Illustration

Section



Illustration

Undulating Lines and Geometric Shapes Comprise a Minimally Illustrated Menagerie

September 15, 2022

Grace Ebert

All images © Adam G., shared with permission

In Surf & Turf, designer Adam G., who’s behind the Santa Monica-based studio TRÜF Creative, transfers his signature messymod style from typography to biology. The ongoing illustrated series melds geometric shapes, clean lines, and squiggly forms into playful interpretations of foxes, roosters, and piranhas.

Varying from stark and abstract to more dense compositions, the minimal creatures are all rendered in the designer’s signature red and black color palette. Each piece has “an emphasis on balance and flow,” he tells Colossal, and the series is “a completely freeform exploration within a pretty strict, self-imposed design language. That contrast between total freedom and total restriction is what I think defines the messymod style. It’s what keeps it consistent and weird or… ‘consistently weird!'”

Prints of the collection are available in the messymod shop, and you can follow Adam G.’s personal and commercial projects on Behance and Instagram.

 

 

 

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Art Design Illustration

Flora, Fowl, and Fruit Pop with Color in Diana Beltrán Herrera’s Ornate Paper Sculptures

September 7, 2022

Kate Mothes

All images © Diana Beltrán Herrera, shared with permission

A menagerie of beady-eyed birds and butterflies complement vibrant florals and fruity morsels in Bristol-based artist Diana Beltrán Herrera’s elaborate paper sculptures (previously). By utilizing subtle gradients to shape flower petals and making tiny cuts to detail individual feathers, the artist adds incredible dimension and density using the ubiquitous, 2-dimensional material. Ranging from shop window displays, to individual sculptures, to interior installations, she is often commissioned to make work featuring flowers or creatures specific to a location or region, and in a meticulous process of planning and sorting, she assembles different colors and sizes of paper into spritely flora and fauna.

Herrera has an exhibition planned for spring of next year at Children’s Museum Singapore, and you can find more of her work on Behance and Instagram.

 

 

 



Illustration

Colorful Digital Illustrations by Calvin Sprague Balance Order and Chaos

September 6, 2022

Grace Ebert

All images © Calvin Sprague, shared with permission

A patchwork of geometric shapes and clean, black lines comprise the bold, dynamic illustrations of Rotterdam-based artist Calvin Sprague (previously). Digitally rendered in retro color palettes, animals, foliage, and facial features layer into compositions dense with abstract details. Monochromatic backdrops tend to frame a central figure or scenario, which sometimes camouflage additional figures and elements within their structural forms.

Prints, t-shirts, and other goods featuring Sprague’s works are available in his shop, and you can dive into an archive of his illustrations on Behance and Instagram.

 

 

 



Illustration

Dense Dotwork Adds Grainy Texture to Velco’s Lighthearted Monochromatic Tattoos

September 1, 2022

Grace Ebert

All images © Velco, shared with permission

Pereira, Colombia-born artist Velco stipples black-and-white tattoos that are patchwork compositions of dots. A densely inked patch might form a snoozing koala’s ear or human silhouette, while a fading gradient composes the steam emanating from a moka pot. Lighthearted and often evoking the surreal, the works are derived from conversations with clients and the artist’s interactions with the world. “The window frames that I’ve been designing and tattooing have been exactly that, a portal to another reality. And it’s beautiful to know that there are now multiple portals wandering around the world providing us with glances to other universes,” he shares.

After beginning his tattoo practice by working primarily with fine lines, Velco has shifted to the dotted style that now dominates his work. “The effect gave me the feel of the beautiful vintage, grainy texture in images captured with a film camera, and since then, I’ve been working on designs where I can integrate this effect,” he shares. “To create the graininess that we see on the tattoos, I swing/whip the machine at a slightly fast pace, yet very delicately, on the skin while using a fine line needle and lowering the voltage of the machine, causing the needle to come out at a slower rate.”

Velco works out of the Velours studio space in Montréal, which also has one of his prints in stock. Follow him on Instagram for his latest works and information on available bookings.

 

 

 



Art Illustration

Let the Wild Rumpus Start! A Retrospective Celebrates the Illustrated Classics of the Late Maurice Sendak

August 18, 2022

Grace Ebert

“Where the Wild Things Are” (1963), tempera on paper, 9 ¾ x 11 inches. All images ©The Maurice Sendak Foundation, courtesy of Columbus Museum of Art, shared with permission

The late artist and author Maurice Sendak is responsible for bringing us some of the most beloved, iconic childhood stories, and his distinctive style and fantastical beasts defined classics like In the Night Kitchen, Outside Over There, and of course, the ever-popular Where the Wild Things Are. Opening this fall at the Columbus Museum of Art, an expansive retrospective surveys Sendak’s unparalleled contributions to both children’s literature and the discipline, more broadly.

Wild Things are Happening is the largest exhibition of the artist’s work to date, containing more than 150 sketches, original illustrations, storyboards, and paintings from his own projects and collaborations. The show also references his myriad inspirations and influences with works by William Blake, Walt Disney, and Beatrix Potter, among others.

Wild Things are Happening runs from October 22, 2022, to March 5, 2023, before heading to Paris and other locations. A concurrent exhibition of Sendak’s performance-based works is on view at the Ballard Institute and Museum of Puppetry in Connecticut through December 16. (via Creative Boom)

 

“Where the Wild Things Are” (1963), tempera on paper, 9 ¾ x 22 inches

Mockup for the Cover of “Nutshell Library” (1962), ink and tempera, 10 3/8 x 8 1/8 inches

“Higglety, Pigglety, Pop!” (1967), ink on paper, 11 ½ x 9 inches

“Little Bear” (1957), ink on paper, 11 x 8 ½ inches

Design for the Poster of “Where the Wild Things Are” and “Higglety Pigglety Pop! Opera,” Glyndebourne Production (1985), watercolor on paper, 33 ½ x 23 ½ inches

“Rosie and Buttermilk, her Cat,” character studies for “Really Rosie” animation (1973), watercolor and ink on paper, 13 ¾ x 15 5/8 inches

“Self-Portrait” (1950), ink on paper, 10 ¾ x 16 ½ inches

 

 



Art Illustration

Grainy Colored Pencil Portraits by Uli Knörzer Emphasize a Subject’s Distinct Demeanor

August 17, 2022

Grace Ebert

All images © Uli Knörzer, shared with permission

Berlin-based artist Uli Knörzer (previously) highlights the signature grainy texture of colored pencils in his faithful portraiture. Whether for personal projects or commissions from fashion labels and publications—many of the pieces shown here are part of a recent project for Tommy Hilfiger—the richly illustrated works hone in on the emotions of the subject. By positioning the figures against monochromatic backdrops devoid of setting, he accentuates the minute details of their facial expressions and body language.

If you’re in London, stop by Trinity Buoy Wharf to see some of Knörzer’s portraits in the group show for this year’s Drawing Prize, which opens on September 28. Otherwise, follow him on Instagram to keep up with his latest pieces.