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Art
Evoking Organic Growth, Toru Kurokawa’s Ceramic Sculptures Stretch and Swell into Abstract Forms

“Visceral vision.” All images © Toru Kurokawa, shared with permission
The natural growth process, which begins with the replication of a single cell and eventually produces bodily systems and lifeforms, informs the practice of artist Toru Kurokawa (previously). Based in Kyoto, Kurokawa transforms amorphous hunks of clay into organic sculptures that bow and bend. The malleable material stretches to reveal pockets of negative space or to generate undulating edges, and once fired, the works appear to freeze those movements. “I would like to create a space that fuses the two things, existence and non-existence,” the artist tells Colossal. “I am conscious of that connection.” Glazed in textured, neutral tones, the resulting forms are abstract and biological, conveying the tension and strength of change.
Kurokawa is currently considering how mathematics and physics can influence the geometries of the works, and you can follow that progress on Instagram.

“Earth pot”

“Aggregate β”

“Holosroidea”

“Black garden”

“Threshold”

“Aire”

“Protocell J”
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Art
Mossy Figures Wander Through Woodlands and City Streets in Kim Simonsson’s Flocked Ceramic Sculptures

“Mossgirl with Feathers” (2016), ceramics, nylon fiber, epoxy resin, feathers, and rope. All images © Kim Simonsson, shared with permission. Photos by Jefunne Gimpel
Some of the most exciting artistic discoveries are the results of accidents or the surprising outcomes of experiments, and artist Kim Simonsson’s series Moss People is the result of one such unexpected twist. Coated with soft flocking—a process of applying very fine fiber to the surface of an object—the large-scale ceramic sculptures were initially layered only with velvety black until a few years ago, when one day, the Finnish sculptor decided to flock one of those pieces with yellow, too. Once the crushed nylon fiber was applied over the black, it turned green, and the verdant figures have since grown into a cornerstone of his practice.
Simonsson draws inspiration from pop culture and Nordic fairytales and folklore, creating expressive, youthful characters who tote rucksacks, wear feathers in their hair, or carry important items like books, radios, or plush toys. For the 2022 Utopia Festival in Lille, France, he created monumental versions from fiberglass that lined a thoroughfare and appeared to wander amongst the passersby, emphasizing tender facial expressions, theatrical scale, and the sense that each individual is on a mission. The artist taps into a playful tension between the spritely energy of youth and the fact that moss naturally grows on hard, unmoving surfaces.
Atmospheric images taken outdoors capture the self-assured figures as they wander through woodland, equipped for an expedition. The most recent characters feature edible greenery and cabbage that grows from their limbs, torsos, and feet, providing both protection and sustenance. By producing and carrying their own food, they are completely autonomous, self-sustaining beings.
Simonsson’s solo exhibition Moss Cabbage People is on view at Galerie NeC in Paris through December 24. Find more of the artist’s work on his website, and follow updates on Instagram.

“Moss People in Pine Forest”

“Cabbage Mossgirl Resting” (2022), ceramics, nylon fiber, epoxy resin, and artificial plant

Left: “Mossgirl With Broken Stereo” (2022), ceramics, nylon fiber, epoxy resin, cassette stereo, rope, and artificial flowers. Right: “Cabbage Mossboy Reading” (2022), ceramics, nylon fiber, and epoxy resin

“Hiding Place” (2022), ceramics, nylon fiber, and epoxy resin

“Mossboy” (2016), ceramics, nylon fiber, epoxy resin, feathers, and rope

Left: “Bearded Mossman with Feathers” (2019), ceramics, epoxy resin, nylon fiber, feathers, and rope. Right: “Mossboy With Idol” (2022), ceramics, nylon fiber, epoxy resin, and soft toy

“Mossboy With Rock” (2017), ceramics, nylon fiber, epoxy resin, and textile

“Moss Princess” (2019), ceramics, nylon fiber, epoxy resin, and chain

“Remember,” “Friendship,” “Giant Gatherer,” and “Light,” (2022), fiberglass, polyester resin, and nylon fiber. Installed in Lille, France, for Utopia Festival
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Art
Vibrant Coral Expresses the Power of Nature in Courtney Mattison’s Whirling Ceramic Wall Relief

“Gyre I” (2022), glazed stoneware and porcelain, 75 x 75 x 11 inches. Photography by Daniel Jackson for Brandywine Museum of Art. All images © Courtney Mattison, shared with permission
In Courtney Mattison’s elaborate ceramic wall reliefs, the rich textures and hues of coral sweep elegantly across vast surfaces. Made of numerous individual pieces that she forms by hand, each composition references the fragility, diversity, and resilience of marine ecosystems, which she describes as an effort to “visualize climate change.” Currently on display at the Brandywine Museum of Art, “Gyre I” draws inspiration from forces of nature exemplified in the immense power of hurricanes and the delicate spirals of seashells or flower petals.
See “Gyre I” in Fragile Earth through January 8, 2023, and find more of Mattison’s work on her website and Instagram.
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Art Craft
Delicate Spikes and Lush Petals Bloom from Avital Avital’s Voluptuous Porcelain Vessels

All images © Avital Avital, shared with permission
The diverse world of plants and flowers is a source of fascination for ceramic artist Avital Avital, who crafts delicately detailed vessels from porcelain. In her studio in Ramat Gan, Israel, the artist sculpts slender petals, fragile spikes, and orbs dabbed with confectionary-like dots. She is interested in the relationship between functionality and decoration, drawing on the rich history of clay as a medium and mingling technical skill with conceptual ideas.
Inspired by nature’s boundless variety of forms and colors, her choice of material complements her subject matter: “I am interested in balancing between the delicacy of the porcelain and its strength and to use its potential transparency by sculpting colorful petals that are skin-like when directed to a source of light.”
You can find more of Avital’s work on Instagram.
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Craft
Speckled, Crackled, and Kintsugi Sheets of Ceramic Cloak Lisa Agnetun’s Tiny Spirited Ghosts

All images © Lisa Agnetun, shared with permission
“They’re very much like people,” says Lisa Agnetun (previously) about her adorably spirited figures. “Except for the fact that high-fired ceramics has the ability to outlive us all. If you treat them respectfully, they will haunt you forever.”
The Gothenburg, Sweden-based ceramicist crafts tiny apparitions with endlessly unique personalities. All wear bedsheet-style disguises, although they’re crafted from different clays, fired at varying temperatures, and covered in glazes that range from matte neutral tones to sleek, vibrant speckles. The artist shares that the characters have gained weight recently and their eyes have widened, and some of the spectral forms have even been fractured and scarred with glimmering gold Kintsugi.
Agnetun plans to update her Etsy shop next on November 25, so keep an eye on her Instagram for details on that release, especially since the tiny apparitions seem to disappear within minutes.
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Art
Mysterious Creatures Emerge from Recycled Materials in Sculptures by Spencer Hansen

“BADU” and “FINCH” in collaboration with Jason Siegel. All images © Spencer Hansen, shared with permission
Long-legged creatures don otherwordly masks in sculptures by Bali-based artist Spencer Hansen, whose work explores identity and connection through a cast of uncanny characters. Using primarily natural, found, and recycled materials like wood, metal, bone, plant fibers, and ceramic, he draws inspiration from surrounding environment and frequent travels. Originally from Idaho, he relocated to Bali where he built a workshop that houses studios and live-work space for a team of skilled artisans who help to bring the pieces to life.
Alongside business partner Shayne Maratea, with whom he founded independent clothing and art company BLAMO, Hansen often collaborates with artists and photographers to merge sculpture and performance. Intended to inspire curiosity and play, the characters are carved and assembled in a variety of scales, from toy-like figurines to life-size suits, with mysterious faces.
Hansen will be showing work with Skye Gallery at Aqua Art Miami at the end of this month and has a solo exhibition opening in December at Samuel Lynne Galleries in Dallas. You can find more of his work on his website and Instagram.

“BOBA”

“Eternal Embrace” collaboration with Naomi Samara. Suit worn by Aleph Geddis. Hands: Naomi Samara, Chantal Ka, and Shayne Maratea

Left: “EQUUS.” Right: “Tikus”

Left: Head of “LELA.” Right: “M11 Topeng Barat”

“LELA”

“M11,” “M12,” and “M13”
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