In an attempt to subvert traditional embroidery culture, Lithuanian artist Severija Inčirauskaitė-Kriaunevičienė applies standard floral and decorative patterns found in embroidery magazines to metallic objects like plates, spoons, lamps and even car doors. The juxtaposition of functional objects emblazoned with traditional textile work is certain unexpected and little amusing, an aspect Severija further illustrates with some of her more humorous pieces depicting cigarette butts embroidered at the base of a tin can, or the skewed reflection of a person’s mouth on the edge of a spoon. From an essay on her work by Dr. Jurgita Ludavičienė:
Employing irony, Severija conceptually neutralizes the harmfulness of kitsch’s sweetness and sentimentality. Irony emerges in the process of drawing inspiration from the postwar Lithuanian village, with which artists have lost connection today, or from the destitute Soviet domestic environment, which women were trying to embellish with handicrafts, no matter what kind of absurd forms it would take. The intimacy of indoors freed from all tensions is the essence of coziness, that is crystallized in Severija’s works as cross stitch embroidery on various household utensils not intended for it.
You can see much more of her embroidery work right here.
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