Upcycled Scaffolding Planks Form Functional Ribbons of Steel and Wood in London’s Broadgate Neighborhood
As part of the 2019 London Design Festival, Paul Cocksedge’s ‘Please Be Seated’ has taken over Finsbury Avenue Square in the city’s Broadgate neighborhood. The undulating sculpture is comprised of concentric wooden circles that ribbon up and down to create functional spaces to socialize, rest, and walk through. Cocksedge collaborated with White & White to fabricate the massive steel and upcycled scaffolding wood installation, which the designer described as “walk[ing] the line between a craft object and a design solution. It occupies the square without blocking it.”
With Joana Pinho, Cocksedge co-founded his namesake Studio in 2004. In a statement on their website, the Studio shares their design philosophy: “The key feature of the Studio’s work, in everything from product design to architectural projects, is a focus on simplicity and imagination in order to create unique people-centered designs.” Explore more of the Cocksedge Studio portfolio on their website, and if you enjoy this piece, also check out Yong Ju Lee’s Root Bench, which was installed in South Korea. (via designboom)
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This summer, while traveling in Vienna, Dutch photographer Dick van Duijn captured an indelible moment of natural connection between a ground squirrel and a yellow flower. The photographer was in Vienna specifically to document ground squirrels. In an interview with PetaPixel van Duijn explained, “On the first day we observed them and their behavior. On the second day, we photographed them the whole day. In the evening just before sunset, when the light became soft and nice, one of the many ground squirrels walked towards the yellow flower and began to hold it and sniff it.” You can purchase prints of this and other flower-enamored squirrel’s in van Duijn’s online store, and see more of his work and travels on Instagram. (via PetaPixel)
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Japanese artist Teppei Takeda uses the trompe l’oeil technique to recreate the act of painting in the form of abstract portraits. The completed paintings are anonymous, rather than of a specific person, and are meticulously put together through highly detailed paintings of gestural strokes.
Takeda is somewhat of an anomaly. The 41-year old worked for a decade almost exclusively within the confines of his studio in Yamagata, waiting for the right moment when he would unveil his paintings to the world. That day came in the summer of 2016 when Takeda held his first solo exhibition at local gallery Kuguru. Here’s what his current gallerist, Maho Kubota Gallery, had to say about the show:
There was no special advertising or publicity, but the ten portraits that he exhibited had such an impact on viewers that the news soon spread, reaching people who would travel to Yamagata from far away to see his works and collectors hoping to buy.
Teppei Takeda’s current show at Maho Kubota Gallery in Tokyo, titled “Paintings of Paintings,” recently opened and is on view through October 12, 2019. Morioka Shoten, the Ginza bookshop that only carries 1 title per week, is currently selling Takeda’s book of paintings (through 9/15). (Syndicated from Spoon & Tamago)
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Turkish tattoo artist Havva Karabudak (who goes by Eva in the U.S.) creates incredibly detailed illustrations on clients’ limbs, all carefully rendered within the confines of perfect circles. The artist, who splits her times between residencies in Brooklyn and Los Angeles, has been honing her craft for almost nine years. Previously, Eva worked as an art teacher and muralist; she got into tattooing through a friend who worked in the industry.
Using almost impossibly small lines, Eva inks interpretations of famed paintings by Matisse, van Gogh, and Klimt, as well as Hokusai’s The Great Wave woodblock print and Maurice Sendak’s illustrations in Where The Wild Things Are. The artist also specializes in water scenes and evening skies, giving a suggestion of infinite depth to her petite tattoos.
Eva is currently booked through November, but you can see more of her recent illustrative tattoos on Instagram.
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Directed by Hideki Inaba (previously), Tape is a new animated music video for the Swedish group Canigou. In the approximately five minute-long animation, fish, jellyfish, and abstract bubbles swim and float in transfixing patterns through a mysterious environment. The ambiguous setting, rendered largely in shades of blue and red, seems to be set on another planet. Inaba’s animation accompanies Canigou’s atmospheric electronic sounds, creating a complementary visual and sonic landscape experience. Canigou is comprised of married duo Emma and Richard Lindström. Inaba has created live visuals for Red Hot Chili Peppers and animated for the Netflix series Disjointed. You can watch more of his work on Vimeo and tune in to Canigou on Soundcloud and Spotify.
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The 19th Edition of Pioneering Street Art Festival NuArt Challenges Participants to Consider the Old and the New
For the 19th consecutive year, the quaint Norwegian town of Stavanger hosted another edition of the internationally known NuArt Festival. What started in 2001 as side programming at an electronic music festival has evolved into one of the most influential street art festivals worldwide. In addition to the production of public artworks, Nuart also includes a series of academic talks, debates, and movie premieres/screenings, all working towards greater definition and recognition of the street art movement. Its concurrent indoor exhibition also provides the artists an opportunity to create indoor works and installations without limitations or censoring, providing a unique blend of street art attitude showcased inside a gallery-like setting.
One of the works painted last week in Stavanger was the image of a girl taking a photo of a painting in a thick ornate frame. What seemed like an eye candy composition that creates a simple interaction of the character with an object on the wall is actually a harsh critique of the way the general public and the art world are dealing with the global refugee crisis. “On one side there is the passive position of the observer, on the other side, there is the position of the artist. Both acts as beholders of the critical situation,” the artist Jofre Oliveras (previously) stated about his poignant piece, titled Beholders. The artist further extended his critique of the art world with an indoor installation and live performance work presented in collaboration with the members of the 1UP CREW. As a way of protesting against the speculation of the art dealers based on the artist’s name, Oliveras painted a series of large works on canvas, which were then crossed over and destroyed by the notorious international graffiti crew.
Not far from this mural Argentine muralist Hyuro (previously) created her vision of the crisis and the way it is affecting the lives of individuals. Using hands as the universal symbol of individuality and closeness, Valencia-based artist depicted two hands interacting with a straight line between them. Symbolizing arbitrary manmade borders, the hands are both crossing over or being crossed over by the strict mark. Also talking about important social issues, Paul Harfleet introduced the concept of the ongoing Pansy Project, planting a single pansy flower on the location of homophobic abuse. Not being able to find the actual plants due to their seasonal nature, for the first time Harfleet painted these fragile flowers on multiple locations through the city and inside exhibition spaces.
Working around the festival’s theme “Brand new, you’re retro,” Julio Anaya Cabanding (previously) painted a series of smaller interventions which free a classic artwork by Norway’s Lars Hertervig in unexpected places. On the side of a staircase, at the end of a dark hallway, and finally, as part of the exhibition, his work is successfully merging the worlds of art history museums with street art.
This sensitive merging of two similar movements is an ongoing subject of the work by the Portuguese artist Nuno Viegas who painted a large mural showing a head masked with a shirt. Portraying the classic image of vandal graffiti writers with their makeshift disguise costume, the artist wanted to pay tribute to his graffiti past. “I see graffiti as the retro and street art the brand new,” the artist explained to Colossal. “But it is important that people realize the difference between both and don’t get them mixed up. Let’s respect graffiti and not try to appropriate it, let’s be proud of the “new” movement we are part of. We are writing history and it is important that we write it right and make sure we respect and do not distort what has been done before we got it to the game.”
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French painter Eric Roux-Fontaine (previously) creates dreamy scenes that meld wild, light-dappled environments with lavish interior elements like armchairs, chandeliers, canopy beds, and Gothic windows. In some works, animals wander through the painting, the sole subjects in the landscapes. The artist shares with Colossal that he considers his paintings “custodians of silence, initiating a poetic protocol.” Roux-Fontaine draws inspiration from his travel memories in places as far-flung as Central America and India. “Although these paintings reveal an absence,” the artist explains, “this is to enable visitors to slip through reality more effectively so that they too merge into places imbued with collective memories.”
Roux-Fontaine is represented by several galleries in the U.S. and France, including Boston’s M Fine Arts where his solo show opens in October, 2019; Waltman Ortega Fine Art in Miami, with whom he’ll be sharing work during the Miami Art Fair in December; and Hugo Galerie in New York, which will mount a solo show in May, 2020. See more of the artist’s recent paintings on his website and Instagram.
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