Japan-based artist Ayumi Shibata (previously) constructs intricate paper cities and natural landscapes that both fit in the palm of her hand and are expansive enough to pass through on foot. Using dozens of layers of paper for a single project, Shibata carves miniature houses, clouds, and tree-filled forests that eventually are illuminated in glass vessels, stored safely in a book, or erected in large-scale installations.
The artist tells Colossal that she doesn’t use pencil outlines, in part because the white paper isn’t durable enough to be erased if there’s an error. More
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