Memories often are described colloquially as being woven into our brains, threaded through our minds in ways that affect our every day. For Cécile Davidovici, though, memories and lengthy stitches hold a different relationship, and weaving her thread paintings is a process of remembering rather than the state of the memory itself. The Paris-based artist sources the content of her series <<1988 from home videos taken by her parents throughout her upbringing. “When my mother died, I started watching VHS tapes from my childhood,” she tells 60 Second Docs about her current projects. “I use primarily cotton and linen. I find it evokes the same warmth I feel when I think of my childhood.”
Despite having a background film, Davidovici said in a statement that she was drawn to textile arts after her mother’s death because it was tangible and allowed her to “anchor herself in the moment.” Although her preferred medium has changed, the artist said “the stories of innocence and illusions remained, now tinted with irrepressible nostalgia, and with a desire to capture memories and to immortalize past moments.” Some of Davidovici’s dense embroideries, which can take as many as five weeks to complete, are available in her shop. Find more of her reflective work on Instagram. (via Colossal Submissions)
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Japanese photographer Shin Noguchi’s series One Two Three follows the daily explorations, amusements, and tantrums of his three daughters, nine-year-old Yumeji, four-year-old Kotoyo, and two-year-old Hikono. The unplanned snapshots capture split-second moments of beauty such as a bubble floating perfectly in frame to surround his daughters’ faces in one image, or a photograph of his toddler at the table fast asleep behind a large cheese pizza.
“I just click the shutter when the moment is right during the life of my family,” explains Noguchi to Colossal. “I definitely hear a kind of music while clicking the shutter—the unposed, unstaged moments that exist. It’s like improvisations in Jazz. Like Eric Dolphy said, If I missed it, it’s gone in the air, I can never capture it again.”
Noguchi was inspired to start documenting his children after losing his father to stage four lung cancer in 2017. When packing up his father’s things he found previously unseen pictures of his own childhood taken by his mother which inspired him to engage in a more comprehensive documentation of his own family’s life. “If someone asks me, ‘Are these photos then art, or life?’ I want to say that ‘life is art,'” he explains. “I never called my photography ‘art,’ but definitely they show me what I feel art to be.”
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French artist Julien Malland aka Seth Globepainter (previously) continues to create childhood-inspired interventions around Paris and the world. Earlier this year he had a major museum solo show at MoCA Shanghai which included elaborate sculptures and site-specific installations. He also painted one of his largest pieces to date on the banks of the Seine in Paris, and took part in a creation associated with the upcoming museum of street art at the Mausa Vauban. Malland’s poetic murals resonate with audiences of all ages.
“Sweetness and innocence from childhood regularly contrasts with the chaotic environments I choose to put them in,” the artist tells Colossal. He often places the children in environments with books as a reference to their imagination and creativity. After intensively traveling to over fifty countries during the last two decades, Malland is very much aware of the way globalization and modernization are influencing local traditions. “We read less and less with the proliferation of screen habits,” he explains. “While reading we create our own images suggested by words. The screen makes us lazy and spoils our imagination.”
Eight years after his first visit to Shanghai, Malland went back to the city this March to introduce a large project which took place both inside MoCA Shanghai and in its old alleys. Focused on the idea of childhood memories, the outdoor interventions were cleverly created on crumbling buildings and in deserted side streets. The works depicted children playing emblematic games of the ’70s and ’80s, and evoked the atmosphere of the once lively neighborhood. “The vanishing traditional way of life is being replaced by a more common consumer society,” he explains. “This kind of transformation is worldwide, but it’s faster and more sudden in China. Painting those emptied neighborhoods gives me the opportunity to highlight this metamorphosis and continue to explore the traditional Chinese habits that still intrigue me.”
A few months later he took part in a project initiated by Itinerrance Gallery and the Paris City Hall, painting the banks of Seine along with 1010, Momies, and Nebay. The four artists created a long stream of colorful artwork that following the riverbed for a little bit over a mile. Along with 1010’s trompe l’oeil abstraction of an abyss, Momies’ graphic composition in the colors of the French flag, and Nebay’s calligraphy, Malland painted an anamorphic piece visible exclusively from the Pont de la Concorde. The work depicted a child sailing on a paper boat through a rainbow vortex—another incarnation of his imagery that speaks about the purity and boundlessness of children’s imagination and spirit.
Finally, back in June this year he created two pieces inside of Mausa Vauban, an upcoming museum of street art in Neuf-Brisach, France. Once again he explored the idea of children at play. One work is a compelling installation of a little boy breaking a wall and leaving a pile of colorful bricks stacked around the room and an open passageway. Malland is currently preparing for solo shows in London (November 2018), and Shaghai (January 2019), as well as an outdoor project in a pediatric hospital in the US, and is also working on several new books. You can follow his travels throughout the globe on Instagram.
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Montreal-based photographer Conor Nickerson was flipping through family photos when he wondered what it might look like to see his present self Photoshopped next to his childhood self, a version he only remembered through old photographs. After gathering clothing, hats, and shoes that would match his boyhood self, he spent several hours in Photoshop learning how to accurately match his image to the photo’s time period.
The series, Childhood, is described as “Myself hanging out with myself, c. 1997-2005,” and took Nickerson about 6 months to complete. You can find more of Nickerson’s work on his website and Facebook. (via PetaPixel)
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A pretty swanky mouth-blown glass ornament (“ball”) from artist Mendel Heit out of Berlin. From the artist’s web site:
This particular christmas ball is an invite to go back to your to childhood memories, your first video game, activate your deepest imagination, maybe like the ones that come during an afternoon when you’re lying in the grass and spotting for the funniest clouds you can find. Cumulus is the easiest way to bring back your own little cloud at home.
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