This past weekend British artists Jamie Wardley and Andy Moss accompanied by numerous volunteers, took to the beaches of Normandy with rakes and stencils in hand to etch 9,000 silhouettes representing fallen people into the sand. Titled The Fallen 9000, the piece is meant as a stark visual reminder of the civillians, Germans and allied forces who died during the D-Day beach landings at Arromanches on June 6th, 1944 during WWII. The original team consisted of 60 volunteers, but as word spread nearly 500 additional local residents arrived to help with the temporary installation that lasted only a few hours before being washed away by the tide. (via Lustik)
Fine is a new animated short by Milan-based animator Virgilio Villoresi that tells the brief story of a soldier as painted on and pantomimed by his hands. The whole idea is a little silly in its description but Villoresi’s attention to detail in the painting, gestures, and editing really elevate this short into something pretty remarkable. (via vimeo)
Justin Kamerer aka Angryblue re-released two of his great Weapons of Mass Creation prints with cooking and art themes and added a new one: Music. The three screenprints have editions of 150 and will sell out pretty quick so head over to his shop. (via omg posters)
As if loose pages from an old Disney script were accidentally left on the set of Terminator 3, these children’s book and cartoon characters including Whinnie the Pooh, Piglet, Daffy Duck and others have clearly armed themselves for the looming fairytale apocalypse. These welded stainless steel plate sculptures are by Korean artist So Hyun Woo, many of which are from his July exhibition at Song Eun Art Space aptly titled Cruel Fairy Tales 3. My hunch is that among regular readers of Colossal, for all the people who find these unbelievably wrong or plain weird, there will be an equal sized group who finds them juuuuust right. (via song eun art space, art hub, and staart)
I usually like to give you a few screen shots to show what happens in a music video, but I can’t ruin the surprise for this one. The latest video for Best Coast directed by Daniel Garcia. (via cliptip)
What you’re looking is not the result of Photoshop. This incredible collection of photos entitled INFRA from Eastern Congo was shot by 30-year-old photographer Richard Mosse using discontinued Kodak Aerochrome film. Mosse chose this infrared film to intentionally subvert traditional photos taken from the region to help draw attention to an often overlooked conflict.
INFRA; examines the conflict in Eastern Congo using Kodak Aerochrome, a recently discontinued film that was originally developed for military reconnaissance. These extraordinary colors are not the result of Photoshop. The project seeks a new strategy to represent Congo’s intangible conflict. Mosse chose to use this infrared aerial surveillance film out of context in order to explore how photography represents a place like Congo, a place deeply buried beneath its past cultural representations, from Heart of Darkness to Tin Tin. Infrared light is invisible to the human eye, and so the work alludes metaphorically to the conflict’s lack of visibility in our global consciousness, as well as (paradoxically) this endless war’s over-saturation in the mass media. Color infrared film portrays the world in a pink palette which the photographer uses to subvert the ways in which Congo and the African continent are traditionally photographed. He deliberately wishes to break the generic rules in order to question how we see (or don’t see) this war.
(via black harbor — at the time of posting this, the site appears to be down)