Animator and director Evan DeRushie‘s recent short film “Birdlime” is about an exotic breed that escapes capture just to find itself injured and caged anyway. Birdlime features handcrafted and stop-motion animated human hands, tropical trees, other birds, and gibberish sounds in place of dialogue. The colorful kid-friendly film shows the versatility of the medium for fun, engaging, and artful storytelling.
Inspired by a trip to Thailand and his introduction to the exotic pet industry, DeRushie had the idea to the tell the story from the bird’s point of view. The characters are made from dyed and painted cushion foam. Working alone, the animator designed everything so that it would last long shoots with limited camera angles and edits.
“Thinking about the way that animals are represented in animation, and the effects in the real world (like how clown fish populations were decimated directly after Finding Nemo), I started seeing animation as a powerful and scary tool,” DeRushie said in a statement. “With this in mind, I tried to portray a respectful relationship between human and animal, and to treat the bird without too much anthropomorphism. I also wanted the film to feel like you were in the cage with the main character, and to be a bit confused by the world.”
DeRushie is the co-owner of the Toronto-based animation studio Stop Motion Department Inc.. Prior to “Birdlime” he animated and set-supervised 2015’s The Little Prince and was a part of the team that animated the short film “The Fox and the Chickadee,” which played in numerous festivals around the world. To see more of his work, click through to his official website.
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Illuminated columns protrude from the ground of bath house ruins in a new installation by teamLab (previously). The structures, which the Japanese collective refers to as “megaliths,” feature moving images of waterfalls and flowers in a constant state of change. Over the course of an hour, visitors will experience one year of seasonal flowers bud, grow, blossom, and wither away. Incorporated into the megaliths is also imagery of flowing water that adapts to the movement of nearby viewers. Each element of the artwork is computer generated, unique, and will never appear in the same state again.
Megaliths in the Bath House Ruins was created for a new exhibition titled A Forest Where Gods Live, in Mifuneyama Rakuen Park on the Japanese island of Kyushu, which runs through November 4, 2019. The soundtrack for the piece was created by Hideaki Takahashi, and sponsored by Grand Seiko. You can view more computer-animated sculptures and installations on teamLab’s website and Vimeo. (via designboom)
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An animated music video for Meg Myers’ cover of a Kate Bush song brings kid’s coloring books to life. Director Jo Roy first filmed Myers on a green screen, performing the crawling, climbing, and flying shown in the music video (see behind-the-scenes below). Then, each of the 3,202 frames was printed off as a black and white coloring book page. Elementary school-aged children from ten schools and an art program in the U.S. and Canada colored the pages however they wanted, with a provided crayon color palette.
Over 2,100 kids contributed to the resulting animation, which features Myers exploring the universe as a metamorphosing moth. Within the provided black contour lines, scribbled-in tulips and imaginatively shaded planets form the backdrop for the singer’s winged journey. You can see more of Roy’s directorial and dance work on her website, and listen to Meg Myers on Soundcloud. (via Colossal Submissions)
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