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Art

Anonymous, Posed Figures by Artist Hanna Lee Joshi Explore the Female Body

August 24, 2020

Grace Ebert

“Untitled,” gouache and colored pencil, 15 x 20 inches. All images © Hanna Lee Joshi, shared with permission

The posed women in Hanna Lee Joshi’s latest series are comprised of vivid gradients: their chests are cobalt, shoulders rose, and palms lime. Created with gouache and colored pencil, the bright hues stray from flesh tones in favor of what Joshi terms “a more otherworldly aspect in my women. Reclaiming the goddess within and exploring the concept of embodying an ephemeral spirit in form,” she says. By rendering their enlarged, curved torsos and limbs in bold shades, Joshi subverts the tradition of the nude figure.

The Korean-Canadian artist, who’s based in Vancouver and recently was part of the group show “Somebody” at Hashimoto Contemporary, is concerned with how idiosyncratic experiences transcend the personal, which is why the subjects are all anonymous. Each work is, in part, a self-portrait that encompasses the physical, mental, and spiritual.

It is my way of coming to terms with being ok with taking up space; in society, in my day to day life. My pieces range from exploring a feeling of being contained within social constraints or self-created limitations to depicting the ceaseless chase for freedom. For me, it is a therapeutic reclaiming of how female bodies are depicted, little by little dismantling any internalized misogyny or any notion of how a woman should be or behave. It is a constant process where I am attempting to redefine how I see myself.

The unclothed figures also share messages with the positions of their elongated fingers and hands. Joshi depicts them with yogic mudras to embody “the beautifully poetic gestures that are so loaded with powerful symbolism,” she says.

To follow the artist’s introspective work, head to Instagram, and pick up a print in her shop.

 

“Sometimes we dance”

“Holding chaos within” gouache, color pencil on paper, 22 x 30 inches

“Untitled”

“Thousand petal lotus,” gouache and colored pencil, 12 x 12 inches

“Touching the earth,” gouache and colored pencil, 15 x 22 inches

 

 

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Art Illustration

Drawings by WanJin Gim Capture the Nuanced Energy of Seemingly Simple Gestures

June 19, 2019

Laura Staugaitis

“Potter’s Hand No. 1” (2019)

WanJin Gim (previously) continues to amaze with his detailed drawings that show the nuanced colors and textures of bare skin. Most often working on kraft paper, Gim uses cross hatching—a technique most commonly associated with ink drawings or prints—with an array of colors to capture hands, arms, feet, and the occasional cat. Though simple in subject, Gim’s drawings pulsate with the gestural energy that informs the postures of each carefully rendered limb. You can see more of the Seoul-based artist’s work on Instagram, and find prints of his drawings on Gim’s online store.

“2 Cycles” (2018)

“Phenomenon No.2”, detail (2018)

L: “A Man Standing Up” (2018), R: detail

“A Pure Hand” (2018)

“Potter’s Hand No. 2” (2019)

“A Patient Cat” (2018)

“A Patient Cat”, detail

L: “Said and Done” (2018), R: detail

“Resting in Daylight” (2018)

 

 



Art

Hyperrealist Rorschach “Paint” Blots Rendered in Colored Pencil by Cj Hendry

April 9, 2019

Laura Staugaitis

Artist Cj Hendry (previously) rocketed to fame in 2017 with her unbelievably realistic colored pencil drawings of daubs of paint. For her upcoming solo show, which opens on April 10 in Brooklyn, the artist continues in her signature style, focusing on precisely rendering the imprecise nature of Rorschach blots. Each drawing by Hendry balances hyperrealism with abstraction and depicts a vibrant mirror image of a mix of squished paint, recreated in colored pencil.

The show is housed in an all-white inflatable bounce house, a playful nod to the test’s origins as a psychological diagnostic tool.  RORSCHACH runs through April 21, 2019. You can see more of Hendry’s in-progress and completed drawings on Instagram. (via Trendland)

 

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