Chinese artist Zheng Chunhui recently unveiled this exceptionally large wooden sculpture that measures some 40 feet (12.286) meters long. Four years in the making, the tree carving is based on a famous painting called “Along the River During the Qingming Festival,” which is a historical holiday reserved to celebrate past ancestors that falls on the 104th day after the winter solstice. On November 14th the Guinness World Records arrived in Fuzhou, Fujian Province where the piece is currently on display to declare it the longest continuous wooden sculpture in the world. You can see many more photos over on China News. (via Shanghaist)
Currently on view on the roof of the Madison Museum of Contemporary Art in Wisconsin, ‘Picnic‘ is a new functional sculpture by arist Michael Beitz (previously here and here). The roller coaster meets picnic table is made out of plywood and took the artist nearly a year to build using a special jig the artist says was reminiscent of a medieval torture device. Beitz is known for transforming pieces of wood furniture like sofas, chairs, and tables into twisting and undulating sculptures, many more of which you can see on his website. All photos courtesy Michael Beitz.
Created by designer Nando Costa (previously) The New American is a painstakingly crafted motion graphics animation that was laser cut into a series of 800 individual maple blocks, a process that took nearly two years. Of the work Costa says:
The abstract storyline showcased in this piece is a concoction of a variety of ideas and can perhaps be described as a union between concepts and experiments born during the Situationist movement and real life events experienced during the last few years in American society. Particularly the duality between the economic downturn and the shift in values and beliefs of many citizens.
Based in Richmond, Virginia artist Morgan Herrin transforms the most humble material—laminated construction grade 2x4s—into spectacularly detailed figurative sculptures. His choice of imagery is surreal: a noble 15th century knight melts into a network of dripping stalagmites or a classical marble bust that is overgrown with parasitic sea creatures. The resulting works are a fascinating juxtaposition of material and subject matter that require up to a year of labor to produce. Of the untitled knight piece Herrin says:
Untitled (Knight) is the product of the combination of two subjects: 15th century plate armor, and geological cave structure. Studied separately, these two subjects are completely unrelated. The manmade geometric precision of plate armor is formally opposite of the flowing, organic stalactites and stalagmites. Seen together, these two parts present a striking contrast in form and create a theme of time and the effects of nature. The pose of the figure and the general composition are references to the classical sculpture “The Dying Gaul” of ancient Roman antiquity. Rendered entirely in laminated construction-grade 2 by 4s, the material itself irreverently contradicts this classical allusion, and at the same time draws attention to our own culture’s reliance on the fast, cheap, and impermanent.
Paul Roden and Valerie Lueth over at Pittsburgh-based Tugboat Printshop just announced a new woodcut print titled Moth. Shown in production here, the final piece will be a 2-color print measuring 18″ x 25″ and is now available for pre-order. Art and design blogs everywhere were smitten earlier this year with their equally beautiful Moon print. The duo also has an upcoming exhibition of woodcut prints at the Arm in Brooklyn, opening Thursday, November 7th.
Created by Colombian artist Otoniel Borda Garzón, this towering 40 foot (12 meter) torando of scrap wood was installed last year as a centerpiece at the Bogota International Art Fair. Garzón is known for his twisting organic vortices constructed primarily from old pieces of lumber that seem to dominate gallery spaces, an ongoing series of work he refers to simply as Reserva. You can see more of this twisting sculpture over on Behance.