ceramics

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Art Craft

Countless Ceramic Loops Comprise Cecil Kemperink's Movable Chain Sculptures

December 30, 2020

Grace Ebert

All images © Cecil Kemperink, shared with permission

Spread flat or folded in shapeless piles, Cecil Kemperink’s bulky chain sculptures contrast the solid ceramic material with the flexibility of their shapes. The movable works are comprised of hundreds of loops that link together in sheets of earth tones and subtle gradients. Whether heaped on the floor or draped across Kemperink’s body, the hefty chain mail is at once supple and fragile.

The artist (previously), who is based on the island of Texel in the Netherlands, draws her understanding of motion from the surrounding water and environment. “I love the rhythm of nature, the tides, the (change) of the length of the days, the seasons, the changes continuous,” she shares.  “I try to translate the rhythm, the time, the colors, the continuous movements in different ways into my work.”

Follow Kemperink’s latest works, which will include ten pieces for an installation, two larger works, and a wall sculpture in the coming weeks, on Instagram.

 

 

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A post shared by Cecil Kemperink (@cecilkemperink)

 

 



Art

Innumerable Porcelain Pieces Form Flowers and Coral in Zemer Peled's Textured Sculptures

December 15, 2020

Grace Ebert

“Intertwine” (2020), porcelain, 21 × 16 × 21 inches. All images © Zemer Peled, shared with permission

From her Baltimore studio, Israeli artist Zemer Peled (previously) sculpts countless spikes and oblongs into densely textured artworks. Amorphous forms bristle with porcelain pieces of varying shape and hue, mimicking organic elements like coral reefs and intertwined vines. Other sculptures depict oversized blooms with the firm, pointed edges of each shard directly contrasting the soft and fleshy petals found in nature.

Explore Peled’s available pieces in her shop and on Artsy, in addition to her line of cobalt tableware created in collaboration with the French porcelain manufacturer Bernardaud. You can follow her work and find glimpses into her process on Instagram, and head to her site to see her recent coronavirus-themed pieces.

 

“Small Puaa Puaa”

“Maldive Vibes” (2018), porcelain, 72 x 36 x 36 inches

“Protea 2” (2019), porcelain, 16 × 10 × 10 inches

“Puaa Puaa 1”

Detail of “Small Puaa Puaa”

Detail of “Protea 2” (2019), porcelain, 16 × 10 × 10 inches

“After the Bloom”

 

 



Art Craft Design

Quirky Faces and Limber Vases Comprise Madriguera Workshop's Minimal Ceramics

December 7, 2020

Grace Ebert

All images © Madriguera Workshop

Madriguera Workshop’s eccentric characters might be the quietest guests at your next dinner party. Helmed by Lydia de la Piñera and Luis Llamas, the Galicia-based studio handcrafts a range of anthropomorphized clay pieces that are shaped into playful pots, cups, and serving ware. Tousled chives and spiked succulents become hair for the two-legged planters, while the face collection features a subtle, elegant figure with a long nose and crooked smile.

Madriguera’s face tray just was named a finalist in the 2020 Etsy Design Awards, and a few pieces are still available on Etsy and in the workshop’s store. To follow new releases and stock updates, head to Instagram.

 

 

 



Art

A Socially Anxious Character Disguises Itself As Owls, Pigeons, and Other Birds in Textured Sculptures by Calvin Ma

November 4, 2020

Grace Ebert

“Comfort Zone,” ceramic with glaze, 12.5 x 7 x 7 inches. All images © Calvin Ma, courtesy of Foster/White Gallery, shared with permission

In his ongoing series titled Blend In: Making Home, artist Calvin Ma (previously) conveys an incessant need to belong through a quirky character camouflaging itself as different birds. From owls to pigeons to Mandarin ducks, the precisely hued costumes envelop the figure in a mass of feathers and scaled footwear. The artist textures the ceramic sculptures by hand, etching countless lines into every plume.

Each species represents an emotion or experience tied to social anxiety, which Ma bolsters with corresponding environments, like a birch cage or flower-lined nest. “Being shy, timid, and a bit socially awkward is something that will always be a part of me. The goal is to come to terms with it and grow from it,” the artist says of his own experience.

If you’re in Seattle, head to Foster/White Gallery where Ma’s anthropomorphic pieces are on view through November 21. To see the works-in-progress, check out the artist’s Instagram.

 

“In The Wind,” ceramic with glaze, 13 x 11 x 8 inches

“Break Free,” ceramic with glaze, 13 x 9 x 9 inches

Left: “Making Home,” ceramic with glaze, 17 x 12 x 9 inches. Right: “Out of the Woods,” ceramic with glaze, 11 x 6 x 6 inches

“First Step,” ceramic with glaze, 14 x 7 x 6 inches

“Hover,” ceramic with glaze, 14 x 10 x 8 inches

Left: “Nesting,” ceramic with glaze, 10 x 7 x 6 inches. Right: “Time And Again,” ceramic with glaze, 12 x 11 x 8 inches

“Fleeting,” ceramic with glaze, 16 x 29 x 8 inches

 

 



Art

Multi-Story Murals Showcase Domesticity through Elegant Ceramic Tableware

October 23, 2020

Grace Ebert

Oviedo, Spain. All images © Manolo Mesa, shared with permission

Spanish street artist Manolo Mesa merges public and private spheres through large-scale murals that highlight simple domestic objects. The multiple-story artworks depict traditional dining scenes, from an elegant porcelain tea set to a lone jug with swirling flourishes to another vessel resting on a saucer.

To complete a recent tableau in Oviedo, Spain, for Parees Fest, Mesa explored the history of an abandoned pottery factory in San Claudio. Event organizers gathered tableware from local residents, a collection that informed the shapes and exterior motifs of his work. “I was able to see all the evolution of this earthenware in the houses of Oviedo. I found postwar pieces, which were inherited and preserved with great affection by collectors. We saw (the) tableware of a lifetime from the middle of the century,” he writes on Instagram. Showcasing a delicate collection of vessels, the resulting mural explores an otherwise hidden facet of local history.

Find Mesa on Instagram to view some works-in-progress and follow his ceramic-centric projects.

 

 

 



Art

Using Shattered Ceramics, Artist Bouke de Vries Revitalizes Found Porcelain in New Sculptures

October 7, 2020

Grace Ebert

All images © Bouke de Vries, shared with permission

Bouke de Vries (previously) refers to some of his porcelain sculptures as “three-dimensional still lifes.” The artist, who was born in the Netherlands and now lives in London, creates sprawling assemblages that resemble a classic bowl of fruit or table setting frequently found in Dutch art. “I compose these pieces as, after the painter has finished with them, the ceramics get broken and decayed, and I breathe new life into them. The butterfly in still life is a symbol for the resurrection in (the) way I see what I do through my work,” he tells Colossal. In de Vries’s works, though, the seemingly mundane scenes are fractured with bursting ceramics, encroaching insects, and decaying fruit.

The artist began working with porcelain as a restorer for 15 years before embarking on his own practice, which begins with a search for broken pottery and glass shards. He never breaks an undamaged piece but rather revitalizes those that are damaged already by creating new figures that celebrate the beauty of their previous forms. With a penchant for Kintsugi, he often utilizes gold lacquer to highlight the repaired cracks.

Alongside sculptural still lifes, the figure of Guan Yin, the Buddhist goddess of compassion, mercy, and kindness, recurs in de Vries’s work. Often surrounded by cracked shards and recomposed garments, she conveys an ability for understanding and repair.

In recent weeks, de Vries has been working on commissions and new pieces, in addition to a large-scale project that spans the entrance of one of Sotheby’s Bond Street galleries, which you can see on Instagram. To find out more about the artist’s vision behind that piece, watch this interview. (via Cross Connect Magazine)