As part of his ongoing Making Art series, filmmaker Jesse Brass sits down with artist Zaria Forman (previously) who discusses the inspiration and intent behind her giant pastel drawings of icebergs and ocean waves.
Self-taught artist Ben Young is a man of many exceptional talents from surfing and skateboarding to repairing furniture and working full-time as a qualified boat builder. He’s also spent the last decade exploring the art of sculpting with glass, an endeavor that’s become increasingly rewarding as galleries and collectors have started to take notice.
Using sheet after sheet of carefully cut glass, Young builds both abstract and realistic interpretations of waves and bodies of water, undoubtedly influenced by growing up near the beautiful Bay of Plenty on the northern coast of New Zealand’s North Island. Many people assume his work is made with the help of machines, or maybe even 3D printing, but instead everything is done completely by hand, from his initial sketches on paper to the manual cutting of each glass pane, a process he aptly describes as “a lot of work.”
You can see several more of his glass sculptures over on Tumblr, and in the video above by David Child. Young is represented by Kirra Galleries in Melbourne and the photos above are courtesy Robert Gray Photography and
Zico O’Neill. You can also follow him on Facebook. (via Faith is Torment)
You know when you’re horsing around at the beach and accidentally swallow a nasty gulp of salt water? Well I hate to break it to you but that foul taste wasn’t just salt. Photographer David Littschwager captured this amazing shot of a single drop of seawater magnified 25 times to reveal an entire ecosystem of crab larva, diatoms, bacteria, fish eggs, zooplankton, and even worms. Read more about what you probably don’t want to know at Dive Shield. We do admit the little crab larva in the lower right-hand corner is pretty darned cute. (via Lost at E Minor)
Update: Prints of this photograph are available at Art.com.
Update #2: Via JellyWatch, Littschwager offers a bit of clarification about the image.
Marine Microfauna – part of the contents of one dip of a hand net. The magnification was 2x life size, meaning that the actual frame size was a half inch high, so depending on how big the image is on your screen you can calculate the magnification as you see it. To keep as much focus as possible the sample is in as little water as possible just covering the bottom of a 60mm petri dish. That takes about 15 drops of water, but you are only seeing a very small portion of the total sample.
Artist Samantha Keely Smith paints abstract oceanic landscapes that are at once menancing and serene, a clash of light and color that she refers to as “internal landscapes.” Using oil paint, enamel, and shellac, Smith uses an additive and subtractive process by partially destroying her progress several times before completion. This cyclical process, much like the timeless crash of ocean tides against the shore, adds an additional level of texture to her work. She shares in a 2013 interview with NeverLazy Magazine:
My images are not at all real places or even inspired by real places. They are emotional and psychological places. Internal landscapes, if you will. The tidal pull and power of the ocean makes sense to me in terms of expressing these things, and I think that is why some of the work has a feel of water about it. My work speaks of things that are timeless, and I think that for most of us the ocean represents something timeless.
Currently based in New York, Smith generally doesn’t work with galleries but instead interacts directly with collectors. You can see more recent work on Tumblr and Facebook. (via My Modern Met, Incomplete)
Photographer Alberto Seveso (previously) just released a new series of ink plumes photographed underwater against a black background titled Blackground. The Italian photographer and illustrator now lives and works in Bristol, UK where he does commercial work for digital brands, magazines, and album covers. Seveso was also kind enough to let us use an image from Blackground as part of small Colossal design refresh for the next few months.
The folks over at Science Friday made this fascinating video about the Leidenfrost Effect, where water dropped on an extremely hot surface is capable of floating instead of immediately evaporating. While studying the bizarre effect, physicists at the University of Bath realized that not only does the water float, but under the right conditions and temperatures it can actually climb upward. The playful experiments lead to the creation of an incredible superheated maze. (via The Awesomer)
This little wood automaton is meant to mimic the effect of a water drop hitting a body of water, all using concentric rings cut from wood that are manipulated by a hand crank. The piece was created by UK-based designer Dean O’Callaghan, inspired by the work of Reuben Margolin (most likely his round wave sculpture). (via The Automata Blog)