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Art Design
A Nearly 500-Page Monograph Chronicles Three Decades of Olafur Eliasson’s Practice

“The weather project” (2003), monofrequency lamps, projection screen, haze machines, foil mirror, aluminum, scaffolding, 26.7 x 22.3 x 155.44 meters, installation view at Tate Modern, London. Photo by Tate photography, Andrew Dunkley & Marcus Leith
A forthcoming monograph published by Phaidon packs the inimitable career of artist Olafur Eliasson (previously) into nearly 500 pages. Spanning from the 1990s to today, the expanded edition comprises a breadth of works, including “The Weather Project,” the widely acclaimed installation that took over Tate Modern in 2003, and the more recent “Life,” which flooded Fondation Beyeler in Basel last year with murky green waters. This new volume contains hundreds of photos and illustrations paired with writing by Michelle Kuo, Anna Engberg-Pedersen, and the artist himself and reflects on both the monumental public installations and smaller works that define his practice. Olafur Eliasson, Experience is currently available for pre-order on Bookshop.

“Waterfall” (2016), crane tower, water, stainless steel, pump system, hoses, ballast, 42.5 x 6 x 5 meters, installation views at Palace of Versailles. Photo by Anders Sune Berg

“Beauty” (1993), spotlight, water, nozzles, wood, hose, pump, dimensions variable, edition of 3, installation view at Long Museum, Shanghai. Photo by Anders Sune Berg

“Ice Watch” (2014), with Minik Rosing, 12 blocks of glacial ice, dimensions variable, installation views at Place du Panthéon, Paris. Photo by Martin Argyroglo

“Fjordenhus (Fjord House)” designed with Sebastian Behmann (2009–18), Vejle Fjord, Denmark. Photo by Anders Sune Berg

“Seeing Spheres” (2019), stainless steel, glass, silver, fiberglass, LEDs, 4.8 x 22 x 22 meters, each sphere, diameter 480 centimeters, installation view at Chase Center, San Francisco. Photo by Matthew Millman
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Craft
‘Wild Textiles’ Is a Practical Guide for Turning Foraged Materials into Fiber-Based Works

All images by Michael Wicks, courtesy of Batsford
From gathering and retting stinging nettle to stitching leaves into delicately layered quilts, Wild Textiles: Grown, Foraged, Found is a trove of tips and projects involving organic fibers. The forthcoming book by artist Alice Fox is a practical guide to working with nature’s materials at all steps of the process: she offers advice on growing plants and harvesting others, how to transform the raw matter into cord or thread, and examples of artworks that incorporate the repurposed textiles. Published by Batsford, the volume covers both rural and urban findings, in addition to pieces by artists like Hillary Waters Fayle and Penny Maltby. Wild Textiles is available for pre-order on Bookshop.

Work by Hillary Waters Fayle
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Art
Ecosystems of Fungi and Coral Inhabit Vintage Books in Stéphanie Kilgast’s Intricate Sculptures

“Old and New” (2022). All images © Stéphanie Kilgast, shared with permission
Fungi sprout from between pages, ivy creeps across a text, and the life cycle of a butterfly unfolds on the cover of a volume in Stéphanie Kilgast’s vibrant sculptures. Known for her intricately detailed works using discarded materials and trash like crushed cans or plastic bottles (previously), her recent pieces explore incredible biodiversity utilizing books as her canvas.
Millions of titles are published each year in the U.S. alone, meaning billions of individual copies—a vast number of which eventually end up in landfills. Kilgast draws attention to these discarded objects by giving vintage editions new life. She constructs delicate mushrooms, blooming flowers, and colorful coral in painstakingly detailed miniature environments as a vivid reminder of the impact humans have on the environment and the tenacity of nature.
The artist has an exhibition opening on November 5 at Beinart Gallery in Melbourne, and you can find more of her work on her website and Instagram.

“Ancestral History” (2021)

Left: “Contre Vents et Marees” (2021). Right: Work in progress

“Half Full, Half Empty” (2022)

“Happy or Doomsday Colors” (2022)

Left: “Hungry” (2022). Right: “Beginnings” (2022).

“I Lichen You A Lot” (2022)

Detail of “Contre Vents et Marees” (2021)
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Art
Division of Birds: A Group Show at Paradigm Gallery Celebrates Feathered Life

Felicia Chiao. All images © the artists, shared with permission
The Division of Birds, housed inside Chicago’s Field Museum, boasts one of the largest scientific avian collections in the country, representing about 90% of the world’s genera and species and containing more than 480,000 specimens, 21,000 egg sets, and approximately 200 nests. A group show opening this month at Paradigm Gallery + Studio in Philadelphia references this unparalleled archive in a celebration of feathered life.
Curated by Colossal’s founder and editor-in-chief Christopher Jobson, Division of Birds is comprised of dozens of works in a range of styles and mediums. The show includes avian creatures both real and imagined and a vast array of aesthetics, from a trio of paper sculptures by Roberto Benavidez and Felicia Chiao’s emotionally charged illustrations to Lola Dupré’s collaged roosters and a three-dimensional nest embroidered by Megan Zaniewski.
Division of Birds runs from August 26 to September 18.

Lola Dupré

Megan Zaniewski

Chris Maynard

Mike Stilkey

Megan Zaniewski
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Art History Illustration Photography Science
A New Book Plunges into the Vast Diversity of the World’s Oceans Across 3,000 Years

Carl Chun, Polypus levis, from Die Cephalopoden (1910–15), color lithograph, 35 × 25 centimeters. Image from the Biodiversity Heritage Library/Contributed by MBLWHOI Library, Marine Biological Laboratory, Woods Hole Oceanographic Institution Library, Massachusetts. All images © Phaidon, shared with permission
Despite thousands of years of research and an unending fascination with marine creatures, humans have explored only five percent of the oceans covering the majority of the earth’s surface. A forthcoming book from Phaidon dives into the planet’s notoriously vast and mysterious aquatic ecosystems, traveling across the continents and three millennia to uncover the stunning diversity of life below the surface.
Spanning 352 pages, Ocean, Exploring the Marine World brings together a broad array of images and information ranging from ancient nautical cartography to contemporary shots from photographers like Sebastião Salgado and David Doubilet. The volume presents science and history alongside art and illustration—it features biological renderings by Ernst Haekcl, Katsushika Hokusai’s woodblock prints, and works by artists like Kerry James Marshall, Vincent van Gogh, and Yayoi Kusama—in addition to texts about conservation and the threats the climate crises poses to underwater life.
Ocean will be released this October and is available for pre-order on Bookshop. You also might enjoy this volume devoted to birds.

NNtonio Rod (Antonio Rodríguez Canto), Trachyphyllia, from Coral Colors, (2016). Image © NNtonio Rod

Jason deCaires Taylor, “Rubicon” (2016), stainless steel, pH-neutral cement, basalt and aggregates, installation view, Museo Atlántico, Las Coloradas, Lanzarote, Atlantic Oceanl. Photo courtesy of the artist

Christian Schussele and James M. Sommerville, Ocean Life, (c.1859), watercolor, gouache, graphite, and gum arabic on off-white wove paper, 48.3 × 69.7 centimeters. Image courtesy of The Metropolitan Museum of Art

Duke Riley, #34 of the Poly S. Tyrene Maritime Collection (2019), salvaged, painted plastic bottle, 30.5 × 18.4 × 7.6 centimeters Image courtesy of Duke Riley Studio

Nicolas Floc’h, Productive Structures, Artificial Reefs, -23m, Tateyama, Japan, (2013). Image © Nicolas Floc’h
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Art History
Great Women Painters: An Enormous Volume Surveys the Work of 300 Artists Across 500 Years

Lubaina Himid, “Le Rodeur: The Exchange” (2016), acrylic on canvas, 72 × 96 inches. Image © Lubaina Himid, courtesy of the artist and Hollybush Gardens, London, by Andy Keate. All images courtesy of Phaidon, shared with permission
In the same vein as Phaidon’s formidable Great Women Artists and African Artists, a forthcoming book from the publisher similarly widens the art historical canon while recognizing some of the most influential and impactful painters working in the medium today. The massive compilation, titled Great Women Painters, highlights more than 300 artists across 500 years and a vast array of movements and aesthetics. Arranged alphabetically, the book pairs icons like Yayoi Kusama, Frida Kahlo, and Leonora Carrington with contemporary artists, including Ewa Juszkiewicz, Katharina Grosse, and Wangari Mathenge, in a broad and diverse overview of the women who have had profound impacts on the world today. The nearly 350-page Great Women Painters will be released this fall and is currently available for pre-order from Bookshop.

Shara Hughes, “Hard Hats” (2021), oil and dye on canvas, 96 × 72 inches. Image © Shara Hughes, courtesy of the artist, Pilar Corrias, London, David Kordansky Gallery, Los Angeles and New York, and Galerie Eva Presenhuber, Zurich / New York

Ewa Juszkiewicz, “Untitled (after Élisabeth Vigée Le Brun)” (2020), oil on canvas, 63 × 47 1/4 inches. Photo © Courtesy of the artist and Almine Rech, by Melissa Castro Duarte

Hayv Kahraman, “Appearance of Control” (2010), oil with gold paint on 23 wooden panels (sliding puzzle) in artist’s frame, 65 3/4 × 96 7/8 inches. Image © Hayv Kahraman, courtesy of the artist and Jack Shainman Gallery, New York

Wangari Mathenge, “The Ascendants XVII (She Is Here Too but Why Are You?)” (2021), oil on canvas, 193 × 160 centimeters. Image © Wangari Mathenge, by Brian Griffin, courtesy of Pippy Houldsworth Gallery
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Editor's Picks: Animation
Highlights below. For the full collection click here.