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Eroded Replicas of Iconic Sculptures Reveal Crystal Formations in New Sculptures by Daniel Arsham

January 5, 2020

Grace Ebert

“Blue Calcite Eroded Moses” (2019), blue calcite and hydrostone, 102 3/8 x 46 7/8 x 49 3/16 inches. All images © Daniel Arsham and Perrotin, shared with permission Artist Daniel Arsham (previously) re-envisions some of the most well-recognized sculptures of classical antiquity in Paris, 3020, his recent series of replications marred with lightly pigmented crystals. Both “Vénus de Milo” and Michelangelo’s “Moses” find their heads, arms, and torsos eroded in patches by blue calcite. The New York-based artist spent a year inside the Réunion des Musées Nationaux – Grand Palais, a 200-year-old French studio known for reproducing iconic European works,…

 

 



Art

JR, Faith XLVII, and Two Dozen More Mural Artists Convene to Celebrate the Legacy of Dr. Maya Angelou

July 15, 2019

Laura Staugaitis

Rabi of Cyrcle & JR’s Insideout Project, Los Angeles (2019). Photo: WISEKNAVE Fine Art Documentation Muralists from around the world including JR, Faith XLVII, Axel Void, and Daniel Arsham came together for a weeklong Maya Angelou Mural Festival in Los Angeles celebrating the legendary poet. The artists, numbering more than two dozen, decorated the Dr. Maya Angelou Community High School with wall-scaling paintings that depicted or celebrated the visage and message of Dr. Angelou. Rabi and JR (previously) used Angelou’s “I Know Why The Caged Bird Sings” in their design; Faith XLVII (previously) drew inspiration from the phoenix, a frequent…

 

 



Art

A Decade of Daniel Arsham's Material Explorations Opens at Amsterdam's MOCO Museum

January 29, 2019

Sasha Bogojev

Daniel Arsham, “Hidden Figure” (2011), all images by Sasha Bogojev Connecting Time is an exhibition that spans a decade of work by Daniel Arsham (previously), and was organized in collaboration with Galerie Ron Mandos and Perrotin for MOCO Museum in Amsterdam. In addition to the debut of Calcified Room and a specially designed iteration of Amethyst Ball Cavern, is one of the iconic pieces Hidden Figure (2011) from the Elastic Walls series. The piece is constructed from fiberglass, paint, and joint compound, and is a classic example of the artist’s ongoing play with the perception of physical space in addition…

 

 



Art

A 300-Foot Tunnel Excavated Through Walls Examines the Creative and Destructive Powers of Mankind

February 22, 2016

Kate Sierzputowski

All images courtesy Daniel Arsham In his latest exhibition, “The Future Was Then,” Daniel Arsham (previously here and here) carved a path through the SCAD Museum of Art’s Pamela Elaine Poetter Gallery utilizing a series of faux concrete walls. The 300-foot-long series of walls starts with the cutout of an abstract shape roughly the size of a human body. As one looks at the progression of carvings and walls, the holes begin to form a representational shape, ending in the fully formed outline of a life-size human. The “Wall Excavation” installation explores how mankind interacts with architecture, continuously building and…

 

 



Art

New Hydrostone Sculptures by Daniel Arsham Isolate Human Gestures

October 30, 2015

Kate Sierzputowski

“Pyrite Hands in Prayer” 2015 (All images courtesy Galerie Perrotin) We’re no stranger to Daniel Arsham‘s figural sculptures (previously here and here), works that use basic materials like broken glass or hydrostone to produce life-size human figures and technological objects like boom boxes, cameras, and video game controllers. In his newer works Arsham focuses more intently on the human figure, creating full bodies and discrete gestures like hands folded in prayer, clasped together, or clutching a basketball. In each, the sculpture is seen in various states of decay, chunks missing from the work like it has been eaten away by…

 

 



Art

A 10,000 Square Foot Ball Pit Situated Within a National Museum Lets Visitors Experience the Beach Indoors

July 7, 2015

Kate Sierzputowski

All images by Noah Kalina Brooklyn-based experimental studio Snarkitecture is bringing the ocean indoors, transforming water and waves into nearly one million recyclable translucent plastic balls. Covering 10,000 square feet of the National Building Museum in Washington D.C., the interactive installation titled “The BEACH” will include white beach chairs and umbrellas to simulate seaside vibes, while maintaining the monochrome feel that Snarkitecture has become known for. Snarkitecture primarily works within the space between art and architecture, blending experience and design. The collaborative firm was started by Alex Mustonen and Daniel Arsham and they explain that their focus is “on the…