In his new print “Journey to Zen,” artist Thomas Yang (previously) focuses on the mental benefits of his favorite pastime. The Singapore-based artist is behind 100 Copies, an ongoing print project in which he releases limited-edition works centered around his love of cycling—previous iterations include architectural renderings inked with bike tires and a competitive peloton of riders.
“Journey to Zen” renders a lone cyclist in a manner similar to a Japanese sand garden, using long, uninterrupted strokes of black ink. “To simulate that particular style with continuous lines or samon (砂紋) in the gravel, I had decided to use a rake paintbrush as part of the tool. To familiarise (myself) with the brush, it took me quite a while to practice on the strokes and shades, especially for those curvy ones,” the artist shares. Once complete, Yang digitally enhanced the brushtrokes and printed the piece on textured paper to deepen the stone-like effect.
Born out of a period of uncertainty, the fluid and composed lines represent the meditative qualities of the sport and its ability to serve as an outlet for stress and anxiety. “Sometimes, taking our bike out for a ride brings us on an inward journey,” Yang says. “Almost like a form of Zen meditation, the noise fades, our mind clears, and all we are focused on is the path before us. The longer and farther we go, the more we learn about ourselves and the nature of our mind.”
There are still a few “Journey to Zen” prints available on 100 Copies, where you can find more of Yang’s available works.
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