Here’s something unexpected. Just spotted this new sculpture of a bird made from dozens of birdcages by Kum Chi-keung as part of the Sculpture Dimension exhibition at Grotto Hong Kong. Click for a bit more detail.
A number of new works by Deborah Butterfield who assembles these striking horse sculptures using tree branches made from bronze.
I can’t imagine the process involved in finding the perfect piece of wood for each delicate line. Her upcoming show at Danese in NYC runs September 9 through October 8, 2011. (via ex-chamber)
While in residence at the Bemis Center for Contemporary Arts in Omaha, artist Michael Beitz (previously) built this 10-foot-long outdoor picnic table that seemingly overflows its space on a gallery terrace and drips down a railing to a level below. The table was built from laminated poplar and marine epoxy and a video about its development and construction can be seen here. Special thanks to the Bemis Center for providing imagery for this post.
Behold the breathtaking sculptural work of Canadian artist Maskull Lasserre who deftly extracts the most delicate anatomical forms of humans and animals from common objects. Lasserre was born 1978 in Calgary, Alberta and has lived in South Africa and Ottawa and now works and lives in Montreal. Via his website:
Lasserre’s drawings and sculptures explore the unexpected potential of the everyday and its associated structures of authority, class, and value. Elements of nostalgia, allegory, humor, and the macabre are incorporated into works that induce strangeness in the familiar, and provoke uncertainty in the expected.
His snake skeleton axe entitled Secret Carpentry is one of the most superb sculptural objects I’ve ever seen and don’t miss his work with computer software manuals, newspapers, coat hangers, and tree branches. Lasserre is currently part of a group exhibition at the Pierre-François Ouellette art contemporain (PFOAC) in Montreal through August 6, followed by a solo show in the same space starting in November.
Carbon Sink is a controversial new installation at the University of Wyoming by British artist Chris Drury. The sculpture, a 36-foot spiral of logs morphing into charred coal, is constructed from trees that have died from skyrocketing beetle infestations across the western United States. The beetles population is usually tempered by cooler weather, but as global temperatures have grown steadily warmer due to climate change caused from the burning of fossil fuels and, ahem, coal, the insects have flourished resulting in decimated forests. Sounds like the perfect message for an art installation to me. However lawmakers in this coal mining state aren’t happy and veiled threats have been made to potentially cut funding to the university. For now the school is standing by Drury saying they support his artwork while not necessarily endorsing its message. (via lustik and climate adaptation)