Director Thomas Blanchard (previously) has teamed up with photographer Oilhack to create this dizzying new video of paint, soap, and oil mixing together titled Galaxy Gates. We’ve seen more than a handful of videos like these here on Colossal the last few years, but these guys somehow manage to push the envelope quite a bit into an entirely new realm of visual experimentation. The duo filmed for almost 4 months and included only around 2% of their work in the final edit. You can see more of their collaborative work on We Are Color.
Toronto-based filmmaker Jonah Haber recently premiered a new experimental short film titled Glow featuring dancer Niamh Wilson shot against a giant glow-in-the-dark backdrop. As Wilson moves through the piece a strobe illuminates her silhouette leaving a trail of shadowy figures against the background. What a fun idea. The film serves as the official video for Yes We Mystic’s track “Working For The Future In The Interlake“. If you liked this also check out Michael Langan and Terah Maher’s art film Choros.
When thinking of a symbolic foe to battle in a medieval book, many creatures come to mind: dragons, wolves, or perhaps rabbits, but the poor defenseless snail? It hardly makes for a powerful image. But it turns out, as with most artwork, the answer is more symbolic than literal. In the 1960s a book historian named Lilian Randall thought the illustrations found in the margins of illuminated books required more attention, leading to the publication of her own book, Images in the Margins of Gothic Manuscripts. In this episode of Vox Almanac, Phil Edwards shares what Randall learned as she investigated the curious snail fights.
For the last decade, Kansas-based photographer Chad Cowan has driven almost 100,000 miles across the United States chasing powerful supercell thunderstorms and recording them in high definition. The endeavor began as a personal project to capture a few storms as they developed but quickly grew into a full-blown obsession. Cowan has recorded hundreds of storms and condensed the highlights into this short film titled Fractal with editing help from Kevin X Barth. He shares about the nature of thunderstorms:
The ingredient based explanation for supercell thunderstorms cites moisture, wind shear, instability and lift as the reasons for their formation. I prefer to focus on the big picture. Supercell thunderstorms are a manifestation of nature’s attempt to correct an extreme imbalance. The ever ongoing effort to reach equilibrium, or viscosity, is what drives all of our weather, and the force with which the atmosphere tries to correct this imbalance is proportional to the gradient. In other words, the more extreme the imbalance, the more extreme the storm.
How fun is this? TOO FUN. Behold the latest video from art director Kouhei Nakama who uses a variety of generative and particle-based animation techniques to bring 3D figures to life in this motion graphics short aptly titled MAKIN’ MOVES. We marveled last year at another video by Nakama, Cycles. Music by Broke For Free. (via Prosthetic Knowledge)
As a companion piece to his 2012 short film “Fall,” filmmaker Jamie Scott spent the last three years filming a massive variety of flowers in this seemingly endless parade of buds opening into blooms titled “Spring.” The entire film was shot on a small mini-stage inside the wardrobe of his New York home, and the results are stitched together into this seamless time-lapse. The visuals and music were created in tandem with composer Jim Perkins who received edits and wrote the music accordingly. You can learn more about how it was shot over on Fstoppers.