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Art

Monumental Pastel Drawings of Endangered Icebergs by Zaria Forman

September 1, 2017

Kate Sierzputowski

"Whale Bay, Antarctica no.4" (In progress), Soft Pastel on paper, 84" x 144", 2016

“Whale Bay, Antarctica no.4″ (In progress), Soft Pastel on paper, 84″ x 144”, 2016

Zaria Forman (previously here and here) creates incredibly realistic drawings of Antarctica’s icebergs, producing large pastel works that capture the sculptural beauty of the quickly shrinking forms. This past winter, the artist had the opportunity to be side-by-side with the the towering ice shelfs, observing their magnitude aboard the National Geographic Explorer during a four week art residency.

The residency gave her the opportunity to further embody the natural formations, providing a new perspective to create her large-scale drawings.

“Many of us are intellectually aware that climate change is our greatest global challenge, and yet the problem may feel abstract, the imperiled landscapes remote,” says Forman. “I hope my drawings make Antarctica’s fragility visceral to the viewer, emulating the overpowering experience of being beside a glacier.”

Forman has a solo exhibition of her work titled Antarctica opening at Winston Wächter gallery in Seattle on September 9 and running through November 4, 2017. You can watch a timelapse of Forman completing her drawing Whale Bay, Antarctica no.4  in the video below. (via Juxtapoz)

"Whale Bay, Antarctica no. 2," Soft pastel on paper, 50" x 75", 2016

“Whale Bay, Antarctica no. 2,” Soft pastel on paper, 50″ x 75″, 2016

"Whale Bay, Antarctica no. 1," Soft pastel on paper, 60" x 90", 2016

“Whale Bay, Antarctica no. 1,” Soft pastel on paper, 60″ x 90″, 2016

"Cierva Cove, Antarctica no. 1," Soft Pastel on paper, 60" x 90", 2017

“Cierva Cove, Antarctica no. 1,” Soft Pastel on paper, 60″ x 90″, 2017

"Risting Glacier, South Georgia no. 1," Soft pastel on paper, 84" x 144", 2016

“Risting Glacier, South Georgia no. 1,” Soft pastel on paper, 84″ x 144″, 2016

“Lemaire Channel, Antarctica,” Soft pastel on paper, 44″ x 60″, 2015

"B-15Y Iceberg, Antarctica no. 1, Soft Pastel on paper," 72" x 72", 2017

“B-15Y Iceberg, Antarctica no. 1, Soft Pastel on paper,” 72″ x 72″, 2017

"B-15Y Iceberg, Antarctica no.2" (In progress), Soft pastel on paper, 60" x 90", 2017

“B-15Y Iceberg, Antarctica no.2″ (In progress), Soft pastel on paper, 60″ x 90”, 2017

 

 



Photography

New Photographs of Monumental Waves Crashing in Australia by Warren Keelan

February 8, 2017

Christopher Jobson

Australian photographer Warren Keelan (previously) captures crashing waves from beside, and sometimes within their swell. Clad in a wetsuit he takes to the South Coast of New South Wales, Australia to photograph the dazzling curvature of waves right as they break. Keelan sells prints of both the waves and sea life he comes across during his swims on his website. You can see more of his work on his Instagram and Facebook.

 

 

 



Art Photography

Surreal Photo Manipulations by Laurent Rosset Turn Landscapes into Giant Waves

April 29, 2016

Christopher Jobson

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Architect and digital artist Laurent Rosset creates sweeping photographic landscapes that seem to curl upward into infinity like an enormous wave that obliterates the sky. Rosset uses much of his own photography to create each image and enjoys discovering how even slight manipulations can vastly change the composition or meaning of a photograph. You can see more of his work on Instagram, and if you liked this also check out Aydin Buyuktas. (via Colossal Submissions)

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Photography

Photos of Monumental Waves Crashing in Australia by Warren Keelan

April 20, 2016

Christopher Jobson

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Trying to capture a medium that’s in a constant state of flux would seem stressful in any situation, but photographer Warren Keelan works comfortably in a wetsuit amongst crashing waves on the South Coast of New South Wales, Australia, always trying for the perfect shot. Whether working completely submerged or perched precariously on the cusp of a behemoth swell, he’s consistently able to find the right angle and lighting to highlight the monumental power of the constantly moving ocean. He shares about his process:

I’ve always had a fascination with nature, especially the ocean and its ever changing forms, and I am compelled to capture and share what I feel are special and unique moments in the sea. I love the raw, unpredictable nature of water in motion and the way sunlight brings it all to life, from both above and below the surface. For me, the challenge is creating an image that hopefully tells a story or leaves an impression on the viewer.

Keelan has a gallery in his hometown of Wollongong, Australia, and many of his photos are avilable as prints online. You can also follow him on Instagram. (via This Isn’t Happiness)

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Photography

Photographer Spends Years Documenting Immense Storm Waves that Crash Against the Porthcawl Lighthouse

December 10, 2015

Christopher Jobson

waves-1

All photos © Steve Garrington

For the last six years photographer Steve Garrington has spent countless hours documenting the oceanic events surrounding a single lighthouse in Porthcawl, Wales. Built in 1860, the lighthouse itself is pretty run-of-the-mill, but the events that unfold around it as stormy winds sweep in from the Bristol Channel are anything but ordinary. Because of the point’s unique sloped design, crashing waves are easily launched to extraordinary heights, especially during bad weather. It’s a wonder the structure is even standing after all these years. You can explore more of his photography on Flickr, specifically his waves album.

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Design Music

The “Sea Organ” Makes Perpetual Music with Ocean Waves

November 22, 2015

Christopher Jobson

While many of us are content to listen to the natural sounds of ocean waves, architect Nikola Bašić took things a step further and faciliated a means for ocean currents to produce actual music. Behold: the Sea Organ. Constructed in 2005, the acoustic jetty spans some 230 feet (70 meters) and incorporates 35 polyethylene tubes of varying diameter. As waves flood each tube underwater, displaced air is forced through large whistles tuned to play seven chords of five tones. Day in and day out, music seems to emanate from the ground, a playful interplay between nature and design. Listening to the video above, the sound is somewhat like random chords played by a huge calliope.

Bašić’s Sea Organ won the 2006 European Prize for Urban Public Space, and was inspired by a 1986 piece in San Francisco of similar design called the Wave Organ by Peter Richards and George Gonzalez. (via IFLScience)

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linssimato/Flickr. (CC BY-NC-ND 2.0)

 

 



Art

These ‘Chiseled’ Glass Wave Vessels by Graham Muir Appear Frozen in Motion

October 15, 2015

Christopher Jobson

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Precariously resting atop a pedestal, these wave-like glass vessels by Scottish artist Graham Muir seem to defy gravity as if frozen in a moment before crashing into the ocean. Using techniques perfected over the last decade, Muir achieves delicate shapes that seem almost chiseled or fractured, but are in fact accomplished when working while the glass is still hot. He shares via his artist statement:

Such work speaks quietly of the harmony between maker or makers and the medium. It is often the result of a path that involves many failed attempts but results in a piece all the stronger for that, where nothing needs neither added nor taken away.

I find glass to be a material that does not respond well to being dominated by the artist. For me the concept of the work is just the starting point for a conversation between the artist’s idea and the material. The artist flags up the idea, the medium responds and the discussion begins. However the material must not dominate proceedings either and hot glass, as most who work in it know, can be very persuasive in having its own way.

Muir most recently had pieces on view as part of an exhibition of Scottish makers through Gallery TEN at Saatchi Gallery during Collect in London earlier this year. You can see more of his waves on his website. (via My Modern Met)

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