As part of a fascinating courting behavior, this Costa’s hummingbird flares the feathers around its face to create a poof of iridescent pink that bears an uncanny resemblance to the shape of a cartoonish baby octopus. The near complete lack of interest from the female bird in this video is almost comical, there’s a metaphor here. (via Geyser of Awesome)
This quick video demonstrates how to use a long elastic string anchored at the horizon of a canvas to sketch a drawing with two point perspective. With as many art and drawing classes I’ve taken, I’ve never seen this method used before. A more traditional and accurate method would involve a ruler and maybe a drafting table if you’re super fancy, but this seems like a great method for mocking up something quickly. The video posted on Facebook is uncredited and apparently came from Instagram. Anyone know the artist/designer? (via Reddit, The Awesomer)
On July 2, 1978 the New York Times made a significant technological leap when they scuttled the last of 60 manually-operated linotype machines to usher in the era of digital and photographic typesetting. When working at 100% efficiency with an experienced operator the Linotype machines could produce 14 lines per minute cast on the spot from hot lead. That number would increase to 1,000 lines per minute the very next day using an array of computers and digital storage.
Typesetter Carl Schlesinger and filmmaker David Loeb Weiss documented the last day of hot metal typesetting in a film called Farewell — ETAOIN SHRDLU (the obscure title is poignantly explained in the film). This amazing behind-the-scenes view not only captures the laborious effort to create a single page of printed type, but also the the emotions and thoughts of several New York Times employees as they candidly discuss their feelings about transitioning to a new technology. One man decides he’s not ready for the digital age and plans to retire on the spot after 49 years, while others seem to transition smoothly into the new methods of production.
This historically significant documentary was digitized in 2015 and made available online in HD from Linotype: The Film, another documentary about linotype printing that includes portions of Farewell. While I’ve always been somewhat familiar with the history of typesetting and printing, I didn’t fully grasp the absurd mechanical complexity and scale required to print a newspaper before the digital age. Each newspaper page was cast in a 40 lb. block of lead!? A huge number of employees were deaf!? If you’re a graphic design or typography professor, here’s a great way to spend 30 minutes.
Artist Carine Khalife (previously) just completed work on this swimmingly beautiful music video for Great Headless Blank, the title track of a new EP from Makeunder. The video was created using a paint-on-glass method where each frame is lit from behind and photographed, a technique popularized by Russian animator Aleksandr Petrov. Khalife occasionally pushes the tactile aesthetic even further by allowing the film to transform into three dimensions using sculpted claymation. You can read more about the film’s premise on the Creator’s Project.
This fantastic timelapse gives a stunning behind-the-scenes glimpse of animators working on the set of the new stop-motion film Kubo and the Two Strings. The film is the latest movie from animation studio Laika, who previously made Coraline, The Boxtrolls, and ParaNorman, and is the directorial debut of Travis Knight who worked as an animator on all of their previous films. You can watch an even longer version here, and the studio made a similar timelapse for the Boxtrolls.
Nope, it’s not a rare Pokemon or even a plastic toy. Behold the Rossia pacifica or stubby squid, an altogether ridiculous looking relative to the cuttlefish that was recently spotted by the E/V Nautilus off the coast of California at a depth of 900 meters (2,950 feet). Researchers in the video can be heard discussing how creature’s giant eyes almost look painted on, giving it the appearance of a discarded children’s toy. “This species spends life on the seafloor, activating a sticky mucus jacket and burrowing into the sediment to camouflage, leaving their eyes poking out to spot prey like shrimp and small fish,” says the Nautilus team in a Youtube comment. (via Gizmodo)