environment

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Art Science

Searing Bands of White Light Mark the Ocean’s Rising Tides in a Coastal Community

March 5, 2019

Laura Staugaitis

Documentation of Installation by Pekka Niittyvirta & Timo Aho

A chilling new installation in the Outer Hebrides shows the impact of climate change and rising tides on the low-lying islands off the west coast of Scotland. Lines (57° 59 ́N, 7° 16 ́W)  was created by Finnish artists Pekka Niittyvirta and Timo Aho for Taigh Chearsabhagh Museum & Arts Centre in Lochmaddy on the island of North Uist. The site-specific installation uses sensors and LED lights to show where the water will flow during storm surges if the Earth’s temperature continues to rise. Searing white lines mark this rising water level on the sides of buildings, hover over bridges, and extend across other susceptible areas across the museum campus and surrounding community.

The installation’s delineations starkly demonstrate the ticking clock that makes the museum’s current location unsustainable unless drastic measures are taken to stop climate change. The video below shows the artists’ installation process. You can see more from Niittyvirta and Aho on their websites. (via designboom)

 

 

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Design

Everyday Consumer Goods Are De-Produced Into Rectangular Prisms of Raw Materials

February 22, 2019

Laura Staugaitis

Volkswagen Beetle. Photograph by Ronald Smits

Dutch design team Studio Drift (previously) codifies the complex mix of materials that are used to create modern consumer goods in their newest series, Materialism. The collection reduces down recognizable items ranging from light bulbs and pencils to bicycles and even a Volkswagen Beetle. Raw materials like graphite, copper, rubber, polyurethane, and aluminum are shown as perfectly sliced blocks, emphasizing the original substance rather than the abstracted functional shape (like a rubber bicycle tube or graphite pencil core).

In a statement about the collection, Studio Drift describes the lofty goals of Materialism: “To make the essential nature of the world visible. If humankind could somehow perceive this connection to materials, to our collective consumption and the earth it impoverishes, it would be a leap in our social evolution, in building an awareness that we must somehow become better stewards of our future.”

Materialism was recently displayed with Pace Gallery at the Frieze Art Fair in Los Angeles, California. You can see more from Studio Drift on Facebook and Instagram. (via dezeen)

De-produced bicycle. Photograph by Gert Jan van Rooij

De-produced pencil. Photograph by Ronald Smits

De-produced light bulb. Photograph by Ronald Smits

 

 



Art Craft

Embroidered and Beaded Coral Sculptures by Aude Bourgine Honor the ‘Lungs of the Oceans’ in Protective Glass

December 20, 2018

Andrew LaSane

French visual artist Aude Bourgine’s work is informed by her love of the environment and a sense of guilt for what humanity has done to the natural world. Using textiles, beads, and sequins, the artist creates displays that capture the beauty and fragility of coral for a series called “Poumons des océans,” which translates to “Lungs of the Oceans.”

Bourgine’s sculptures mimic the unique shapes, intricate textures, and vivid colors of living coral. Encased in glass bell jars, they are simultaneously isolated as objects of wonder, and also protected from harm caused by the hands of humans. “If we do not rapidly change our relationship with our environment, oceans will be dead by 2050,” the artist said in a statement on her website. “Their disappearance will entail a disastrous imbalance on all ecological, climate and human levels…We must take heed for this universal cause, which concerns each and every one of us.”

Bourgine has an upcoming solo exhibition at the Saint Julien Chapel in Le Petit-Quevilly in northern France from June 7 through 30, 2019. You can see more of Bourgine’s sculptural works of the sea on Instagram. (via The Fiber Studio)

 

 



Art

A Nostalgic Winter Scene Takes a Sinister Turn in a New Welsh Work by Banksy

December 19, 2018

Laura Staugaitis

Yesterday, Banksy (previously) left his mark in the South Wales town of Port Talbot, his first in the UK nation. The area drew attention earlier this year when a World Health Organization report named it the most polluted community in the UK (the designation was later revoked). The street artist seemed to be referencing this undesirable ranking in his piece, which is placed on two adjacent sides of a cement brick garage. A young boy clad in winter gear and with a small sled appears with arms outstretched, his pink tongue catching what appears to be snowflakes. But the nostalgic scene takes on a different meaning when both walls are viewed together, as the “snow” is revealed to be flakes of ash from a dumpster fire. Banksy has declared the work to be his in a video posted earlier today on Instagram, where you can join 5 million others in keeping up with his latest hijinks. (via Juxtapoz)

 

 

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Photography

Abstract Aerial Photographs Reveal the Beauty of Meandering Waterways

December 4, 2018

Kate Sierzputowski

The project Water.Shapes.Earth uses aerial photography and storytelling to bring an understanding to the complex and diverse ways water inhabits our planet, from a radioactive water pond in Huelva, Spain to mud volcanoes in Azerbaijan. The images provide an abstract look at Earth’s surface, presenting purple-hued veins of a divergent river or an icy body of emerald water laced with severe cracks and splinters in its surface. Stories accompany the many images, which bring attention to how each might be a sign of climate change, and to highlight our own destructive mark on our environment. You can read about a salty marsh in Spain or glacial river tributaries in Iceland on Water.Shapes.Earth’s website. (via Colossal Submissions)

 

 



Amazing Design Science

System 001: An Innovative Design to Remove Plastic From the Ocean has Been Deployed off the Coast of California

October 26, 2018

Laura Staugaitis

Founded in 2013 by 18-year-old (at the time) inventor Boyan Slat, The Ocean Cleanup is a nonprofit organization that’s working to clean up our oceans by removing plastic. After five years of rigorous design and testing, the Cleanup’s cleaning apparatus, called System 001, has been deployed off the coast of California.

System 001 is a passive collection apparatus that works by moving in tandem with the ocean’s currents, taking advantage of the water’s circular movement patterns, called gyres, that cause the trash to accumulate in the first place. The Ocean Cleanup points out that 92% of the debris in the Patch is still large enough to be collected using the System’s large suspended net, and it’s critical to remove this plastic now before it degrades into microplastics that enter the food chain. Because of the net’s passive, slow-moving design, the group has reported that it has not caused animals to get caught, presumably because they have sufficient time and space to navigate away from the debris-funneling nets.

While the organization has global aspirations and an international team (the founder is Dutch), their first focus is on the massive Pacific Garbage Patch, which floats in the ocean between California and Hawaii. The Pacific Garbage Patch is the largest aquatic aggregation of trash in the world, first recognized thirty years ago. It is estimated to contain about 80,000 metric tons of garbage spanning 5.2 billion square feet (nearly a million square miles). Ocean Cleanup’s boat, the Maersk Launcher, towed the System 1,200 miles from Alameda to begin its work.

You can see a live update of the System’s location and learn more about The Ocean Cleanup on the organization’s website, as well as on Twitter and Instagram.

  

 

 

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