Art

#birds #busts #porcelain #sculpture

Traditional Chinese Characters and Motifs Cover Ming Lu’s Porcelain Busts and Ducks

June 18, 2021

Grace Ebert

“Dialogue, Reaching the Station We’ll Never Reach” (2019), blue and white porcelain, 26 x 18 x 18 centimeters. All images © Ming Lu, shared with permission

Artist Ming Lu melds multiple facets associated with Chinese culture in her delicate blue-and-white porcelain works. She utilizes traditional craft techniques to sculpt ubiquitous cultural symbols often found throughout the streets of Chinatown, encompassing both the Berlin-based artist’s broad cultural connections to her native country and more personal interactions.

In the three busts that comprise “Dialogue,” for example, Ming Lu transcribes conversations with her partner in calligraphic script. Titled “Reason,” “Trick,” and “Reaching a Station We’ll Never Reach,” the self-portraits embody a contemporary change in situation and perspective through a classic medium. Similarly, a trio of butchered ducks evokes the popular dish in form and are coated in a traditional floral motif, a cracked glaze, and characters depicting an old-fashioned spelling of “I love you.” Each of the birds strikes a balance between history and more contemporary culture, which Ming Lu describes:

It’s a funny experience when I first went to Chinatown and I saw these roast ducks hanging on the restaurant windows. We don’t do this in China, at least not in the cities I’ve been to. It’s a funny experience for me. And when you go to a museum, in the “China” (the country) section, you see many porcelains. It also represents China in a way as in history, especially in Ming and Qing dynasties, (porcelain) was one of the largest export commodities, so I put them together.

Ming Lu works across mediums, and you can see more of her sculptures, paintings, and embroideries on her site. Some of the pieces shown here on view through July 3 as part of her solo show Tigress, Tigress at BBA Gallery in Berlin and in a group exhibition running June 24 to 30 at Kühlhaus Berlin.

 

“Blues Is My Business” (2019), blue and white porcelain, 30 x 16 x 9 centimeters

Detail of “Dialogue, Reason” (2019), blue and white porcelain, 26 x 18 x 18 centimeters. Photo by Christian Schneider

“Dialogue, Reason” (2019), blue and white porcelain, 26 x 18 x 18 centimeters. Photo by Christian Schneider

“Blues Is My Business” (2019), blue and white porcelain, 30 x 16 x 9 centimeters

“Will You Still Love Me Tomorrow” (2019), blue and white porcelain, 30 x 16 x 9 centimeters

“Wonderful World” (2019), ge porcelain, 30 x 16 x 9 centimeters

#birds #busts #porcelain #sculpture

 

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