This stunning timelapse footage from the new Planet Earth II series on BBC One captures a wide variety of unusual fungi as it blooms at night. The clip is from the latest Jungles episode (UK only) and includes a few specimens that were shot for the very first time by Steve Axford whose fungi photography we’ve shared here many times. Unfortunately, watching Planet Earth II anywhere outside the UK legally is almost impossible until early next year, so you’ll have to hang tight for the whole episode.
Italian chemistry student Emanuele Fornasier also has a knack for photography and spent the last few months documenting the formation of crystals. The result is Crystal Birth, a timelapse of some 18 examples of electrocrystallization, where an electric current is run through a chemical solution, causing metal deposits to form over a period of several hours or days. You can see more of his chemistry and timelapse work on his website.
Canadian artist Annette Labedzki specializes in abstract figurative painting, but she’s also discovered the internet’s insatiable taste for the unusual and obscure with her Instagram account where she shares paint mixing videos. If watching paint dry is the most boring thing in the world, watching paint mix might be one of the more interesting things. For some of her clips Labedzki makes symmetrical versions, where the palette knife is obscured and everything seems to happen like magic. You can see more here. (thnx, kim!)
At the age of only 27, self-taught candy sculptor Shinri Tezuka (previously) may be one of the youngest practitioners of amezaiku, the dwindling art of candy crafting. Even though the craft dates back hundreds of years, there are only two known candy makers in all of Tokyo who roll, sculpt, and paint lollipops in this manner. Great Big Story recently stopped by Tezuka’s workshop for a quick video interview you can see below.
Installing beacons in scenes of thick forests and milky lagoons, German duo Tarek Mawad and Friedrich van Schoor of collective 3hund produced the film LUCIDin order to capture the melancholy mood of these displaced works. The short film is a surreal tale of loneliness, with long panning shots that highlight electroluminescent shapes’ placement within selected alien-like environments. The light installations are all unique to their specific landscape, and differ between groups of thin lines, small orbs submerged in water, and illuminated triangles that seem to hover above the rocky terrain.