glass

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Art

Rain: A Glass Raindrop Installation by Stacee Kalmanovsky

May 24, 2012

Christopher Jobson

Rain is a 2005 installation of suspended glass water droplets by Chicago artist Stacee Kalmanovsky. She really found a perfect spot to install this, right below the giant sky lights. I bet the refraction of sunlight onto the floor and surrounding walls was gorgeous. (via behance)

 

 



Art

A Wall of Shattered Glass Floods a Benedictine Monastery

April 26, 2012

Christopher Jobson

Aerial is a new site-specific installation by Baptiste Debombourg (previously) at an old Benedictine monastery called Brauweiler Abbey near Cologne, Germany. Debombourg used numerous sheets of shattered laminate glass to mimic a frothy flood of water rushing into a room. Remarkably beautiful work. See much more by clicking on the thumbnails here. (via mission / vision)

 

 



Art Design

Embodiment: A Neon Skeleton by Eric Franklin

April 4, 2012

Christopher Jobson

Portland-based sculptor Eric Franklin constructs stunning (if not slightly disconcerting) anatomical light structures that are fully hollow and filled with ionized krypton, causing them to glow similar to a neon light. The glass skeleton above, Embodiment, is my jaw-dropping favorite of this series. The piece took over 1,000 hours of work over a two year period and is actually built from 10 separate units of glass formed from borosilicate glass tubing. The process of creating something like this is unbelievably painstaking as Franklin shares via email:

Every glass seal has to be perfect, and this piece contains hundreds. Everywhere one tube joins another, or a tube terminates, glass tubes were sealed together. They have to be perfect in order to preserve the luminosity of the krypton. If one rogue molecule gets inside the void of the glass tubing it can eventually contaminate the gas and it will no longer glow. There are times when the holes in the seals are so small that you cannot actually see them with your eyes without the help of a leak detector. Once the glass pieces are ready to get filled with gas, I pull a high vacuum while the glass is hot in order to evacuate any dust or water vapor from the interior surface until there are literally no molecules inside the void of the glass. Then the krypton can be introduced and the glass sealed off. It’s an extremely tedious process, one I have somewhat of a love/hate relationship with.

You can see much more of Franklin’s work on his website, and if you liked this also check out the work of Jessica Lloyd-Jones. Photos above courtesy Brad Carlile. (via my amp goes to 11)

 

 



Art

Anatomical Neon: Blown Glass Human Organs Containing Neon Lights by Jessica Lloyd-Jones

March 26, 2012

Christopher Jobson

Anatomical Neon is a series of blown glass lights by North Wales-based artist Jessica Lloyd-Jones meant to focus attention on how energy is used by the human body. Describing the four pieces via her website she says:

Brain Wave conveys neurological processing activity as a kinetic and sensory, physical phenomena through its display of moving electric plasma. Optic Nerve shows a similar effect, more akin to the blood vessels of the eye and with a front ‘lens’ magnifying the movement and the intensity of light. Heart is a representation of the human heart illuminated by still red neon gas. Electric Lungs is a more technically intricate structure with xenon gas spreading through its passage ways, communicating our human unawareness of the trace gases we inhale in our breathable atmosphere.

The pieces were funded in part by awards from Arts Council Wales and Wales Arts International and executed at Urban Glass in New York in 2010. (via pinterest)

 

 



Art

Jonathan Schipper’s Robotic Sculpture Simulates a Glass Bottle Hurled at a Wall

December 12, 2011

Christopher Jobson

Measuring Angst is a robotic sculptural installation by artist Jonathan Schipper that simulates the mundane act of throwing a glass bottle across a room into a brick wall. The event happens in slow motion, taking nearly 12 minutes to complete as the bottle rotates slowly through the gallery space and then gradually explodes into smaller fragments before rewinding and starting again. Schipper also famously (and somewhat infamously if you’re a car aficionado) crashed two muscle cars over a period of six days in his pieces entitled The Slow Inevitable Death of American Muscle.

 

 



Art

Glass Pixel Cell Rabbit by Kohei Nawa

September 25, 2011

Christopher Jobson

Japanese artist Kohei Nawa (previously) just unveiled his latest creation, a small rabbit taxidermy covered in hundreds of translucent glass beads. Nawa refers to this sculpture series as pixel cell animals, and explains that “by covering the surface of an object with transparent glass beads, the existence of the object itself is replaced by ‘a husk of light’, and the new vision ‘the cell of an image’ is shown.” This appears to be his first new pixel cell animal in nearly two years.

 

 



Art

The Glasswork of Shayna Leib

September 9, 2011

Christopher Jobson


Before the Rain. Photo by Jaime Young.


Before the Rain. Photo by Jaime Young.


Sirocco. Photo by Jaron Berman.


Sun Rising Over the Tundra. Photo by Jaime Young.

This week I was on the website of Echt Gallery here in Chicago when I stumbled onto these extraordinary glass sculptures by Madison-based artist Shayna Leib. Leib became obsessed with glass at the tender age of 7 when she saw a glassblowing demonstration at a local university, an experience that profoundly changed her life.

Each of the pieces in her Wind and Water takes nearly a month to create and involves a painstaking, multi-step process that begins with pulling individual 30-50 foot segments of glass called cane (imagine making 2400 °F taffy candy), a step that’s repeated 8 to 200 times depending on the scale of the piece. To clarify: she generates over 1 mile of thin glass pieces from which she cuts into tens of thousands of segments organized by shape and length. Next begins the tedious process of building the actual sculpture, requiring roughly 45 minutes for each two square inch area. This all seems practically impossible to me. I get dismayed when confronted with a jumbo-sized bag of carrots.


Penobscot. Photo by Jim Gill.


Moebius. Photo by Tom VanEndye.


Laminar. Photo by Jaime Young.


Laminar. Photo by Jaime Young.

The final pieces resemble flowing grass or perhaps coral reefs that whorl and overflow from one pane to the next. Leib says, “I use glass, not for its mimetic quality to capture the look of stone or plastic, but for its most unique properties; the inclination to flow, the capacity to freeze a moment in time, and its ability to manipulate optics.” If you’re in Chicago you can see her work being featured by Habatat Galleries Michigan November 4-6, 2011 at SOFA on Navy Pier.

If you like this, also check out the works of Nava Lubelski and Amy Eisenfeld Genser.