anatomy

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Art

Illuminated Figures Consider the Relationship Between the Body and Soul

November 17, 2020

Grace Ebert

“Vessel of the Universe (Sisidlan ng Kalawakan)” (2020), soldered metal, glass, LED strips, and electrical fittings, 64.5 x 47 x 12 inches. All images © Joshua Limon Palisoc, shared with permission

Joshua Limon Palisoc draws on the tenets of Filipino Psychology to inform his life-sized figures that radiate from the inside. Using mesh-like forms of soldered metal, the artist conveys the idea that the physical body is simply a vessel for the soul. LED lights nestled within the anatomical sculptures emit a warm glow through the seams, blurring the boundary between inner and outer selves.

The illuminated forms shown here are part of Ephemeral Vessels, Palisoc’s first solo show on view through November 29 at Pinto Art Museum in Antipolo, Philippines. Composed of upright and seated figures, the collection focuses on personality and conscience (loob), the body (labas), and reason (lalim), ideas that the artist gleans from the particular branch of psychology originally helmed by Virgilio Enriquez.

Palisco, who shares insight into his techniques on Instagram, describes his process as ritualistic, noting that each artwork he solders together holds a part of himself that asks viewers to avoid “existing in this world passively.” Instead, he writes, “we should stir and affect others through our own genuine ways.”

 

“Vessel of the Universe (Sisidlan ng Kalawakan)” (2020), soldered metal, glass, LED strips, and electrical fittings, 64.5 x 47 x 12 inches

“Conversations with the Flame (Pakikipagtalastasan sa Ningas)” (2020), soldered metal, LED bulb, and electrical fittings, 64.5 x 60 x 14 inches

“Conversations with the Flame (Pakikipagtalastasan sa Ningas)” (2020), soldered metal, LED bulb, and electrical fittings, 64.5 x 60 x 14 inches

“Whisper from a Spark (Bulong ng Alipato)” (2020), soldered metal, LED bulb and electrical fitting, 64.5 x 33 x 10 inches

“Accepting Transcendence (Pagtanggap sa Lagablab)” (2020), soldered metal, LED bulb, and electrical fittings, 60.5 x 46 x 19 inches

“The Soul’s Journey (Paglalayag ng Kalooban)” (2020), soldered metal and glass, 71 x 64 x 72 inches

 

 



Art

Stainless Steel Roots Sprawl Into Figurative Sculptures by Artist Sun-Hyuk Kim

November 10, 2020

Grace Ebert

All images © Sun-Hyuk Kim, shared with permission

Just like a tree, the spindly branches that shape Sun-Hyuk Kim’s sculptures extend from a larger, sturdy limb—or in the South Korean artist’s case, neck or spine, too. Kim (previously) creates sprawling artworks that merge human anatomy and the root systems that crawl underneath the earth’s surface. Sometimes painted in neutral tones and others plated in gold, the sculptures are composed of stainless steel that trails out into figurative forms.

Imbued with metaphor, the intricate works consider our existence and their inherent incompleteness, Kim says. The “pandemic in 2020 clearly shows how weak the existence of a human being is,” he writes. “The human force encountered in this era, which has achieved many civilizations and cutting-edge science, reminds us of the collapse of the Tower of Babel, which was built to become like God.”

To follow Kim’s latest projects that explore the connection between people and the natural world, head to Instagram.

 

 

 



Art Food

Insatiable Mouths and Fingers Rouse a Delicate Tea Set by Artist Ronit Baranga

September 14, 2020

Grace Ebert

All images © Ronit Baranga, shared with permission

Israeli artist Ronit Baranga (previously) embodies voracious appetites by merging anatomical parts, desserts, and serving ware in an evocative ceramic series titled All Things Sweet and PainfulDextrous fingers balance a plate and manage to swipe a bit of frosting from a cupcake. Whether implanted in a fruity pie or a teacup, gaping mouths clamor for a taste of the pastries and stick their tongues out for a taste.

In a statement, Baranga explains that the surreal series is focused on luxurious foods. “The mixed emotions of need and the insatiable hunger for more – more sugar, more attention, more love. There is a constant push against the boundaries of rational consumption, craving the sugar rush, forever tempted to go overboard,” she says.

Baranga has a number of ongoing and upcoming exhibitions scheduled, including at Munich’s størpunkt through October 31 and the Eretz Israel Museum in Tel-Aviv through 2021. The sumptuous artworks shown here will be on view at Beinart Gallery in Melbourne starting mid-October, and you can browse more of Baranga’s sculptures on Instagram.

 

 

 



Art Science

Science-Inspired Ink by Michele Volpi Blurs the Line Between Tattoo and Textbook

July 29, 2020

Vanessa Ruiz

All images © Michele Volpi, shared with permission

One might learn something from staring at the tattoos of Italian artist Michele Volpi (previously). The composition, detailed dot work, and precise lines of his tattoos transcend both ink-infused skin and science textbooks. The Bologna-based tattoo artist relishes in scientific books—from Frank Netter’s painterly medical illustrations to the exquisitely rendered biological specimens and marine life of Ernst Haeckel. He often visits bookshops during his travels to discover and acquire these new sources of inspiration.

Volpi’s customers seek him out to tattoo an array of botany, astronomy, physiology, and chemistry-based compositions. Sometimes customers let him choose the branch of science, in which case he renders his favorite subject—anatomy. Even then, Volpi combines subject matter like in his tattoo comparing the shape of a human pelvis to that of a butterfly or another that features a human skull being stretched absurdly through a wormhole.

The artist tells Colossal that his “dream is to make a scientific book with all of my conceptual scientific illustrations that I love.” View Volpi’s body of work and booking information on Instagram. For those not ready for the permanence of a tattoo, there are prints of his pen-and-ink, anatomical illustrations available in his shop.

 

 

 

 



Art

Bisected Bronze Figures by Artist Anders Krisár Rejoin Through Clasped Hands

June 26, 2020

Vanessa Ruiz

“Untitled” (2014–15), bronze (polished patina), 114 x 48.5 x 63.5 centimeters

Being with oneself takes on a literal meaning in the works of Anders Krisár. The Stockholm-based sculptor and photographer focuses on the human body, creating analog casts from live models using silicone and plaster.

A self-taught artist, Krisár uses his own meticulous techniques and methods for creating a finished piece—constantly reworking the casts to a state of simplicity and smoothness. The impeccably smooth contours and precise cuts that he achieves makes each piece look more digitally rendered than created by hand. Krisár shares on his site, “I’m a perfectionist because I have to be. It’s not really a choice. And it’s not a striving for satisfaction. It’s rather to avoid pain.”

He tells Colossal that the most difficult anatomical features to perfect are the hands and fingernails. And it’s through the palms that the complete figures hold onto the other tightly—each side simultaneously pulling the other closer. Krisár’s cloven figures play with the human brain and its craving for visual symmetry. The two halves create a psychological tension—beautiful yet unsettling in their incomplete wholeness.

Krisár’s next exhibition will open on August 27, 2020, at CFHILL Art Space in Stockholm. Explore more of his work, including his latest endeavors in marble, on Instagram.

 

“Torso 3” (2014), bronze (polished patina), 46 × 104.8 × 14.8 centimeters

“Torso 2” (2014), bronze (polished patina), 45.7 × 56.1 × 15.6 centimeters

“Torso 1” (2013–14), bronze (polished patina), 46.4 × 44.8 × 20 centimeters

“Torso 4” (2016), bronze (polished patina), 46.2 x 51.2 x 22 centimeters

“Untitled” (2011–12), bronze (polished patina), 108 x 39 x 71.5 centimeters

 

 



Craft

A Hypochondriac’s Obsession is Amplified in Mesmerizing Anatomical Mandalas Cut From Paper

May 5, 2020

Vanessa Ruiz

All images © Makerie Studio

For a hypochondriac, any sense of pain or discomfort can be a point of fixation, something specifically known as somatic symptom disorder. This type of obsession inspired paper artist Julie Wilkinson to create a project that would not only distract her from this consuming condition but also bring awareness to an often misunderstood disorder. Her project is aptly titled Manifestation.

Wilkinson told Fubiz that she’s “been hypochondriac for as long as I can remember, and I have always had a fascination with medicine and the psychology related to certain conditions. This project was a way of visualizing the endless cycle that hypochondriacs often find themselves in, where every feeling is magnified, amplified, and where one little ache can turn into multiple symptoms—real or imagined—which take up our thoughts entirely.”

These layered illustrations of anatomical parts in a mandala motif were cut by Wilkinson with none other than a scalpel. The result is a visual expression of somatic symptom disorder—a dizzying array of magnified and multiplied sensations across various interconnected body parts and systems. The mandala is befitting of the meditative and healing nature of the project.

Wilkinson and Joyanne Horscroft make up the transatlantic creative duo behind Makerie Studio. While Wilkinson lives in New York, Horscroft is based in London. Not only are they master paper artists but they’re also set designers, who create imaginative and exquisitely detailed paper sculptures for window displays, events, advertising, and special artistic commissions. They’ve gained the attention of Google, Gucci, Nike, and Victoria’s Secret, to name a few. Wilkinson and Horscroft have developed their own unique paper techniques and are inspired by nature, steampunk mechanicals, and whimsical worlds.

Follow Makerie Studio’s magnificent paper creations and installations on Instagram.