Dance

Section



Amazing Dance

A Clip in Extreme Slow Motion Shows Every Detail of Simone Biles's Amazing Triple-Double

June 10, 2021

Grace Ebert

Simone Biles claimed her seventh U.S. gymnastics title last weekend, in part thanks to an impeccably executed triple-double (a.k.a. three twists performed during two backflips). A short clip captures the star athlete, who hasn’t lost an all-around competition in eight years, as she completes the perfect sequence in extreme slow motion—you might want to watch the full routine first for perspective—showing how she gently turns herself over in two backflips before launching herself multiple feet into the air. After a seemingly gravity-defying series of flips and bends, she nails the landing in an absolutely stunning feat. (via Kottke)

 

 



Dance

Duplicate Figures Freeze in Motion as a Dancer Writhes and Contorts Her Body in an Entrancing Short Film

May 10, 2021

Grace Ebert

Weakness of the Flesh” is a captivating and eerie short film that appears to clone dancer Emma Rosenzweig-Bock, who twists and contorts her body amongst a sea of her own figure. Shot in Los Angeles, the disquieting piece contrasts Rosenzweig-Bock’s graceful sequences with more compulsive, Suspiria-esque jolts as she writhes and pulls her dirt-covered body from the concrete. As she dances, her doubles glitch and freeze in position, sometimes predicting her next move or remaining still in a previous bend.

Co-directed, animated, and edited by Kevin McGloughlin with a score by Max Cooper, “Weakness of the Flesh” was produced by Jacob Jonas The Company as part of Films.Dance, a series of 15 short films created during the pandemic that merge dance, film, fashion, and music. You can watch the other performances on Vimeo.

 

 

 



Dance

A 9-Year-Old Dancer Grooves to an Intensely Choreographed Routine and Clocks 10,000 Steps in Just Three Minutes

January 26, 2021

Grace Ebert

It’d be difficult for most of us to move as gracefully as nine-year-old Lilyana Ilunga, but a new campaign by the Swedish nonprofit Generation Pep just wants to get young people on their feet. Set to a revamped version of a 2007 track by French EDM musicians Justice, “DANCE 10000” showcases the young prodigy, who flaunts her moves from the second she wakes up and slips on one of the many pairs of sneakers strewn about her room. Ilunga keeps grooving onto the subway platform, through the halls at school—she even has a quick competition with the janitor—and all the way back to her bedroom, shoes smoking.

Although Ilunga clocking 10,000 steps in mere minutes is slightly exaggerated, Generation Pep released tutorials to guide kids through the intensely choreographed routine. Directed by Filip Nilsson, the campaign was created in response to the World Health Organization’s data that more than 340 million children and young adults are overweight or obese.

 

 

 



Art Dance

Bronze Figures Explore Movement in Sculptures by Coderch & Malavia

January 5, 2021

Grace Ebert

“Clio’s Dream” (2020), bronze and blue patina. All images © Coderch & Malavia, shared with permission

At the center of Coderch & Malavia’s artistic practice is the beauty of the human figure and its various expressions. The Valencia-based duo works collaboratively to cast bronze sculptures that explore the nuances of the body through dance-like movements and distinct gestures. Natural details like golden branches and feathered wings embellish many of the heavily patinaed works, Coderch & Malavia share, to evoke themes from classic literature, theater, photography, cinema, and ballet. “The human being is three-dimensional,” they say. “Probably that is the main reason why we are attracted to sculpture. It is the closest artistic representation of ourselves.”

After a discussion on intentions for a new project, the pair generally works with a live model to help the sculpture take shape. “The complicated part is organizing and sharing the physical creation of the work itself because you need double discipline,” they say. “You must learn to trust your partner and be able to share your ideas and your work with him, and, above all, you must put your ego aside in order to stay equal to commit to the final result.”

Get a glimpse into Coderch & Malavia’s process on their site and Instagram, where you can also follow their upcoming exhibitions.

 

Detail of “Clio’s Dream” (2020), bronze and blue patina

Detail of “Haiku” (2019), bronze

Detail of “Haiku” (2019), bronze

“Moonlight Shadow” (2019), bronze, 80 centimeters

“Odette” (2018), bronze, 68 centimeters

Detail of “Moonlight Shadow” (2019), bronze, 80 centimeters

Detail of “Odette” (2018), bronze, 68 centimeters

“Haiku” (2019), bronze

 

 



Animation Dance Music

Digital Dancers Groove Through the Streets of Istanbul in Shape-Shifting Costumes

November 23, 2020

Grace Ebert

Directed and animated by Istanbul-based Gökalp Gönen, a camouflaged cast grooves to Ilhan Ersahin’s jazzy new track, “Hurri-Mitanni (Good News),” in a mesmerizing series of transformations. The anonymous characters don amorphous, animated costumes as they dance throughout the streets and in empty pockets of the city, morphing from a floral ensemble to an oversized figure covered in kaleidoscopic spirals to another trapped in string.

Keep up with Gönen’s lively projects on Vimeo and Instagram.
 

 

 



Amazing Dance Music

Listening to Swan Lake Awakens the Memory of a Former Ballerina with Alzheimer’s

November 11, 2020

Christopher Jobson

We’re not crying, you’re crying. Music’s ability to improve the mood and boost cognitive skills in people with dementia has long been documented. “Music is no luxury to them, but a necessity,” wrote neurologist Oliver Sacks in his 2008 book Musicophilia. “It can have a power beyond anything else to restore them to themselves, and to others, at least for a while.” Such is the case in this video of former NYC ballet dancer Marta C. González who was given the opportunity to listen to Tchaikovsky’s Swan Lake, a piece of music we can assume she performed numerous times as shown in the interspersed archival clips from the 1960s. The music seems to awaken the choreography stored deep in her brain as she begins to spontaneously perform from her wheelchair. González founded and directed her own dance ensemble called Rosamunda.

The video was recorded last year in Valencia, Spain and published by Música para Despertar (Awakening Music), a non-profit organization that brings music to patients with Alzheimer’s and other forms of dimensia to help raise awareness of its therapeutic impact. (via Kottke)