Brett Foxwell

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with Brett Foxwell



Animation Photography

Thousands of Leaves Transition from Summer to Fall in a Hypnotic Stop-Motion Short

December 20, 2022

Grace Ebert

Bay Area-animator Brett Foxwell is drawn to the vast array of colors and textures within the natural world. His 2017 short film “WoodSwimmer” zeroed in on the unique grain of cross-cut trees, and his latest project similarly centers on organic diversity by highlighting thousands of leaves as they change from their summer to autumn hues.

In the mesmerizing stop-motion short, rapid flashes of foliage dance on the black backdrop and illuminate the unique bend of a stem, variances in veins, and the way verdant pigments drain from each specimen in inconsistent patterns. “While collecting leaves, I conceived that the leaf shape of every single plant type I could find would fit somewhere into a continuous animated sequence of leaves if that sequence were expansive enough. If I didn’t have the perfect shape, it meant I just had to collect more leaves,” he shares about the project.

The Book of Leaves” accompanies Foxwell’s larger project “Leaf Presser,” a trippier animation of the same nature, which you can find along with his other works on Vimeo. (via The Kids Should See This)

 

An animated gif of leaves in different colors from summer to autumn

A still of an autumn leaf

An animated gif of leaves in different colors from summer to autumn

 

 

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Art Music

WoodSwimmer: A New Stop-Motion Short Made Entirely by Tediously Cutting Through Wood

June 15, 2017

Kate Sierzputowski

WoodSwimmer is a new short film by engineer and stop-motion animator Brett Foxwell, who has built armatures for films such as Boxtrolls and Star Wars: The Force Awakens. Created in collaboration with musician and animator bedtimes, the work follows a piece of raw wood through a milling machine, capturing its unique growth rings, knots, and weathered spots through a series of cross-sectional photographic scans. Due the speed at which the images are animated, the log’s grains begin to flow like granules of sand—shifting, mixing, and flowing in a vibrant dance that seems completely removed from its rigid material.

“Fascinated with the shapes and textures found in both newly-cut and long-dead pieces of wood, I envisioned a world composed entirely of these forms,” Foxwell told Colossal. “As I began to engage with the material, I conceived a method using a milling machine and an animation camera setup to scan through a wood sample photographically and capture its entire structure. Although a difficult and tedious technique to refine, it yielded gorgeous imagery at once abstract and very real. Between the twisting growth rings, swirling rays, knot holes, termites and rot, I found there is a lot going on inside of wood.”

Heads up: watching this full-screen in HD with sound makes all the difference. You can see more of Foxwell’s works, like his 19-minute film Fabricated, on his Vimeo.