Photography

Hawaii’s Dense Forests Envelop Abandoned Cars in Photographs by Thomas Strogalski

November 26, 2019

Laura Staugaitis

All photographs © Thomas Strogalski and shared with permission of the artist

Abandoned vehicles are swallowed by the surrounding forest in “Nature Takes Over,” a photo series by Thomas Strogalski. The German photographer, normally based in Düsseldorf, was on assignment in Maui, Hawaii for a client and found some spare time to pursue this personal project. “During my 5-week stay, I discovered striking irregularities within the lush, fascinating nature,” Strogalski tells Colossal. Old automobiles, from sedans and trucks to camper vans and R.V.s, the once-powerful machines have been subsumed beneath towering trees and twisting vines. “I am fascinated by the thought that in the end nature will take over man,” reflects Strogalski. “With peace, lasting continuity, flexibility in harmony with permanent adaptation, nature seems to reclaim what one wants to take away from it.” Explore more of the photographer’s professional and personal work on Behance and Instagram.

 

 



Illustration

Good Clean Fun: Dianna Wood Wields a Power Washer to Blast Birds, Butterflies, and Flowers onto Dirty Driveways

November 25, 2019

Laura Staugaitis

Since receiving a power washer for her birthday this fall, Dianna Wood has turned her driveway, and those of her lucky neighbors, into works of art. Similar to the reductive processes of printmaking and scratchboard art, Wood removes areas of her “canvas” to reveal lighter tones in the form of cardinals, dogwood blossoms, butterflies, and other delicate flora and fauna. On her blog, Wood explains that she deftly adjusts the distance and angle of the power washer nozzle in relation to the cement to create the nuanced illustrations. The hobbyist artist and lifelong creative has garnered widespread attention for her just-for-fun street art. Those interested in keeping up with future projects can follow Wood on Facebook. (via My Modern Met)

 

 



Animation

SISTER: An Intimate Stop-Motion Short About a Family During China’s One-Child Policy

November 25, 2019

Laura Staugaitis

Animator Siqi Song explores the deeply personal implications of China’s One Child Policy in her powerful animated short, SISTER. The film uses felt stop-motion animation to tell the story of a family that conceived two children during the years—1979 to 2015—that the Chinese government controlled the number of children families could raise. An adult man, the film’s protagonist, looks back on his youth and the complicated family dynamics among siblings and parents.

“Growing up with my brother has been a privilege and a bittersweet experience for me,” Song explains. She shares that, being an exception to the rule, she has been the subject of many questions from friends about the experience of growing up with a sibling. “I also want to tell the stories of my friends, who would’ve had a different life if their siblings were born,” says Song. “This film is dedicated to this group memory.”

The Los Angeles-based director and animator has worked on several of her own highly lauded shorts, as well as on the feature film Missing Link. Watch more of Song’s films on her website (where she also shares behind-the-scenes shots), and follow along with new projects on Instagram. (via Short of the Week)

 

 



Art Photography

Photographer Tim Flach Highlights Unusual and Endangered Birds in Striking Portraits

November 25, 2019

Laura Staugaitis

Jacobian Pigeon. All photographs © Tim Flach and shared with permission from the artist

London-based photographer Tim Flach travels the world capturing the nuanced expressions, unique patterning, and unusual profiles of animals large and small. Often focusing his lens on endangered and vulnerable species, Flach highlights the traits of animals that are at risk of disappearing due to habitat loss, climate change, and human activity. The photographer has worked with a huge range of wild, domestic, and captive animals, from Saiga and Beluga Sturgeons to Pied Tamarin and Pangolin.

Set on plain backdrops à la studio portraits, Flach’s bird photographs particularly stand out. His sharp, clear portraits show the colorful and wildly shaped feathers and beak of birds from the U.S. to the Himalayas. A stately Jacobian Pigeon, its two-toned ruff of feathers framing a white-crested face, seems to peer elegantly at the view, while an assertive cardinal stares pointedly, a white highlight glinting off the hook in the bird’s red beak. A statement on his website explains the relatable emotional quality of his work:

Tim Flach is an animal photographer with an interest in the way humans shape animals and shape their meaning while exploring the role of imagery in fostering an emotional connection. Bringing to life the complexity of the animal kingdom, his work ranges widely across species, united by a distinctive stylization reflecting an interest in how we better connect people to the natural world.

Flach has published several books of his photography: one is centered around endangered animals, while others are species-specific, celebrating horses or dogs. You can explore the artist’s catalog as well as several galleries of animal portraits on his website, and follow him on Instagram for first glimpses of new work.

Himalayan Monal

Virginia Cardinal

Philippine Eagle

Gouldian Finch

Silver Laced Poland Chicken

King Vulture

Shoebill

 

 



Art History Science

A Multicolored Library of the World’s Ochre Pigments Archived by Heidi Gustafson

November 24, 2019

Andrew LaSane

Medicinal and industrial ochres being processed and archived, Greece. All Images: Heidi Gustafson

Washington-based artist and researcher Heidi Gustafson forages, processes, and catalogs natural mineral samples for the Early Futures Ocher Archive. Ranging in color based on its elemental structure, ochre is crushed into a powder and used in various applications from art to medicine. With over 550 samples, Gustafson’s ever-growing archive has become a collaborative project with contributions from archaeologists, scientists, and creatives from around the world.

As each sample enters the collection, it is labeled with a corresponding number. In a notebook, Gustafson records where the ochre is from, who sourced or collected it, any historic or contemporary uses, and other relevant information. Gustafson grinds the iron-rich ochre into pigments, which she sells to artists and also uses for her own work. Processed samples are added to glass vials and organized by region or dominate mineral type. Gustafson also considers the material for its artistic, spiritual, and scientific properties. “More importantly, I build a relationship to the materials,” she tells Colossal. “I’m trying to understand their unique behaviors, the microbial communities they host and support, their tonal ranges, their historical uses and many other diverse features.”

Pigment studies, Left – foraged pigments from northern Washington, USA, Right- foraged pigments from Hormuz, Iran.

The archive was officially formed in 2017 when Gustafson relocated to the Pacific Northwest, but working with the material is more than a hobby or intellectual pursuit—it is a calling. After having a dream about ochre, she initially wrote it off. Other experiences and anxieties about climate change inspired her to research exactly what ochre was and what it was used for. “I realized that ochre and pigments were at the heart of art and aesthetic experience,” Gustafson tells Colossal, adding that the mineral has been linked to complex mental processing in modern homo sapiens. “Protecting ochre’s vast capacities and impact on human creativity, feels like Earth’s mandate to me,” Gustafson continued. “I didn’t ‘come up’ with the idea for this project, it came to me and I felt responsible to do my best to understand and listen to that call.”

To tag along on foraging trips and for updates on the archive, follow Heidi Gustafson on Instagram. To shop for pigment sets and other products from the project or to contribute samples of your own, visit the Early Futures website.

Gathering orange ochre, Oregon, USA.

Ochre contribution, protective isibomvu used by healers, from Johannesburg, South Africa.

Gathering blue ochre, with artist Scott Sutton, Oregon, USA.

Ochre contributions, gathered by Caro Ross, England.

Pigment study, red ochre, world-wide.

Ochre Archive (close-up)

Gathering yellow ochre, Arizona, USA.

Gathering various ochre, British Columbia, Canada.

 

 



Art

A Subversive Village of Urban Miniatures Covered in Graffiti and Tiny Murals

November 23, 2019

Andrew LaSane

Antony H Haylock, 2019. Images courtesy of Emily Paxton

Photographer Emily Paxton and artist Pam Glew of PaxtonGlew have curated an exhibition of tiny houses, stores, and train cars that is unlike your typical model village. Instead of pristine new buildings, each model is hand-painted with graffiti and colorful murals. Together the miniatures form a well-worn city from the collective imagination of over 40 urban contemporary artists from around the world.

Titled Urban Miniatures, the pop-up opened on November 23, 2019 as a part of the Artists Open Houses Christmas Festival in Brighton, England. The roster of artists tapped to contribute include train-writers, muralists, designers, and painters, most of whom typically work at a much larger scale. From an optical illusion mural painted on a mini hotel by Peeta (previously), to architectural jewelry by Tiny Scenic, the scale of each piece in the exhibition forces the viewer to look more closely and appreciate the details. That level of intimacy is not always possible when a piece is ten stories tall or speeding down a track.

For those able to visit Brighton, Urban Miniatures is scheduled to run through December 22, 2019. The curators are also offering miniature-themed workshops for those who visit the gallery space. Limited edition prints, models, and other art gifts are also available via their online store. For more information, follow @paxtonglew on Instagram.

DONK, 2019

Peeta, 2019

Ange Bell, 2019

Remi Rough, 2019

Tiny Scenic, 2019

Tiny Scenic, 2019

Eelus, 2019

Mark McClure, 2019

Shuby, 2019

 

 



Design Photography

Journalist Rachel Lopez Documents the Delightfully Diverse Patterns on the Ceilings of Mumbai Taxis

November 22, 2019

Laura Staugaitis

Rachel Lopez has a thing with… taxi ceilings. Instead of joining the 200,000+ Instagram posts hashtagged #ihavethisthingwithfloors, the lifelong Mumbai resident flips her phone’s camera into selfie mode. Lopez documents the vast array of eccentric plastic patterns covering the ceilings of her hailed rides, many of them taken in her frequent trips around the city as a journalist with the Hindustan Times.

Mumbai is home to about 58,000 metered taxis, and each one seems to feature a totally different interior aesthetic. Though many of the cars themselves are the same model, drivers often line the ceiling with colorful patterned plastic or vinyl to protect the easily-stained felt fabric. She prefers the traditional taxis to the newer influx of startup ride shares, despite the unpredictability of independent operators, who may decline a trip depending on the destination. Since April 2017, Lopez has been collecting consistently framed photos to track the diversity of designs she encounters.

“I live for the day a driver shows interest in my collection. Most of them, when I compliment them, merely grunt in acknowledgement,” Lopez tells Colossal. “They’re determinedly uninterested, for some reason. But a few of them will indulgently smile and get on with the ride. In Mumbai, if you’re a solo woman commuter, the driver is much more interested in whether you’re married, Indian politics, and how much money a journalist makes.”

As she continues her to add to her simple yet infinite collection, Lopez has enjoyed connecting with others. She displayed one hundred of her photos this February at Kala Ghoda Festival, which is Asia’s largest street festival for the arts. “I was keen to show on the street, not in a sanitized gallery, so everyday crowds could appreciate them,” says Lopez. “The response was overwhelming! The sheer diversity and number of designs are a surprise even to lifelong Mumbai residents (even I’m shocked that I still find new ones two years into the project). It’s one of the most gratifying outcomes of the series—being able to share with my beloved city the pictures I’d been quietly taking.”

Ride along with Lopez by following her on Instagram, and check out more customized rides in our article about the Mumbai-based TaxiFabric company. (via Kottke)

 

 

A Colossal

Highlight

Artist Cat Enamel Pins