industrial

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Design

Wooden Detailing and Hanging Plants Provide a Modern Update for an Industrial Building From the 1950s

August 27, 2019

Kate Sierzputowski

In 2014 Auckland and Los Angeles-based Fearon Hay Architects were asked to convert a dilapidated 1950s building in Taichung, Taiwan into a boutique hotel. After a site visit, the studio decided integrate as many of the existing elements of the building as possible, embracing the original character of the raw industrial building. The resulting SOF Hotel still has the charm of the seven-decade-old structure, with natural timber furniture elements, large glass enclosures, and sporadic gardens that provide a minimal and modern update. Hanging plants protect rooms from the busy streets below, while a large open atrium provides bright, central light. You can see more of Fearon Hay Architects projects on their website, and follow more images by the project photographer Andrès Gallardo Albajar on Instagram.

 

 



Photography

A Sharp Look at the Surprisingly Complex Process of Pencil Manufacturing by Photographer Christopher Payne

November 13, 2018

Laura Staugaitis

All photographs © Christopher Payne /Esto

Photographer Christopher Payne (previously) spent several years building a relationship with the owners of General Pencil Company in Jersey City, New Jersey, one of the last remaining pencil factories in the United States. His dedication to working with the factory paid off, and between fall 2015 and summer 2017 Payne was granted access to the production floor for photo-documentation more than thirty times.

The photographer, renowned for his cinematic images that show the architectural grace of manufacturing spaces, shares that he has held a lifelong fascination with design, assembly, and industrial processes. “The pencil is so simple and ubiquitous that we take it for granted,” Payne tells Colossal. “But making one is a surprisingly complex process, and when I saw all the steps involved, many of which are done by hand, I knew it would make for a compelling visual narrative.”

Payne received both his bachelor’s and master’s degrees in architecture, though he has long focused on photography in his professional life. He has published three books and exhibited his work widely, most recently at the Wellcome Collection in London, U.K. and the Museum of the City of New York. You can see more of his work on Facebook and Instagram.

 

 



Art Photography

Artist Yang Yongliang Imagines the Bleak Effects of Industrialization in Dense Photographic Collages

November 1, 2017

Christopher Jobson

Yang Yongliang, Endless Streams, 2017. Single Channel 4K video, 7’00”, © Yang Yongliang / Courtesy Galerie Paris-Beijing

In these stark photographic collages that seem to possess the infinite density of a fractal, artist Yang Yongliang (previously) questions unchecked industrialization, the impact of climate change, and pressing social issues in his native China. Each image seems to suggest a post-apocalyptic future where the forces of urbanization collide with the natural world, creating a drab black and white dystopia. “The artist keeps developing a critic approach to reality while searching for a spiritual source in his country’s relentless march between technological progress and annihilation,” states Galerie Paris-Beijing.

As part of this new series titled Time Immemorial, Yongliang began with a series of digital collages that were printed in negative on fine art paper. Each piece was then photographed with a traditional film camera and prints were developed by hand. Lastly, the artworks are mounted on back-lit wooden cases to fulfill the artist’s intent to preserve digital imagery on photographic film.

Time Immemorial opens at Galerie Paris-Beijing on November 4, 2017.

Sinking, 2016. Giclee print on Fine Art paper, 100 x 80 cm

Flooding, 2016. Giclee print on Fine Art paper, 80 x 100 cm

The Cliff, 2016. Giclee print on Fine Art paper, 80 x 80 cm

The Path, 2016. Giclee print on Fine Art paper, 80 x 80 cm

The Streams, 2016. Giclee print on Fine Art paper, 100 x 80 cm

The Flock, 2016. Giclee print on Fine Art paper, 80 x 100 cm

 

 



Art

Blowtorch Filigree: Lace Patterns Delicately Cut from Industrial Steel Objects by Cal Lane

April 16, 2015

Kate Sierzputowski

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Gutter Snipes, 2011, Courtesy Art Mur

Cal Lane works in a series of “Industrial Doilies”, producing works that use contradiction to create an empathetic form. Lane imparts highly industrial materials with touches of delicacy, adding filigree to car parts, oil tanks, and shovels with a blowtorch. Her chosen patterns also exist on another level, their compositions inspired by those used in religious ceremonies such as weddings, christenings, and funerals.

Lane’s use of lace simultaneously hides and exposes the materials in which she chooses to work, revealing and covering up tough materials with delicate pattern. Through this notion, Lane also institutes a sense of humor explaining, “Like a Wrestler in a tutu, the absurdity of having opposing extremist stances is there for reaction and not rational understanding; the rational discussion arises in the search for how one thing defines the other by its proximity.”

Lane has studied painting, welding and sculpture and holds an MFA in Sculpture from the State University of New York. She exhibits works with galleries internationally including ones located in Montreal, Santa Monica, and New York City. All images here courtesy Art Mur.

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Gutter Snipes, 2011, Courtesy Art Mur

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Gutter Snipes, 2011, Courtesy Art Mur

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Car Bombing, 2007, Courtesy Art Mur

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Car Bombing, 2007, Courtesy Art Mur

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Car Bombing, 2007, Courtesy Art Mur

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Car Bombing, 2007

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Veiled Hood #2, 2014, Courtesy Art Mur

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Veiled Hood #3, 2014, Courtesy Art Mur

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Ammunition Box, 2011, Courtesy Art Mur

 

 



Design Illustration

Jing Zhang’s Industrial Typography

October 9, 2011

Christopher Jobson

UK-based graphic designer and illustrator Jing Zhang is currently working on a beautiful series of isometric letters, rendering typographical forms as small industrial buildings, machines, factories, and landscapes. Via Behance she says the hardest part isn’t creating them, but finishing them, and that she’s running out of patience. Maybe we should encourage her a bit? I can’t wait to see the rest of these. See more of the series here.

 

 



Photography

Incredible Time-lapse Capturing Exterior Painting of Sprawling Russian Industrial Plant

October 1, 2011

Christopher Jobson

Moscow-based filmmaker Sasha Aleksandrov captured this dramatic exterior paint job of what appears to be a cold-war era industrial plant. Aleksandrov shot everything by hand over a period of two months without the use of a steadicam or camera track slider&em;meaning he would move the camera and tripod every few feet, capture some footage, repeat 50 times, then used software to stabilize the final shots. The film takes what must have been a grueling physical process involving countless workers and makes it look almost fun.

 

 



Photography

Anthony Goicolea

February 8, 2011

Christopher Jobson

Digitally composed images by photographer Anthony Goicolea. (via 500 photographers)