Starting with daily covers of the Financial Times, the Gazette, or the New York Times, Montreal-based paper artist Myriam Dion (previously) cuts sweeping lace-like patterns into collages of newsprint. In earlier artworks Dion left newspaper covers intact while delicately cutting her patterns with an X-ACTO knife, but in recent pieces she’s also incorporated collage. Sometimes multiple covers are cut to create repeating patterns or text is overlaid with photographs. The fragile collages are usually titled after each individual newspaper’s date and primary subject, a strange juxtaposition given the beauty conveyed in her patterns can be at odds with the content: “Thursday April 17, South Korean Ferry Disaster“. Via Division Gallery:
At a period in history where printed news faces extinction, Myriam Dion’s intricate newspaper cut-outs explore the intersection between folk traditions and popular culture. Crafting thoughtful mosaics out of world events, she questions our appetite for sound-bite news and sensational art, showing us the quiet power of a patient hand and an inquisitive eye.
Dion had her first solo exhibition at Division Gallery earlier this year which also represented the final project of her master’s degree from the Université du Québec à Montréal. You can see more in her portfolio and at Division Gallery.
Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!