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Infinite Architectural Metropolises Balance Order and Chaos in Benjamin Sack’s Drawings

June 23, 2021

Grace Ebert

In Benjamin Sack’s imagined environments, it's not uncommon to find angular mazes resembling dystopian structures, buildings packed so closely together it's difficult to distinguish one from the next, and labyrinthine walkways that spiral like fractals. Working in pen and ink, the artist (previously) draws intricate black-and-white metropolises that waver between organization and chaos: He plays with geometry, angles, and dimension to render perplexing maps teeming with both traditional architecture and surreal additions, like treble clefs, astral shapes, and dizzying line- and dot-work. While many of Sack's…

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Ad Infinitum: Pen & Ink Drawings by Benjamin Sack Depict Infinite Cityscapes

November 30, 2017

Christopher Jobson

Artist Benjamin Sack (previously) is fascinated by the infinite, expanses of architecture that fractalize and spiral into never ending metropolises. Skyscrapers, bridges, cupolas, and arches all packed densely together create a city that could hardly be navigated, but when viewed from above result in a sort of chaotic perfection. Sack most recently completed his third voyage aboard the MS Amsterdam as an artist-in-residence where he finds endless inspiration from various ports and cities as he works aboard the ship. He also just opened a solo show titled Ad Infinitum at Ethra Gallery in Mexico City through December. Explore more of…

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Impossible Cityscapes by Benjamin Sack Draw Inspiration From Cartography and Musical Compositions

November 3, 2019

Andrew LaSane

At the Direktorenhaus Museum in Berlin this past week, a solo exhibition of detailed architectural drawings by Virginia-based artist Benjamin Sack (previously) opened to the public. Titled Labyrinths, the collection of new works features vast cityscapes comprised of impossible inner-geometries. The maze-like urban maps reference musical compositions and various symbols found in cosmology. Often creating based on what he calls a "fear of blank spaces," Sack tells Colossal that his starting point for each drawing is different. Finding inspiration in history, cartography, and his own…

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