accessibility

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with accessibility



Amazing Design

A New Apple Campaign Shines a Light on the Diverse Possibilities of Accessible Tech

December 16, 2022

Kate Mothes

In an empowering new ad from Apple, accessibility features of the brand’s products take center stage. Backed by an energizing soundtrack by Australian ensemble Spinifex Gum that puts famed boxer Muhammad Ali’s 1974 “I am the greatest” speech to music, scenes emphasize the features of phones, watches, and computers that allow people with physical disabilities to access myriad creative and life pursuits: a deaf mother is alerted to her child crying, a performer uses his camera to access the stage door, and a man makes various facial expressions to edit photos. Directed by Kim Gehring, “The Greatest” is a stunningly produced campaign that evinces the powers of greater access to technology for all.

 

A still of a video with a mom and child

An animated gif of a performer walking toward the stage door

A video still of feet holding a phone

An animated gif of a person using an iPad

A video still of a phone

An animated gif of a man using his computer to edit photos

A video still of a performer in a dressing room

 

 

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Amazing Design

A Stunning New Mastercard Ad Uses Accessible Marketing to Center People Who Are Visually Impaired

April 19, 2022

Grace Ebert

A brilliantly designed commercial for Mastercard is intended to be as accessible as the product it’s promoting. The project of filmmaker Fredrik Bond in collaboration with branding agency McCann, the advertisement opens with an audio description produced for people who are blind or partially sighted, a feature that overlays the remainder of the work.

The ensuing narrative, which is used as an essential storytelling device rather than optional addition, follows the protagonist, Marjorie—played by actress and activist Marilee Talkington—as she leaves her apartment to grab a coffee. A roving spotlight illuminates friends and passersby, who produce sound-generating activities that she parses as she walks down the sidewalk with a cane. Once at the cafe, Marjorie uses Mastercard’s new Touch Cards, which are notched in different shapes to help people who are visually impaired distinguish credit from debit from prepaid.

At its close, “Spotlight” amends the company’s long-running slogan with a pitch for more inclusivity and accessibility that mirrors the approach introduced by the commercial: “Because a world designed for all of us is priceless.”

 

 

 

 

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