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Art

The Mind-Warping Animated GIF Art of Paolo Čerić

Digital artist Paolo Čerić is currently studying information processing at the Faculty of Electrical Engineering and Computing in Croatia where his experiments with processing and digital art have resulted in a steady stream of fascinating animations which he publishes on his blog Patakk. Čerić tells me that he began about two years ago knowing very little about digital art or animation, but was fascinated watching other coders create art with code. For a while he simply tried to mimic other animations he’d seen, but lately has truly developed his own personal style that varies from pulsating geometric patterns to glitch art and everything in between.

Art Illustration Photography

Flying Houses by Laurent Chehere

French photographer Laurent Chehere is known for his commercial work for clients such as Audi and Nike, but after a change of interest he left advertising and traveled the world with stops throughout China, Argentina, Columbia, and Boliva. From his numerous photographs along the way was born his flying houses series, a collection of fantastical buildings, homes, tents and trailers removed from their backgrounds and suspended in the sky as if permanently airborne. The collection of work appeared at Galerie Paris-Beijing last year with an appearance at Art Miami in December. You can see much more on his website. (via it’s nice that)

Art Design

Firewall: An Interactive Fabric Surface by Aaron Sherwood

Firewall is a new interactive artwork by New York media artist Aaron Sherwood created in collaboration with Michael Allison. The presentation is relatively straightforward but still visually stunning: different ‘modes’ of light are projected onto a taut membrane of spandex which then reacts kinetically in response to touch. Firewall was made using Processing, Max/MSP, Arduino and a Kinect that work in tandem to create the experience and will be used in an upcoming performance art piece involving dancer Kiori Kawai who will interact with the piece on stage. Learn more over on Sherwood’s blog. (via designboom)

Art Photography

Cambodian Trees: Digitally Projected Deities and Sprits on the Streets of Cambodia

Cambodian Trees is a digital projection work by French artist Clement Briend who traveled to Cambodia to photograph these sculptural representations of deities and spirits from Cambodian culture overlaid on trees in several urban areas. Of the series Briend says:

It’s a beautiful surprise when the projected spirits awaken and reveal themselves at night as though they are made of the towering trees themselves. The photographic light installations echo the spirituality of the few sprouts of nature in the predominantly urban landscapes. It is a visual imagining of the divine figures that inhabit the world, as seen through an environmentally aware spiritual eye.

Though I’m generally not a fan of digital projection, I really enjoy Briend’s utilization of tree branches to lend volume to the photographs of sculptures, in essence giving them life. To see several more images from this series, head over to his website. All images courtesy the artist.

Art Illustration

A Separate Reality: New Paintings of Dystopian Worlds by Alex Andreev

Trying to categorize or summarize the genre of Alex Andreev’s (previously) digital paintings is nearly impossible. Part science fiction, part dystopian future, the scenes are equally disturbing and beautiful, his characters inhabiting a world Andreev tells me is deeply influenced by Soviet-era literature, music and movies. Based in St. Petersburg, Russia he works primarily with Adobe Photoshop and Corel Paint and relies only on a small selection of brushes and colors to create each illustration, meaning there are no special effects or 3d-rendering of anything. Andreev recently published an art book, A Separate Reality, which is available through Blurb.com.

Art Photography

Miniature Worlds Digitally Assembled from Hundreds of Photographs by Catherine Nelson

Sydney-based artist Catherine Nelson refers to herself as a painter with a camera, in that she doesn’t see the world as a photographer does but instead uses photos as a medium with which she creates these fantastic miniature worlds. Each work is comprised of hundreds of photographs which she digitally stitches together, drawing from an extensive background in visual special effects having worked on such films as Moulin Rouge, Harry Potter and 300. Of her work Nelson says:

When I embraced the medium of photography, I felt that taking a picture that represented only what was within the frame of the lens wasn’t expressing my personal and inner experience of the world around me. With the eye and training of a painter and with years of experience behind me in film visual effects, I began to take my photos to another level. The ‘Future Memories’ series comprises of 20 floating worlds, meticulously composed with thousands of assembled details. Visual poetry, nature photography and digital techniques blend together to give shape to these transcendental landscapes. The result is a contemporary pictorial mythology that subtly reminds the viewer of a profound truth: that it is in the flourishing variety of the local that the fate of the world resides.

Although the pieces are quite gorgeous to look at right here on Colossal, it’s hard to convey the resolution and scale of each piece which measures about 40×40″ (100x100cm), a level of detail that requires Nelson to spend nearly a month on each piece. It was my assumption based on the perspective and detail that some of these works must be somehow partially rendered in 3D, however she assured me via email that this is not the case. Though she uses digital editing to assemble them, they are almost purely based in photography. Incredible.

Nelson had several pieces on display earlier this month at fotofever in Brussels and will have work later this year at Gallery NOW in Seoul and at CONTEXT in Miami. You can see much more of her work at Galerie Paris-Beijing.