Posts tagged
with childhood


An Animated Short Film by Martin Smatana Explores Loss Through Lighthearted Symbolism

December 27, 2022

Kate Mothes

A brisk wind takes a young kite-flyer on an unexpected voyage with his grandfather in a poignant short film by illustrator and animation director Martin Smatana. The narrative of the stop-motion animation addresses the concept of death and loss through metaphor that is accessible to children, using the kite, weather, and materials as symbolic ways to broach a difficult yet important topic. “It explores the relationship between a little boy and his grandpa and shows that death is a natural part of life, but it doesn’t have to mean the end of our journey,” Smatana explains. He continues:

They are both made out of layers, which symbolize their age. The boy has many of these layers… he has all his life before him. But grandfather, on the other hand, has already lost most of his layers, and he has only few left. As he gets older, he also gets thinner, and at the end of his life, he is as thin as a sheet of paper. One day, the wind just softly blows him away and takes him up to the sky…

Smatana and his team scoured second-hand shops in his hometown of Prague to collect textiles and other materials to build the sets, employing different patterns and color palettes to represent the four seasons. A quilt-like landscape created from numerous pieces of cloth references a patchwork blanket that the artist remembers sleeping under when he visited his own grandparents’ house.

Created for the artist’s graduation project at FAMU Film School three years ago, “The Kite” has won more than sixty international awards, was nominated for the semifinals of the student Oscars, and is included in the film library of the Museum of Modern Art in New York City. Explore more of Smatana’s work on his website, where he also shares behind-the-scenes footage of how “The Kite” was made. Follow updates on Instagram.


A still from the short film "The Kite" showing a young boy and his grandfather sitting on clouds.

All images © Martin Smatana, shared with permission

An animated excerpt from "The Kite" in which a young boy and his grandfather fly up into the sky with a kite.

A still from the short film "The Kite" showing a young boy and his kite from the perspective of his grandfather holding his hands.

An animated excerpt from the short film "The Kite" portraying a young boy visiting his grandfather and being given a kite.

A still from the animated short film "The Kite" showing a patchwork countryside and road with a school bus on it.

A still from the short film "The Kite" showing a darkening sky and a young boy holding onto his grandfather who appears to be floating away.





Uncanny Scenarios Unfold in Whimsical and Ironic Illustrations by Yuko Shimizu

November 16, 2022

Kate Mothes

An illustration by Yuko Shimizu of a young person and their dog with balloons shaped like lifebuoys.

“Balloons.” All images © Yuko Shimizu, shared with permission

Abundance, repetition, and a tinge of irony accompany a cast of humans and animals through uncanny scenarios in Japanese artist Yuko Shimizu’s illustrations. Her whimsical subjects are often playful and humorous, like a pet dog in a sweater with red stripes that matches its youthful owner’s swimming suit, the pair flanked by numerous balloons in the shape of lifebuoys. In contrast, a more grave undertone emerges in “Me Too,” a reference to the #MeToo movement, as a woman stands on a mountain of eyes and attempts to brush countless more off of her body.

Drawing inspiration from myriad sources, including Japanese culture and current events, Shimizu’s compositions are characterized by a sense of action and obscure narrative. You can follow more of her work on Instagram.


An illustration by Yuko Shimizu of figures surrounded by numerous cats.


A detail of an illustration by Yuko Shimizu of numbered lifebuoys that look like balloons.

Detail of “Balloons”

An illustration by Yuko Shimizu of a figure on a bicycle carrying tulips. some that are so large they obscure him.

“Dutch Tulips”

An illustration by Yuko Shimizu featuring several children in white pajamas underwater with red mushrooms as if in a dream.

“Little Nemo”

An illustration by Yuko Shimizu of a woman standing on a pile of eyes as she tries to brush eyes off her body with two lint brushes.

“Me Too”

A detail of an illustration by Yuko Shimizu of a woman brushing eyes off of her body using two lint brushes.

Detail of “Me Too”

An illustration by Yuko Shimizu of a figure emerging from the water in front of moon with a net over their head.





Dreams Emanate from Sleeping Children in Lena Guberman’s Imaginative Ceramic Sculptures

June 6, 2022

Grace Ebert

All images © Lena Guberman, shared with permission

A mass of unruly curls, scaly bodies, and motifs painted in red cradle the sleeping children in Lena Guberman’s ceramics. Lying in the center of round plates, the young characters are suspended in states of slumber, their joys, anxieties, and formative experiences flowing from their resting bodies. “I was an introverted child, compensating for my loneliness with dreams and fantasies. I had a feeling that there is a creature protecting me from anything bad that can happen,” the Israel-based artist tells Colossal. “I think those visions came to me when sculpting.”

Primarily illustrating picture books, editorial pieces, and animations, Guberman began working with ceramics a few years ago, although only recently returned to the medium as a reprieve from her otherwise two-dimensional practice. Part of her growing sculpture collection, the plates shown here reflect her imaginative style and similarly capture the expressive, whimsical qualities of her drawings.

Guberman shares an archive of her works on Behance and Instagram.





Evoking Childhood Nostalgia, Color and Cartoon Commotion Burst from Kayla Mahaffey’s Paintings

September 15, 2021

Grace Ebert

“No Harm Done.” All images courtesy of Thinkspace Projects, shared with permission

Surrounding Black children with jumbled masses of cartoon characters, doodles, and explosions of color, Chicago-based artist Kayla Mahaffey (previously) imagines adolescent daydreams and an array of playtime inventions. She infuses her acrylic paintings with a longing for carefree summer days, mornings spent watching the foibles of favorite animated characters, and hours left open for adventure, capturing feelings of joy and curiosity. Vividly rendered and layered with squiggles and globs of color, the large-scale works find “value in the sugar-coated nostalgia,” which Mahaffey explains:

There have been numerous occasions where we omit the truths of our past to only be met with the disappointments of the future, a never-ending cycle that has influenced our current era for the best and the worst. Even though we’re currently going through a very troubling era, let’s take a moment to remember those times where we felt the most safe or where we felt the happiest. Many of us wish to go back to that life, but not to change anything, but to feel a few cherished things, once again.

If you’re near Culver City, you can see the pieces shown here as part of Remember the Time at Thinkspace Projects from September 18 to October 9. Otherwise, find Mahaffey on Instagram to see where she’s headed next.


“The Sweet Escape”

“Head in the Clouds”

“The Child In Us”

“Tender, Love, and Care (TLC)”

“Beautiful Day In The…”


Left: “No Public Enemy.” Right: “Kid In Play”





Photorealistic Figures Embody Childhood Wonder in Dreamy Murals by Lula Goce

January 11, 2021

Grace Ebert

Bronx, New York City. All images © Lula Goce, shared with permission

From New York City to Azerbaijan to Kristianstad, Sweden, artist Lula Goce transforms blank walls into ethereal artworks that illustrate childlike wonder and growth. Her murals merge photorealistic renderings of adolescent subjects with otherworldly surroundings: plumes of flowers and vines wind around the figures, serpentine creatures emerge from the plants, and shrunken landscapes rest in the children’s hands. Serene and dreamy, the works often center on children painted in subtle tones who peer into the distance or are deep in sleep.

Based in Vigo, Spain, Goce sells prints of her large- and small-scale works in her shop, and you can follow where she’s headed next on Instagram.


Kristianstad, Sweden

Belorado, Spain

Murcia, Spain

Vigo, Spain

Västervik, Sweden

Vilanova i la Geltrú, Spain

Panxon, Nigrán, Spain




Playfulness and Imagination Inform the Textured Wooden Sculptures of Artist Efraïm Rodríguez

November 9, 2020

Grace Ebert

“At line” (2020), linden wood and painted okume board, 115 x 55 x 43 centimeters. All images © Efraïm Rodríguez, shared with permission

From fallen trees, planks, and old furniture, Efraïm Rodríguez carves vivid sculptures that evoke the imaginative and playful daydreams of childhood. The Barcelona-based artist highlights the texture of the organic material, creating life-sized figures donning garments of veneered wood or whose bodies mimic the toys they stack. Many depict toddlers or younger children in the midst of play, and even the older characters are infused with elements of sport and recreation, like “Anna” (shown below) who wears a dress studded with tees and holds a golf ball.

Although the precisely sculpted figures often are based on his nieces, nephews, and other family members, Rodríguez tells Colossal that themes of childhood only recently emerged. He explains:

The children appeared in my work almost from the beginning, but they were only a reference, a motive. The theme was not childhood. In the early works, they were self-aware children, representing adults in the form of children. The children were a good support to work emotions and question the viewer. In 2007, my sister had two children. I began to use them as a model in my sculptures. From here the theme of childhood was appearing. I began to represent beyond their forms their actions and attitudes.

Rodríguez was raised in an artistic family in which his father and grandfather were both painters. Despite being exposed to that medium, he shares that he’s always been drawn to representing the world in three-dimensions. “For me, sculpture is a reconstruction of the world. I always build my sculptures in real size the referent, the sculpture, and the spectator live in the same place, breath(ing) the same air,” he says.


“Small Architect” (2006), painted beechwood, 60 x 78 x 43 centimeters

Wood, in particular, has been conducive to the artist’s process, which begins with an image in his head rather than a two-dimensional sketch. The malleable material also brings its own history to the works, and Rodríguez chooses the specific type based on its technical and narrative qualities. “Wood has always a past, a biography. A piece of wood has been always something else before, furniture or whatever, at least a tree,” the artist says.

Through January 1, 2021, Rodríguez’s sculptures are on view at the Granollers Museum in Barcelona. To follow his latest pieces and see works-in-progress, head to Instagram.


“Anna (golf girl)” (2019), painted cedar wood, painted golf tees and golf ball, 120 x 47 x 35 centimeters

“Anna (golf girl)” (2019), painted cedar wood, painted golf tees and golf ball, 120 x 47 x 35 centimeters

“First Fall” (2020), painted cedar and hazelnut, 175 x 40 x 48 centimeter

“At line” (2020), linden wood and painted okume board, 115 x 55 x 43 centimeters

“Giorgia builds up” (2019), painted beechwood, 90 x 52 x 51 centimeters

“Giorgia builds up” (2019), painted beechwood, 90 x 52 x 51 centimeters