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Photography Science
Sunlight Illuminates a Full Spectrum of Color As It Filters Through Hummingbird Wings in a New Photo Book

“Opal Wings.” All images © Christian Spencer, shared with permission
Poetry in the Sky is a fitting title for a book of the elegant images of Australian photographer Christian Spencer. Slated for release next month, the volume gathers approximately two decades’ worth of birds Spencer encountered during visits to the Atlantic Forest in Brazil and also in Australia, including macaws, emus, and the species he’s perhaps most notable for documenting: the hummingbird.
Taken when the creatures are mid-flight and beating their wings at incredible speeds, Spencer’s striking photos capture sunlight as it filters through their feathers, emitting a full spectrum of color. The opalescent phenomenon is caused by diffraction and transforms their limbs into tiny, ephemeral rainbows.
Poetry in the Sky contains several photos of the prismatic birds—many of which we’ve featured previously on Colossal—in addition to dozens of additional images of avian life. Pre-order a copy from Bookshop, pick up a print, and find more of Spencer’s work on Instagram.

“Stardust”

“Sundance”

“Hummingbird Rain”

“Holy Water”

“3 Amigos”
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Art History Illustration
A 500-Page Book Explores the Japanese Folkloric Tradition of the Supernatural ‘Yōkai’ Entities

All images courtesy of PIE International, shared with permission
Translating to “strange apparition,” the Japanese word yōkai refers to supernatural beings, mutant monsters, and spirits. Mischievous, generous, and sometimes vengeful, the creatures are rooted in folklore and experienced a boom during the Edo period when artists would ascribe inexplicable phenomena to the unearthly characters. Japan’s Miyoshi Mononoke Museum in the Hiroshima Prefecture houses the largest yōkai collection in the world with more than 5,000 works, and a book recently published by PIE International showcases 60 of the most iconic and bizarre pieces from the institution.
Encompassing a range of mediums from painted scrolls and nishiki-e woodblock prints to kimonos and metalworks, Yōkai is a massive volume of 500-plus pages of colorful illustrations, paired with text by author, collector, and curator Koichi Yumoto. The book reproduces rarely seen works by artists like the renowned ukiyo-e printmaker Tsukioka Yoshitoshi, showcasing the pieces in incredible detail and contextualizing their role in the broader tradition and art history.
Yōkai is currently available on Bookshop.
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Art Craft History
A New Book Explores the Practices of 38 Black Ceramicists Working Across Generations to Define the Medium

Morel Doucet, “Skin Congregate on the Eve of Every Mountain” (2019), slip-cast porcelain with decals. Photo by David Gary Lloyd, courtesy of the artist and Galerie Myrtis
Ceramics is both versatile and enduring, allowing for myriad aesthetic sensibilities, degrees of functionality, and the ability to last lifetimes. A new book published by Schiffer Craft gathers the practices of 38 Black Americans who have harnessed the broad potential of clay as they explore various aspects of history, politics, craft, and culture.
Ranging from the colonial east coast and the Harlem Renaissance to the current century, Contemporary Black American Ceramic Artists compiles interviews, photos, and short essays into an expansive, diverse survey. In addition to artists working today like Morel Doucet (previously), Chotsani Elaine Dean, and Danielle Carelock, the book also recounts earlier generations who used the medium as a catalyst for their creative practices. Augusta Savage (1892-1962), for example, is known for translating the humanity of her subjects into figurative clay forms. She also went on to found the Savage Studio for Arts and Crafts in 1930s New York and helped secure funding for her students as part of the Works Progress Administration.
The book also recognizes the contributions of nearly 200 ceramicists who were enslaved and working in commercial potteries in Edgefield, South Carolina. Among those is David Drake, who is thought to have produced more than 100,000 stoneware vessels throughout his lifetime.
Contemporary Black American Ceramic Artists, written by donald a clark and Chotsani Elaine Dean, is currently available for pre-order on Bookshop.

Morel Doucet. Image © David Gary Lloyd

Paul S. Briggs, “Double Cuttle” (2011), stoneware, glaze, 12 inches. Photo courtesy of the artist

Chotsani Elaine Dean, “Plantation Sugar Jar: ‘for Chloe Spears’ (1750-1815),” (2019), porcelain and paper clay, 5.5 x 3.5 x 3.75 inches. Photo courtesy of the artist

Danielle Carelock, “Foliage Mugs,” earthenware, hand-painted luster overglaze, 2 × 4 inches. Photo courtesy of Saltstone Ceramics

Keith Wallace Smith, “Dream Dancer” (2009), porcelain, terra-cotta, and rope, 21 × 13 × 17 inches. Photo courtesy of the artist
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Photography
Historic Photographs in ‘Love Immortal’ Celebrate the Timeless Relationship Between Dogs and Their People

Images from the book ‘Love Immortal’ by Anthony Cavo, shared with permission. Copyright © 2022 by Anthony Cavo, reprinted courtesy of Harper Design, an imprint of HarperCollins Publishers
After the first known photograph was taken in 1826 by Joseph Nicéphore Niépce from the upstairs window of his home in Burgundy, France, the world became enthralled by the newfound ability to capture their loved ones—and their furry friends—for posterity. Love Immortal, a new book by antique dealer and collector Anthony Cavo, underscores the timeless and universal recognition that, to many, dogs are a fundamental part of the family.
When he was seven years old, the author began trawling New York City neighborhoods with his red wagon on the hunt for treasures. A chip off the old block—his father was also an antique dealer—Cavo grew up with a deep-seated love and appreciation for vintage objects, especially photographs, and for more than fifty years, he has been compiling an incredible catalogue of images, including hundreds of portraits of dogs and their doting owners.
The new volume published by Harper Design features more than 200 photographs made between 1840 and 1930 that span the medium’s technological spectrum, from Daguerrotypes to Ambrotypes, tintypes to cartes de visite, to sepia and black-and-white images. Portraying beloved terriers, retrievers, or hounds as expressive and lively as if they could leap off the table, run out of the frame, or—doing what dogs do best—doze off at any moment. You can find a copy at Bookshop.org. (via PetaPixel)
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Art Design
A Nearly 500-Page Monograph Chronicles Three Decades of Olafur Eliasson’s Practice

“The weather project” (2003), monofrequency lamps, projection screen, haze machines, foil mirror, aluminum, scaffolding, 26.7 x 22.3 x 155.44 meters, installation view at Tate Modern, London. Photo by Tate photography, Andrew Dunkley & Marcus Leith
A forthcoming monograph published by Phaidon packs the inimitable career of artist Olafur Eliasson (previously) into nearly 500 pages. Spanning from the 1990s to today, the expanded edition comprises a breadth of works, including “The Weather Project,” the widely acclaimed installation that took over Tate Modern in 2003, and the more recent “Life,” which flooded Fondation Beyeler in Basel last year with murky green waters. This new volume contains hundreds of photos and illustrations paired with writing by Michelle Kuo, Anna Engberg-Pedersen, and the artist himself and reflects on both the monumental public installations and smaller works that define his practice. Olafur Eliasson, Experience is currently available for pre-order on Bookshop.

“Waterfall” (2016), crane tower, water, stainless steel, pump system, hoses, ballast, 42.5 x 6 x 5 meters, installation views at Palace of Versailles. Photo by Anders Sune Berg

“Beauty” (1993), spotlight, water, nozzles, wood, hose, pump, dimensions variable, edition of 3, installation view at Long Museum, Shanghai. Photo by Anders Sune Berg

“Ice Watch” (2014), with Minik Rosing, 12 blocks of glacial ice, dimensions variable, installation views at Place du Panthéon, Paris. Photo by Martin Argyroglo

“Fjordenhus (Fjord House)” designed with Sebastian Behmann (2009–18), Vejle Fjord, Denmark. Photo by Anders Sune Berg

“Seeing Spheres” (2019), stainless steel, glass, silver, fiberglass, LEDs, 4.8 x 22 x 22 meters, each sphere, diameter 480 centimeters, installation view at Chase Center, San Francisco. Photo by Matthew Millman
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Craft
‘Wild Textiles’ Is a Practical Guide for Turning Foraged Materials into Fiber-Based Works

All images by Michael Wicks, courtesy of Batsford
From gathering and retting stinging nettle to stitching leaves into delicately layered quilts, Wild Textiles: Grown, Foraged, Found is a trove of tips and projects involving organic fibers. The forthcoming book by artist Alice Fox is a practical guide to working with nature’s materials at all steps of the process: she offers advice on growing plants and harvesting others, how to transform the raw matter into cord or thread, and examples of artworks that incorporate the repurposed textiles. Published by Batsford, the volume covers both rural and urban findings, in addition to pieces by artists like Hillary Waters Fayle and Penny Maltby. Wild Textiles is available for pre-order on Bookshop.

Work by Hillary Waters Fayle
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Editor's Picks: Animation
Highlights below. For the full collection click here.