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Art History
Five Prehistoric Cave Drawings Uncovered in Alabama Are the Largest Discovered in North America

Anthropomorph in regalia, with a rayed circle in the midsection, 0.93 meters tall. All images courtesy of Jan F. Simek, Stephen Alvarez, and Alan Cressler in Antiquity
Hidden in a narrow cavern extending less than two feet from floor to ceiling, five cave drawings are the largest of their kind discovered so far in North America. Three anthropomorphic figures and two rattlesnakes are etched into the mud surface of 19th Unnamed Cave in Alabama—the name is intentionally vague to protect the exact location—with the most sizable glyph measuring nearly 11 feet. The renderings are thought to be from the Early and Middle Woodland prehistoric periods, or between 133 and 433 CE when populations began to shift from primarily nomadic hunting and gathering to settling and establishing agricultural production.
Although the cave is known to house hundreds of Native American drawings, the combination of the small, tight space in this area and the size of the glyphs made it previously impossible for archaeologists to view the works in their entirety. This part of the cave is so limited that even the artists would have had to work on these pieces in segments. Since 2017, though, a research team of Jan F. Simek, Stephen Alvarez, and Alan Cressler has been using photogrammetry, a process that entails capturing overlapping images (approximately 16,000 in this case) and assembling them into a 3D model, to create composites that reveal the full drawings.
The trio published their findings in Antiquity earlier this month with images showing elaborately outfitted figures and diamondback rattlesnakes, a sacred animal to some Indigenous populations that occupied what is now Alabama. Although it’s unclear what exactly these renderings represent, it’s likely that they have a spiritual association:
Native Americans in the Southeast built mounds, by which they could ascend to the spirits of the upper world for religious interaction. Decorated caves represented the opposite: gateways to the worlds below. We know that Native Americans modified their landscapes on very large scales in order to connect the living with the natural and supernatural worlds and to the varied elements of those worlds. The large figures drawn in 19th Unnamed Cave therefore probably represent spirits of the underworld, their power and importance expressed in their shape, size and context.
In addition to the five drawings and smaller sketches of birds and insects, archeologists also found eight pieces of broken ceramics, which are thought to be from five vessels brought into the space. They did not recover any stone tools or bones, meaning the cave was likely used for a limited range of activities. (via Hyperallergic)

Enigmatic figure of swirling lines, with a round head at one end and a possible rattlesnake tail at the other, 2.12 meters wide

Anthropomorph in regalia, 1.81 meters tall

A) Coiled serpent figure with head in the center, 0.50 meters in diameter. B) Wasp with head to the left and abdomen to the right, 0.35 meters across. C) Bird, 0.4 meters across. D) Anthropomorphic figure surrounded by swirling lines, 0.20 meters tall

Anthropomorph in regalia, 2.08 meters tall

Serpent figure, 3.3 meters long

The ceiling of 19th Unnamed Cave
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Art History
Archaeologists Uncover Children’s Hand and Foot Prints in What’s Thought to Be the Oldest Cave Art To Date

Image via Science Bulletin
A series of hand and foot impressions uncovered in the Quesang village in the Tibetan Plateau might rewrite the art-historical timeline. According to an article published this month in Science Bulletin, researchers believe the ancient prints were made between 169,000 and 226,000 years ago and appear to be placed intentionally, cementing the notion that they’re the earliest examples of cave art yet to be uncovered.
Of course, there’s plenty of debate over whether these impressions are art, although archaeologists arguing for the categorization are staking their claims on intent. “It is the composition, which is deliberate, the fact the traces were not made by normal locomotion, and the care taken so that one trace does not overlap the next,” geologist Matthew Bennett told Gizmodo, rejecting the idea that the prints are a byproduct of common movement like walking or grasping nearby material for stabilization. If the impressions are considered art, they predate the prehistoric figurative findings in both Sulawesi and Lasceaux, which date back about 43,900 and 17,000 years, respectively.
Fossilized on a piece of limestone called travertine, the size and variances of the prints also indicate that they were made by two children. Archaeologists theorize that the indentations, which include five feet and five hands, were placed in mud near the Quesang Hot Spring before it compacted under pressure, or lithified, preserving the duo’s pieces in the hardened material for millennia. Although the research team isn’t sure that the creators were Homo sapiens—the timeline also aligns with the Denisovans, an extinct species from the hominin group that primarily occupied what’s now Asia—if they were, they were likely 7 and 12 years old.
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Art History
This Warty Pig Painting Is Thought To Be the Oldest Cave Art in the World
Deep within Leang Tedongnge, a cave tucked away on the Indonesian island of Sulawesi, archaeologists discovered this mulberry-hued painting of a warty pig and two hand silhouettes potentially belonging to the artist, which is now believed to be the oldest figurative work in the world. A study published in Science Advances this week says the impeccably preserved rendering is at least 45,500 years old, which predates previously discovered depictions of mythical creatures in the region. Those prior findings date back about 43,900 years.
Questions remain about the exact age of the work and who made it. Archaeologists from Griffith University, who helmed the mission, utilized uranium-series dating to determine how old the speleothem, or mineral deposits, of the cave is rather than the actual painting. There’s also debate about whether modern humans are responsible for the renderings, a question that’s complicated by the fact that the only skeletal remains that date back at least 45,500 years in Sulawesi belong to early hominins.
Dr. Adam Brumm, who co-authored the study, told The New York Times that researchers expect to discover similar artworks in the region, although the cave paintings are deteriorating at a rapid rate and could fade before they’re ever uncovered. “It is very worrying, and given the current situation the end result is likely to be the eventual destruction of this ice age Indonesian art, perhaps even within our lifetime,” Brumm said.
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Art History
‘Sistine Chapel of the Ancients’: A Remote Area of the Amazon Boasts Tens of Thousands of Ice-Age Paintings

All images via Marie-Claire Thomas/Wild Blue Media/Channel 4
New photographs reveal an enormous collection of prehistoric art that spreads across a nearly eight-mile-long cliff within the Amazon rainforest. Now dubbed as the “Sistine Chapel of the ancients,” tens of thousands of paintings depict humans and animals like sloths, horses, and the now-extinct palaeolama and mastodon. The latter creatures haven’t occupied regions in South America for almost 12,000 years, which has provided the British-Colombian archaeology team with a timeline for the artworks’ origins.
The collection has been known to Colombians and Indigenous peoples for decades and now will be presented as part of a Channel 4 documentary titled Jungle Mystery: Lost Kingdoms of the Amazon, which airs this month. Archaeologist Ella Al-Shamahi, who is leading the television series, told The Guardian that the site, which is located in the Serranía de la Lindosa, required a two-hour drive from San José del Guaviare and an additional four-hour trek on foot to reach. “When we entered Farc territory, it was exactly as a few of us have been screaming about for a long time,” Al-Shamahi said. “Exploration is not over. Scientific discovery is not over but the big discoveries now are going to be found in places that are disputed or hostile,” noting that Colombia has been ravaged by civil war for decades.
Because of the breadth of the paintings—some are so high on the cliff that they only can be studied with drones—these researchers believe they will take generations to study. So far, though, they’ve found traces of ochre pigments, in addition to renderings of hallucinogenic plants and depictions of people who appear to be bungee jumping.
Update: This article originally framed the prehistoric art as a discovery, which was inaccurate considering Colombians and Indigenous peoples have known about and studied the area for decades. Patricio von Hildebrand, Thomas van der Hammen, and Carlos Castaño-Uribe have made significant contributions, in addition to researchers at the National University of Colombia and the University of Antioquia. We regret the error and erasure.
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Photography
Massive Ice Formations Crystalize in Incredible Photographs by Paxson Woelber

All images © Paxson Woelber, shared with permission
Anchorage-based creative Paxson Woelber has captured stunning photographs that illuminate the massive ice formations he recently stumbled upon in an Alaskan cave. Part of Castner Glacier in the Eastern Alaska Range, the expansive chamber is replete with glimmering crystals that jut down from the ceiling in some areas and coat the walls in others.
Woelber shares with Colossal that he visited during a deep freeze that saw temperatures below -30 degrees Fahrenheit, and discovered that the cave was formed by a stream that opened near the back. Geothermal heat warms the interior, causing the higher temperature of the inside to meet the drier, cold air from the outside near the cave’s mouth. This interaction causes moisture in the air to condense, creating the giant formations.
The artist described the experience as feeling as if he were exploring the inner portions of an asteroid. “Near the mouth of the cave, branching tree-like crystals hung down over a foot from the roof of the cave,” he says. “Toward the back, the crystals were smaller and more tightly-packed, like the crystals on the inside of a huge geode.” Head to Woelber’s Instagram to check out footage from his visit.
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Art History
Researchers Unearth World’s Oldest Figurative Artwork in Indonesian Cave
A recent finding in Sulawesi, Indonesia, is changing our conceptions of the origins of visual art. Fifteen researchers this week published an article in Nature describing prehistoric cave art that they believe was created about 43,900 years ago. The art depicts multiple therianthropes—mythical creatures that have both human and animal characteristics like beaks and tails—hunting wild pigs and cattle with spears. Traditionally, therianthropes were employed for sharing folklore, religious myths, and spiritual beliefs. Clear renderings of the creatures are uncommon, the report says. The oldest depiction previously recorded is a carved figurine with the head of a cat that originated in Germany and dates back nearly 40,000 years. These Indonesian findings also predate the Lascaux cave paintings found in France by about 20,000 years. “This hunting scene is—to our knowledge—currently the oldest pictorial record of storytelling and the earliest figurative artwork in the world,” the report said. (via Artnet)
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