Calvin Nicholls

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Art Craft

Intricate Paper Animals Spring from Textured Sculptures by Artist Calvin Nicholls

March 1, 2021

Anna Marks

All images © Calvin Nicholls, shared with permission In Calvin Nicholls’s sculptural forms, feathered and furry creatures are meticulously crafted from small pieces of white paper. When viewed up-close, their texture resembles the fullness of a wintery landscape, but in full form, the Canadian artist’s animals are so vivid that they appear as though they could leap, fly, and spring out of the canvas. Nicholls (previously) seamlessly examines and sculpts every detail of an animal’s body, from the difference in plume texture in doves to the strained muscles of a giraffe to the intoxicating stare of a tiger stalking its…

 

 



Art

Haut-Relief Portraits of Animals Come Alive in Detailed Paper Sculptures by Calvin Nicholls

January 29, 2018

Laura Staugaitis

Canadian paper artist Calvin Nicholls (previously) continues to build striking likenesses of wildlife, featuring birds, bears, and foxes rendered in haut-relief sculpture. Despite working in monochromatic palettes of white and off-white paper, he imbues the animal portraits with a sense of liveliness and realism. Innumerable slivers of paper create lifelike feathers and fur, and each creature is shown in a naturalistic pose—snuggled down for a rest, or wings stretched in flight. Nicholls accepts commercial commissions and some of the works shown below are from a holiday window display for the jeweler David Yurman. You can see a video of the…

 

 



Art Craft

Delicate Layered Paper Sculptures of Birds and Other Animals by Calvin Nicholls

August 31, 2015

Christopher Jobson

Straddling a line between 2D and 3D, paper artist Calvin Nicholls forms carefully cut and layered paper sculptures of animals that seem to break free from the surrounding matboard and hover just above the surface. To achieve the haut-relief effect (a process he shares online), Nicholls first works from a drawing which he uses as a template for the various paper components. Using an X-ACTO knife, scalpels, and scissors he then carefully cuts pieces of paper and glues them in place. Each piece can take anywhere from a few weeks up to two years depending on scale and complexity. Nicholls

 

 

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