Digital illustrator Chris Labrooy continues to experiment with radically unusual car designs by creating ludicrous CGI vehicle concepts based on VW Beetles, Datsuns, and Citroen C3s. Since we first mentioned his Auto Aerobics series, Labrooy decided to bring a few of his ideas to life in a series of animations titled Cut & Shut and Tokyo. You can see more of his recent work in his portfolio. (via Designboom)
As a finishing touch before glazing his wheel-thrown vases and bowls, ceramic artist Abe Haruya (previously) sets about carving the surface of each piece with various metallic tools. Many of the pieces are done freehand by sight, but some of the more complex scale-like patterns are first sketched with a pencil before Haruya carefully rakes across the surface to remove thin layers of porcelain. The videos have proven to be wildly fascinating to watch, garnering millions of views across Instagram despite a proportionally smaller following. You can catch a number of additional videos here.
Movie composer Mark Korven wanted to craft the perfect sounds for horror movies, but the instruments he needed didn’t exist, and he was tired of using the same digital samples. To produce the original effects needed for evoking breathtaking moments of suspension, he teamed up with guitar maker Tony Duggan-Smith to craft an original instrument that would better aid in manufacturing fear. The Apprehension Engine is that tool, a mechanism built with several bowed metal rulers, spring reverbs, a few long metal rods, and other attachments that allow for spooky interludes and effects.
“A normal instrument, you are playing it and expecting it to have a sound that is pleasing,” said Korven to Great Big Story, “but with an instrument like this, the goal is to produce sounds, that in this case, are disturbing.”
The Apprehension Engine expresses the emotions that cannot be expressed in other ways, triggering fear with intense sonic methods. You can listen to more music by the machine tuned to provoke horror in the video below. (via Great Big Story)
Director Thomas Blanchard (previously) has teamed up with photographer Oilhack to create this dizzying new video of paint, soap, and oil mixing together titled Galaxy Gates. We’ve seen more than a handful of videos like these here on Colossal the last few years, but these guys somehow manage to push the envelope quite a bit into an entirely new realm of visual experimentation. The duo filmed for almost 4 months and included only around 2% of their work in the final edit. You can see more of their collaborative work on We Are Color.
Toronto-based filmmaker Jonah Haber recently premiered a new experimental short film titled Glow featuring dancer Niamh Wilson shot against a giant glow-in-the-dark backdrop. As Wilson moves through the piece a strobe illuminates her silhouette leaving a trail of shadowy figures against the background. What a fun idea. The film serves as the official video for Yes We Mystic’s track “Working For The Future In The Interlake“. If you liked this also check out Michael Langan and Terah Maher’s art film Choros.
When thinking of a symbolic foe to battle in a medieval book, many creatures come to mind: dragons, wolves, or perhaps rabbits, but the poor defenseless snail? It hardly makes for a powerful image. But it turns out, as with most artwork, the answer is more symbolic than literal. In the 1960s a book historian named Lilian Randall thought the illustrations found in the margins of illuminated books required more attention, leading to the publication of her own book, Images in the Margins of Gothic Manuscripts. In this episode of Vox Almanac, Phil Edwards shares what Randall learned as she investigated the curious snail fights.