse journey through highways surrounding Tokyo, but quickly morphs into something entirely different. Kondo makes use of lampposts and other nighttime light sources to create this dazzling, kaleidoscopic explosion of color and motion set to music by Ayako Taniguchi.
Photographer and filmmaker Milton Tan was given unprecedented access to Singapore Changi Airport in order to film his latest timelapse of planes taking off and landing at night. In an unusual reversal, airport officials saw one of Tan’s earlier films, and immediately invited him to shoot at Changi from several restricted areas. He was at times positioned so close that you can occasionally see his tripod shake from the thrust of the jet engines.
My favorite aspect is that even when the airport appears to be busiest (Changi Airport has a takeoff or landing every minute), the airplanes only appear as abstract orbs and streaks of light moving through the sky. You can see a bit more about how it was made over on PetaPixel, and on Tan’s blog.
Artist Thomas Leveritt recently setup a special UV motion camera in Brooklyn’s Prospect Park with the intent of filming random passersby. Ultraviolet rays have the ability to expose not-yet-visible changes to human skin, namely freckles, that turn even the most unblemished faces into dark explosions of dots. Leveritt installed a monitor above the camera so people could instantly see the results, and then to heighten the effect, supplied them sunscreen in a vivid demonstration of why you should probably never again step outside without it. (via Laughing Squid, Co.Create)