Photography

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Photography

Bizarre Underwater Portraits by Tim Tadder

July 30, 2012

Christopher Jobson

Fish Heads is a new series of fun portraits by L.A.-based photographer Tim Tadder. Though I’ve seen a number of different underwater portraiture projects, Tadder utilizes light and surface tension in an interesting way, making it seem as if the subjects are peering in from (or be swallowed by) a kind of spooky portal. You can see many more from the series over on Behance. All photos courtesy the artist.

 

 



Photography

Maddie on Things: The Conclusion of a Project About Dogs & Physics

July 30, 2012

Christopher Jobson

Back in February I posted a few photos from an ongoing travelog by Theron Humphrey as he traveled around the U.S with his coonhound Maddie, photographing her in increasingly precarious and absurd situations. In June, the 11-month journey finally came to an end after driving nearly 60,000 miles across the lower 48 states. Here are a few of my favorite photos over the final few months. Prints and shirts available.

 

 



Food Photography

Big Appetites: Miniature People Living in a World of Giant Food by Christopher Boffoli

July 26, 2012

Christopher Jobson

The miniature people inhabiting the fine art photographs of Christopher Boffoli live in a world of enormous food. A place where towering ice cream cones are turned into camping tents, where a field of peppercorns becomes a soccer match, and a savage crawfish threatens a group of men. The photos are as absurd as they are delightful. Based in Seattle, Boffoli says his work comments not only on our fascination with miniature things, but on “the American enthusiasm for excess, especially in the realm of food.” To view more of his photos you can simply scroll through his website, and to see them in person you can check out his Edible Worlds exhibition at Winston Wächter Fine Art in New York through August 24th. All images courtesy the artist.

 

 



Photography

Point of View

July 22, 2012

Christopher Jobson

I absolutely love the perspective in this pair of images by German photographer Christopher Hassler shot in a tunnel using a fisheye lens. See more of his work over on Facebook.

 

 



Photography

Dreamlike Photographs of Indonesia by Hengki Koentjoro

July 20, 2012

Christopher Jobson

Photographer Hengki Koentjoro (previously) was born in Semarang, Central Java, Indonesia in 1963 and later graduated the Brooks Institute of Photography in Santa Barbara, California where he studied video production and minored in fine art photography. He now lives and works in Jakarta where he takes these breathless, surreal photographs of the Southeast Asian landscape in locations like Java and Banten. Via his artist statement:

Photography is not just a way of expressing his most inner soul but also creating a window to the world where through his pictures the unseen and the unspoken can be grasped. Driven by the desire to explore the mystical beauty of nature, he develops his sense and sensibility through the elements of fine art photography. His freedom of expression is more reflected in the elaboration and exploration of black and white.

When looking at Koentjoro’s images and processing technique I find myself unable to believe such profoundly beautiful places exist in reality. You can see much more of his work on Flickr and Behance. Prints are available by request.

 

 



Photography

Flying Swarms of Everyday Objects by Thomas Jackson

July 18, 2012

Christopher Jobson

I was excited to discover photographer Thomas Jackson (previously here and here) has continued his Emergent Behavior series where he photographs airborne swarms of common objects like Post-It notes, cheese balls, and plates in environments where you would least expect them. He also reverses the concept, shooting items from nature like sticks and leaves against an urban backdrop. You’re probably wondering how some of these are made, so I’ll quote Jackson from over on Flak Photo’s Facebook:

I have struggled with the role of Photoshop in my work. I can’t make my images without it, yet I don’t really want it to be an integral part of my creative process. So I’ve set up some rules of the road for myself, and I’ve stuck to them while creating all my recent images. Basically I want the images to be as “in camera” as possible, so instead of employing PS to composite or more things around, I simply use it to remove elements I don’t want to be there. The sculpture in this image (175 glow sticks attached to a wire armature) is real, and it was photographed on the beach in Greenport, NY. I simply used PS to remove the support that was holding the thing up, and to make a few other minor tweaks. So on the spectrum between “retouched image” and “real time image”, I’ve strived to make it closer to the latter.

Jackson also mentions by email that the photo above using the leaves falls outside the realm of his usual approach and does involve a bit more digital editing. See much more here. (via flakphoto, thnx tanner!)

Update: Added a quote from Jackson about his process.