I was delighted to stumble onto the work of Korean artist Kim Yong Soo whose artwork, at first glance, takes on the somewhat familiar appearance of traditional Japanese paintings of cherry tree bossoms. Closer inspection reveals a textured assemblage of semi-conductors, speaker wires, and acrylic cement, used to form the delicate tree branches, flowers, and ominous humanoid figures that bring an unexpectedly dark presence to these otherwise serene paintings.
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