When looking at Swiss painter Conrad Jon Godly’s mountainous paintings, it takes a moment to truly appreciate the incredible skill behind what seems to be such an effortless application of paint. Up close the landscapes appear to be a thick, almost random mix of blue, white and black, the result oils mixed with turpentine to create a thick impasto that Godly often leaves dripping from the canvas. Take a few steps back (or just squint your eyes a bit) and miraculously you might as well be looking at a photograph of the Swiss Alps. It’s a visual trick that the artist has perfected in both small and large-scale paintings over the last few years.
Godly studied as a painter at the Basel School of Art from 1982 until 1986, but then worked as a professional photographer for 18 years. He only returned to painting in 2007 and it would seem his photographic work has had a subtle influence on his abstract painting. The artist most recently had exhibitions at Gallery Luciano Fasciati and Tony Wuethrich Gallery in Switzerland, and you can see many more paintings on his website. (via OEN, A Wash of Black)
Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!