Several years ago, Russian graphic designer Ruslan Khasanov was cooking with oil and soy sauce when he stopped to appreciate the strange relationship between the two fluids as the pooled and mixed in unexpected ways. The observation lead to his creation of Pacific Light, a sort of experimental music video meets science project that captures the up-close interactions of ink, oil, and soap. Khasanov just released a follow-up video—now with glitter!—called Odyssey. Music by Ilya Beshevli.
“If one is talking about sculpture then scale and skin is everything,” declared Anish Kapoor. He was speaking from India, the birthplace of the acclaimed sculptor, where his latest installation was part of the Kochi-Muziris Biennale. The skin of the object is what defines it, he goes on to explain, while scale creates a certain mystery around the object. Kapoor’s latest work, Descension, has both of these elements.
Unexpectedly set into the gallery floor is a large, seemingly endless hole. In it, a vortex of black water perpetually froths and churns. The whirlpool alters the form, or skin, of the water creating a fury of liquid that invades the walls of the gallery. Descension was on view in a corner room at the Aspinwall House in Fort Kochi, a meaningful location because the room opens to views of a peaceful sea that creates a striking contrast to the powerful whirling vortex. (via Designboom)
Fascinated by the mysteries of the ocean his entire life, photographer Pierre Carreau (previously) documents the power and serenity of ocean waves in his now decade-long project AquaViva. After obtaining a business degree and going into IT, Carreau dramatically changed course in 2004 and moved with his family to the Caribbean island of St. Barthélemy where he now photographs waves as an artistic pursuit.
Carreau’s high-speed photos capture waves that appear frozen in time, giving them an almost sculptural appearance. “Water is amazing,” Carreau says. “Basically it has no color, but through reflection and refraction it can possess all of them, the entire spectrum of light.” More from his statement about AquaViva:
Carreau observes that the photographic images of AquaViva may sometimes be perceived as objects rather than as two-dimensional representations. The play of light off the multitude of facets and curves on the water’s surface gives the image a sculptural quality that enhances the sense of stillness and power. This simultaneous depiction of roiling movement and suspended kinetic energy parallels the dual nature of the oceans and of water itself: life-giving and yet dangerous, inviting and yet fearsome, primordial and yet ever-changing and always renewed.
Seen here is a collection of new photos from 2014 mixed with a few earlier shots we had yet to feature on Colossal, and there’s plenty more to see.
Researchers at the University of Rochester’s Institute of Optics led by professor Chunlei Guo have developed a new type of hydrophobic surface that is so highly water repellent, it causes water droplets to bounce off like magic. Unlike earlier hydrophobic surfaces that rely on temporary (and slowly degrading) chemical coatings such as teflon, this new super-hydrophobic surface is created by etching microscopic structures into metal with the help of lasers. Potential applications include airplane wings that resist icing, a whole new type of rust proofing, or even a toilet that wouldn’t require water. Watch the video above to see the surface in action, and you can read Guo’s research paper here. (via Sploid)
Ontario-based photographer Stephen Orlando is fascinated with human movement and uses programmable LED light sticks attached to kayak paddles, people, racquets, and other objects to translate that movement into photographic light paintings. The act of recording motion on the surface of water surrounded by reflections creates a surprisingly unique effect, almost sculptural in nature. You can see many more photos in his kayaking, canoeing, and swimming galleries.
Self-taught artist Ben Young is a man of many exceptional talents from surfing and skateboarding to repairing furniture and working full-time as a qualified boat builder. He’s also spent the last decade exploring the art of sculpting with glass, an endeavor that’s become increasingly rewarding as galleries and collectors have started to take notice.
Using sheet after sheet of carefully cut glass, Young builds both abstract and realistic interpretations of waves and bodies of water, undoubtedly influenced by growing up near the beautiful Bay of Plenty on the northern coast of New Zealand’s North Island. Many people assume his work is made with the help of machines, or maybe even 3D printing, but instead everything is done completely by hand, from his initial sketches on paper to the manual cutting of each glass pane, a process he aptly describes as “a lot of work.”