Dance

Section



Art Dance

Bronze Figures Explore Movement in Sculptures by Coderch & Malavia

January 5, 2021

Grace Ebert

“Clio’s Dream” (2020), bronze and blue patina. All images © Coderch & Malavia, shared with permission

At the center of Coderch & Malavia’s artistic practice is the beauty of the human figure and its various expressions. The Valencia-based duo works collaboratively to cast bronze sculptures that explore the nuances of the body through dance-like movements and distinct gestures. Natural details like golden branches and feathered wings embellish many of the heavily patinaed works, Coderch & Malavia share, to evoke themes from classic literature, theater, photography, cinema, and ballet. “The human being is three-dimensional,” they say. “Probably that is the main reason why we are attracted to sculpture. It is the closest artistic representation of ourselves.”

After a discussion on intentions for a new project, the pair generally works with a live model to help the sculpture take shape. “The complicated part is organizing and sharing the physical creation of the work itself because you need double discipline,” they say. “You must learn to trust your partner and be able to share your ideas and your work with him, and, above all, you must put your ego aside in order to stay equal to commit to the final result.”

Get a glimpse into Coderch & Malavia’s process on their site and Instagram, where you can also follow their upcoming exhibitions.

 

Detail of “Clio’s Dream” (2020), bronze and blue patina

Detail of “Haiku” (2019), bronze

Detail of “Haiku” (2019), bronze

“Moonlight Shadow” (2019), bronze, 80 centimeters

“Odette” (2018), bronze, 68 centimeters

Detail of “Moonlight Shadow” (2019), bronze, 80 centimeters

Detail of “Odette” (2018), bronze, 68 centimeters

“Haiku” (2019), bronze

 

 



Animation Dance Music

Digital Dancers Groove Through the Streets of Istanbul in Shape-Shifting Costumes

November 23, 2020

Grace Ebert

Directed and animated by Istanbul-based Gökalp Gönen, a camouflaged cast grooves to Ilhan Ersahin’s jazzy new track, “Hurri-Mitanni (Good News),” in a mesmerizing series of transformations. The anonymous characters don amorphous, animated costumes as they dance throughout the streets and in empty pockets of the city, morphing from a floral ensemble to an oversized figure covered in kaleidoscopic spirals to another trapped in string.

Keep up with Gönen’s lively projects on Vimeo and Instagram. You also might enjoy this hypnotic animation by Universal Everything.

 

 

 



Amazing Dance Music

Listening to Swan Lake Awakens the Memory of a Former Ballerina with Alzheimer’s

November 11, 2020

Christopher Jobson

We’re not crying, you’re crying. Music’s ability to improve the mood and boost cognitive skills in people with dementia has long been documented. “Music is no luxury to them, but a necessity,” wrote neurologist Oliver Sacks in his 2008 book Musicophilia. “It can have a power beyond anything else to restore them to themselves, and to others, at least for a while.” Such is the case in this video of former NYC ballet dancer Marta C. González who was given the opportunity to listen to Tchaikovsky’s Swan Lake, a piece of music we can assume she performed numerous times as shown in the interspersed archival clips from the 1960s. The music seems to awaken the choreography stored deep in her brain as she begins to spontaneously perform from her wheelchair. González founded and directed her own dance ensemble called Rosamunda.

The video was recorded last year in Valencia, Spain and published by Música para Despertar (Awakening Music), a non-profit organization that brings music to patients with Alzheimer’s and other forms of dimensia to help raise awareness of its therapeutic impact. (via Kottke)

 

 



Dance Music

A New One-Take BBC Ad Brilliantly Interprets the Feelings of Music Through Clever Choreography

October 7, 2020

Grace Ebert

It’s well-documented that music moves us, and an advertisement for BBC Sounds takes that research literally. A project of Rogue Films, the one-minute clip opens on a woman riding a city bus before swooping into a responsively choreographed dance enhanced by visual effects. Each subject, including an unassuming dog, sways and spins to the diverse array of sounds pumping through their headphones or the speakers in a coffee shop. Two women twist in double-helix, a figure floats calmly mid-air, and another stares at hovering objects while she listens to astronauts in space.

Based in London, the production company says on Twitter that the socially distant advertisement was shot in one take on a cordoned-off city street.

 

 

 



Dance History

A Moment of Stunning Choreography and VFX Shares the History of the Little Rock Nine through Dance

October 1, 2020

Grace Ebert

In a powerful interpretation of Elizabeth Eckford’s historic walk to school in 1957, dancer Kendi Jones moves gracefully along a sidewalk. “The First Day” is shot in black-and-white to mimic the iconic photographs of Eckford as she passed through crowds of angry White students, teachers, and community members on her way into a formerly segregated school. Eckford was part of the Little Rock Nine, a group of Black students who were the first to integrate Central High in Arkansas’s capital. They were initially barred from the institution until an intervention from President Dwight D. Eisenhower.

Directed by Barnaby Roper, the short film captures Jones’s elegant movements and freezes them in time. As she shifts into her next position, a bit of her form appears left behind like a cloud of particles. To watch more of Roper’s experimental projects, head to Vimeo.

 

 

 



Art Dance

Affected by a Central Force, Dancers Perform Implausible Bends on a Perpetually Spinning Stage

September 29, 2020

Grace Ebert

Celui qui tombe,” or he who falls, is an illusory performance from self-described circus artist Yoann Bourgeois (previously) that opens with six dancers on a spinning platform. As the central stage turns, the performers run forward to fight the perpetual motion, even though their efforts keep them in the same spot. The sextet moves easily throughout the performance, grasping onto each other and stopping in neat lines as they respond to the stage’s revolutions. As Kottke notes, the centripetal force of the platform makes it possible for the dancers to contort their bodies into seemingly implausible positions, like the acute bends shown below, and remain standing.

Bourgeois created “Celui qui tombe” in 2014 and shares an extensive collection of similar illusions on YouTube. You also can keep up with his work on Instagram.