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Art
From Play to Politics, Artist S.C. Mero Transforms Los Angeles’s Streets into Sites of Satire

“Vote-by-Mail” (2020). All images © S.C. Mero, shared with permission
An explosive mushroom cloud, an absurdly large bike lock, and a lobster served up from a pothole are a few of the installations from artist S.C. Mero that relay both the irony and irreverence of modern life. Working across Downtown Los Angeles for the last decade, the artist transforms infrastructure into temporary sites of critique and play. “Both of those realities are equally true not only of my environment but life itself,” she says. “Given the nature of this neighborhood, the subject matter can seem quite political because the disparity of wealth and its consequences are more apparent here.”
Many pieces utilize crumbling streets or areas the city has yet to fix as the base. In creating a miniature streetside swimming pool, for example, Mero left the soy sauce packet, cigarette butts, needle caps, leaves, and other debris found in the exposed manhole before she covered the cavern with plexiglass. Those objects are now frozen under the clear material and surrounded by lounge chairs and a diving board fit for Barbies and Kens.
Other works like “Vote-by-Mail,” which is included in a group exhibition on view through December 10 at Torrance Art Museum, are more explicit in their commentary on contemporary issues. Directly speaking to the rampant voter suppression of the 2020 elections, the blue post office box stands atop legs that are unreasonably tall, making it impossible to drop a ballot.
Currently, Mero is working on a sculpture that will be included in the next show at Shit Art Club opening later this month. She’s also planning a series of works with the Fashion District’s business improvement organization and plans to transform the battered concrete spheres lining a traffic median into a new piece each month. “It’s the first time I’ve worked in collaboration with the city or property owners. I think it’s a cool story considering they were the ones who removed most my artwork when I first started,” she says.
Find more of Mero’s satirically minded works on Instagram.
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Design Food
Le Puzz Taps Into Playful Nostalgia with Its Retro-Style Jigsaws

All images courtesy of Le Puzz
Kids of the ’90s will recognize the playful retro designs of Le Puzz’s jigsaws. From close-ups of a big salad to a sweet flat lay of peach rings and hotdog gummies, the puzzles capture a certain vintage style sure to bring back child-like joy and nostalgia. Designs range from 500 to 1,000 pieces, all of which are cut at random for a chaotic and quirky tiling experience. Le Puzz is helmed by Alistair Matthews and Michael Hunter and features collaborations with artists like Maisie Broome and Clay Hickson. Shop available jigsaws on the company’s site.
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Animation
A Kayak Trip Sends a Father on Anxiety-Provoking Adventures in an Adorable Animated Short
Multiple scenarios that would give any parent nightmares actualize in the adventurous animation “Kayak.” What begins as a peaceful trip down the river for a father and baby becomes an endless slew of anxiety-inducing incidents as the child trips, ends up upside down in the water, launches into the air several times, and is even preyed upon by a hungry eagle. The short film, which teeters on the terrifying, is a graduation project by students at the French animation school École des Nouvelles Images.
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Art Photography
Humor Infuses Exaggerated Features in Lola Dupre’s Meticulously Distorted Collages

“Randy 3,” 8.2 x 11.6 inches. All images © Lola Dupre, shared with permission
Glasgow-based artist Lola Dupre’s evocative and often humorous photographic collages of animals, historic images, and portraits tap into the unique personalities and emotions of her subjects. A cross-eyed cat has its vision multiplied, and a Shiba Inu’s joyful face pokes out of an enormous body in a play on repetition and perception. Dupre captures a range of expressions in both human and animal form (previously), exaggerating a raised eyebrow or fuzzy paw by layering numerous pieces of paper to extend legs, arm, eyes, and other features.
Dupre’s work will be included in Division of Birds at Paradigm Gallery + Studio in Philadelphia, and you can find more pieces on her website, Behance, and Instagram.

“Andromeda,” 11.6 x 8.2 inches

“Hercules,” 11.6 x 8.2 inches

Left: “Toni,” 8.2 x 11.6 inches, from original photography by Dacefer. Right: “David,” 8.2 x 11.6 inches, from original photography by David Sierra

“Fluffy,” 8.2 x 11.6 inches

“Ivor, After Walter Chandoha,” 11.6 x 8.2 inches

“Mari,” 8.2 x 11.6 inches, from original photography by Laerke Rose

Left: “Melange,” 8.2 x 11.6 inches. Right: “Mia,” 8.2 x 11.6 inches, from original photography by Arsalan Danish
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Animation Colossal Design
Interview: Production Designer Liz Toonkel Describes Creating the Adorable Universe of ‘Marcel the Shell with Shoes On’
A tiny mollusk with a big personality, Marcel the Shell with Shoes On is famous for quirky antics and endlessly entertaining use of human-sized objects. In a new interview supported by Colossal Members, production designer Liz Toonkel discusses building the universe the adorable character occupies in the feature-length mockumentary released this summer from A24.
All of those little details that you wouldn’t think about, when you watch it they give it an inherent truth because everything feels like it does in our real world. Same thing with the garden. Those are real plants. That’s so rare in stop motion that you have real organic materials. It’s pretty much impossible to stop-motion animate with them because they decompose. There was a lot of thought put into how to bring organic, real life to the things around Marcel.
Colossal editor-in-chief Christopher Jobson recently sat down with Toonkel to discuss building a realistic micro world within a macro setting, the challenges of blending live-action with stop-motion animation, and why the tennis ball scenes are as impressive as the internet thinks. Read the full interview here.
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Art Photography
Sports and Art History Team Up in a Playful Twitter Account That Matches Life and Art

Top: “The Incredulity of Saint Thomas” (1675) by Mattia Preti. Bottom: Photo by Brad Smith/ISI Photo. All images courtesy of ArtButMakeItSports, shared with permission
What do an injured Kelley O’Hara and “The Incredulity of Saint Thomas” by Italian Baroque artist Mattia Preti have in common? The exasperated soccer star and 1675 religious masterpiece find unexpected synchronicity thanks to LJ Rader, the creator behind the wildly popular meme account ArtButMakeItSports.
Since 2015, Rader has been cleverly pairing photos from professional sports with art historical works. What began as a personal project that involved visits to museums and some of the week’s most intensely emotional images from soccer matches or basketball games has evolved into Twitter and Instagram accounts with considerable followings. “At first, it was starting with the art and then thinking about what it could be if it were sports,” he says. “As time went on, I realized the ones that resonated the most were the mashups—and using sports images that were in the moment/news cycle played the best.” A running Megan Rapinoe might imitate Apollo chasing Daphne, for example, or a long, lean leg might evoke that of an Alberto Giacometti sculpture.

Left: A photo of Bill Russell by Dick Raphael. Right: Patrick Henry (1775), Panel 1 from “Struggle Series” by Jacob Lawrence (1955)
Beyond the obvious visual similarities, though, Rader’s mashups tend to go a step further as they masterfully draw the two seemingly diametric fanbases and cultures together. One comparison features an image of the late Celtics player Bill Russell and Jacob Lawrence’s Struggle Series, for example, because both the basketball great and American painter were highly active in civil rights work.
Now numbering upwards of 1,000, the all-star pairings are an internet sensation in their own right, and ultimately, Rader’s goal is to dive into “what art means and (explore) the intersection of culture between two sides—art and sports—that rarely meet.”

Top: Photo by Tom Stillman. Bottom: “Christ Healing the Blindman” (1725-30) by Gerardus Duyckinck I

Right: “Neptune and Amphitrite” (1691-94) by Sebastiano Ricci

Top: “Apollo pursuing Daphne” (1616-18) by Domenichino and assistants. Bottom: Photo by Nikita

Right: “L’Homme qui marche II” (1960) by Alberto Giacometti

Bottom: “Abstraktes Bild (649-2)” (1987) by Gerhard Richter
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Editor's Picks: Animation
Highlights below. For the full collection click here.