female portrait

Posts tagged
with female portrait



Art

Head-Turning Historical Portraits by Ewa Juszkiewicz

May 13, 2019

Laura Staugaitis

Ewa Juszkiewicz subverts the traditional notion of female portrait sitters as passive, simple subjects in her subtly unusual oil paintings. The artist constructs each painted portrait using familiar tropes from European art history, sometimes even citing specific paintings as inspiration. Female subjects with smooth, pale skin and luxurious apparel are placed in front of abstract or generically bucolic settings, sometimes with a “gender-appropriate” item in hand, like a paint brush, small book, or feather.

But in place of the beautiful face a viewer would expect in the center of these pleasant trappings, Juszkiewicz has turned the subject’s head 180 degrees to show an elaborate hairstyle, or filled the face with unruly plants or ribbons. A statement on the artist’s website explains, “Through the deconstruction of historical portraits, she undermines their constant, indisputable character and tries to influence the way we perceive them. Juszkiewicz experiments with the form of the female figure and face, balancing on the border between what is human and inhuman.”

The artist lives and works in Warsaw, Poland. She is represented by Galerie Rolando Anselmi in Berlin, where she will have a solo show on view in November and December, 2019. Juszkiewicz shares updates from her work and travels on Instagram.

 

 

 



Design History Illustration

Who’s She: A Laser-Cut Guessing Game That Celebrates Accomplished Women Throughout History

December 3, 2018

Kate Sierzputowski

Who’s She is a new guessing game by Polish designer Zuzia Kozerska (previously) which celebrates the achievements of famous women across the world. The laser-cut wooden board flips up to reveal the faces of 28 painters, athletes, scientists, and astronauts, in a similar style the classic Guess Who? game did from the late 1970s. Instead of posing superficial questions such as “does your character have glasses?” the game asks players to inquire about achievements and contributions like “did she win a Nobel Prize?”.

Faces range from the early 20th-century painter Frida Kahlo to contemporary athlete Serena Williams, all illustrated in watercolor portraits by artist Daria Gołąb. The game is currently seeking funding on Kickstarter. You can follow the evolution of the project on Instagram. (via My Modern Met)

 

 



Art Illustration

Nuanced Portraits of Women Merged With Abstract Environments by Sofia Bonati

September 19, 2018

Laura Staugaitis

Self-taught artist Sofia Bonati captures nuanced expressions and personalities of a variety of female characters while also integrating them into abstracted environments and patterns. Her illustrations most often feature solo subjects melded with thunderclouds, dizzying mazes, and floral patterns. Bonita renders the women’s features in graphite and she uses gesso, paint, and markers to add colorful accents and build their surroundings. The strong, distinctive expressions on each woman’s face suggests that the characters are in control of their environments, rather than being subsumed by them.

In a recent collaboration with Society6, several of the Argentinian artist’s works have been animated by glitch artist Chris McDaniel. You can see more of Bonita’s work on Facebook and Instagram, and find a variety of products featuring her designs on Society6. (via Visual Fodder)

 

 



Art

‘Modern Frescoes’ Present Luminous Women in Layers of Translucent Pigment by Ali Cavanaugh

July 31, 2018

Kate Sierzputowski

St. Louis-based artist Ali Cavanaugh paints dreamlike watercolors of female subjects on wet clay panels. She refers to her works as “modern frescos,” due to their similarity to the fresco-secco style of painting, and the luminosity she creates through a method of layering translucent pigments on bright white surfaces. In each portrait Cavanaugh aims to paint the minute details of her subject’s physical appearance, while also evoking a “tender unseen presence that transcends understanding in the depth of a soul.”

Her work is currently included in the group exhibition Painting the Figure Now at the Wausau Museum of Contemporary Art in Wausau, Wisonsin through September 28, 2018. Her new book Modern Frescoes, published by Unicorn Press, will be available for preorders this fall. You can see more of Cavanaugh’s work on Instagram and Facebook.

 

 



Art

Traditional Paintings by Lino Lago Mysteriously Revealed Beneath Fields of Color

April 9, 2018

Laura Staugaitis

 

Lino Lago paints realistic portraits and scenes in oil and adds a layer of abstracted intrigue using bright fields of color. His recent series, Fake Abstract, is comprised of classically-styled portraits of women, mostly obscured by solid blocks of red, pink, or blue. A thin sliver or squiggle, reminiscent of a finger dragged across a foggy window, reveals a peek at the figure beneath the color. It is up to the viewer’s imagination whether Lago paints a full portrait and covers it in color, or, uses the color as the base and adds the portrait into the blank canvas left by the squiggle.

The artist has also explored juxtapositions of traditional European interiors—dining rooms, parlors, and museum galleries—with unexplained splashes of bright color that appear to explode into the rooms from doorways and windows.

Lago, who is Spanish and resides in Spain and Lithuania, exhibits widely and has upcoming shows at Bredgade Kunsthandel in Copenhagen (April 12), Geraldine Banier in Paris (June 7th), Moret Art in Coruña, Spain (end of June), and Goodwin Fine Art in Denver (November). You can see more of Lago’s artwork on his website.

 

 



Art Illustration

Elongated Female Figures Composed From Elements of Natural and Urban Scenery by Johanna Goodman

June 21, 2017

Kate Sierzputowski

Taller than trees and towering over buildings, Johanna Goodman‘s pieced together female forms appear to stretch far above the landscapes before them. The collaged works, which combine elements of art, design, and architecture, are a part Goodman’s series titled The Catalogue of Imaginary Beings, which aims to explore the individual’s role in history and popular culture.

“[The Catalogue of Imaginary Beings] draws its inspiration from a wide spectrum of sources—including magical realism, surrealism and symbolism—and more specifically references such cultural artifacts as talismans, idols, totems and all of the material detritus that surrounds all of us all the time,” Goodman told Ms. “These characters are composites embodying notions of ‘the warrior,’ vulnerability, industry, the universal and the personal. They reference these identities as they’ve been depicted historically through art, literature and commerce.”

Recently Goodman has created works that commemorate the strong women involved in the Women’s March on Washington and its sister marches across the globe. She has also created work inspired by the Climate March that occurred this past April (like the figure seen erupting from a smoke stack below). You can view more of Goodman’s elongated collages on her Instagram and Tumblr. (via Tu Recepcja)

 

 



Art

Artist Felice House Reimagines Scenes from Classic Western Films with Female Cowboys as Leads

February 27, 2017

Kate Sierzputowski

Julia Dean in “Giant”, 2013. Oil on canvas, 54″ x 68″.

Angered by the gendered division perpetually seen in classic Western films, painter Felice House decided to create her painted series Re-Western. The collection of works are a re-imagining of her favorite Western films cast with female leads instead of the traditional male cowboys, painting females in place of actors such as James Dean, John Wayne, or Clint Eastwood. The women in her paintings are strapped with shotguns riding horses, fiercely looking out onto a deserted plain, and strongly staring into the eyes of the audience clad in plain button-downs and bright red cowboy boots.

“The western movie tradition is so established; so accepted, so mythologized that it spans the globe,” said House to Colossal. “I love the genre, and at the same time when I sit down to watch a Western movie, I start to feel angry. For the most part, the roles in Westerns are totally inaccessible to me.”

Deciding to start a conversation with this frustration, House choose to paint these reimagined Westerns to ask straightforward questions to a society that continuously handed over these roles to males. House seeks to ask what society would be like with this imagined reversal—how would education be changed? What would our reestablished priorities look like with females as the lead role?

Liakesha Dean in “Giant”, 2013. Oil on canvas, 36″ x 48″.

Julia Dean Portrait, 2013. Oil on canvas, 24″x 20″.

“I would argue that in today’s culture portraying women without objectifying them is an intentional and political act,” said House. “The art historical and current cultural norm is to portray women to extol their sexual beauty and to encourage possessiveness. For centuries men have painted images of women for men. Now that women have access to education and training, women are painting women as we see ourselves.”

House uses her female gaze and voice to create strong, female heroes in environments we all know, reestablishing our connection to the well-known historical settings. Working with the idea of a hero, House paints her portraits larger than life. She encourages the viewer to look up and become dwarfed by the women and their power, hoping this change in physical perspective might encourage a change in mental perspective as well.

Several of House’s female portraits are currently in the group exhibition Sight Unseen at Abend Gallery in Denver through March 25. Pieces from her Re-Western series will be included the upcoming exhibition Woman as Warrior at the Zhou B Art Center in Chicago in August. You can see more of her work on her website and Instagram. (via The Creators Project)

Karan and Nanc in Open Range, 2015. Oil on canvas, 36″ x 60″.

Virginia Eastwood in “The Good, the Bad and the Ugly”, 2013. Oil on canvas, 62″ x 80″.

Rebekah Wayne in True Grit (Study), 2014. Oil on canvas, 30″ x 24″.

Krimmie Wayne in “The Searchers”, 2013. Oil on canvas, 60″ x 40″.

Liakesha Cooper in “High Noon”, 2013. Oil on canvas, 36″ x 48″.

Virginia Wayne Portrait, 2013. Oil on canvas, 30″ x 24″.

Stasha Dean in “Giant”, 2013. Oil on canvas, 90″ x 60″.