Hopefully, the birds flocking to Bob Verschueren’s wooden housing complex won’t mind if their neighbors stay up late chirping or make too much noise as they head out in the morning to look for worms. Resembling a dense apartment building with shared walls and common perches, Vershueren’s “Implantations” features rows of stacked homes that vary in size for multiple birds to live in simultaneously. They’re a stark contrast to traditional single-family birdhouses.
The Brussels-based artist erected the tree-like pillar—which also bears a likeness to the Tower of Babel—in the Jardin de l’Europe as part of Annecy Paysages 2017, an annual festival that embeds art throughout the French city. After its debut, the work was installed permanently.
For more of Verschueren’s work, check out the book he released in 2013. You also can find future installation plans that merge art, nature, and landscapes on Annecy Paysages’s Instagram. (via Jeroen Apers)
Share this story
Take a seat on one of Tanya Preminger’s grass-covered artworks, and you won’t be able to right the balance. The Isreal-based artist created immovable slants and indentations embedded in the land that seem like they should tip depending upon the amount of weight settled on either side. For each sloping piece, Preminger employed an excavator to dig a hole and pour the soil into a nearby pile. She then used a shovel, rake, and lengthy ruler to sculpt the slanted earth, covering it with sod at the end.
After seeing a footprint left in a bit of sand, Preminger wanted to express the relationship between give and take that’s inherent in nature. “In physics, an action is equal to its reaction,” she tells Colossal. “The project expresses in material form the philosophical law of balance between opposing sides of one essence.”
The artist produced the first oval impression in 1989 in the fields of the kibbutz Givat Brenner. When organizers of the Chemin d’Art asked her to recreate her original work for their 2008 festival in France, she designed “Round Balance,” altering her oval to a circle “to give a more universal meaning.” (via Design You Trust)
Share this story
Lounging Seals, a Ravenous Pelican, and a Startled Owl Top Impressive Entries in Nature Photography Contest
Replete with stunning shots of Tuscan farmland and close-ups with spiders that reveal their prickly legs, the Nature TTL Photographer of the Year competition garnered an impressive array of images from creatives in 117 countries. Out of the 7,000 entries, Florian Ledoux won the top prize in the annual contest with his aerial photograph capturing nearly two-dozen seals resting on an ice mass floating in Antarctic waters. Categories range from wildlife and landscape to macro, providing an expansive look at nature’s most impressive qualities and characters—Caitlin Henderson exposes a Lichen Huntsman spider that’s attempting to disguise itself on teal-speckled tree bark, while Paul Holman serendipitously captures a fluffy owl in the midst of a surprise. We’ve gathered some of the entries below, but for a complete look at all the Nature TTL winners, check out the contest’s site and Instagram. (via My Modern Met)
Share this story
For nearly three decades, Cuban painter Tomás Sánchez has been painting serene landscapes of calm waters and verdant forests full of towering palms and dense shrubs. Now part of a lengthy series, his realistic works focus on nature’s immensity as they contrast massive waterfalls and miles of endless treetops with a nondescript figure, who often can be found seated or standing amongst the lush scenery.
In a statement, Sánchez explained how his practice of meditation informs his work. “The interior spaces that I experience in meditation are converted into the landscapes of my paintings; the restlessness of my mind transformed into landfills,” he writes. “When I paint, I experience meditative states; through meditation, I achieve a union with nature, and nature, in turn, leads me to meditation.”
Share this story
Norwegian-Finnish artist duo Karoline Hjorth and Riitta Ikonen bring a folklore-inspired vision to the relationship between humans and nature. The majority of their subjects are elders who often have a deeper connection to the lands they inhabit, work on, or cultivate.
In 2011, the pair started an imaginative series called Eyes as Big as Plates as a contemporary exploration of characters from Nordic folklore. Their photographic odyssey across 15 countries and creation of more than 100 portraits evolved into a general exploration of modern humans’ relationships to nature. The title of the series not only comes from a folktale but also represents the curiosity that guides the way Hjorth and Ikonen interact with the world.
Each photograph features a solitary figure in a landscape wearing a sculpture of the natural elements of their choosing. For example, Brit (above), a ceramic artist, is shown plastered to a rock with the blue clay that underlies much of her hometown in Norway. Bob (below), a retired fashion photography expert, wears a giant hat and coat of pine needles while sitting in Forest Park in Queens, New York.
Hjorth and Ikonen consider their subjects to be integral parts of their artistic practice, and in doing so, refer to them as collaborators rather than models. The two artists exude a natural, almost magical excitement for people and life. This is key to not only finding and connecting with the people in their photographs but also to convincing them to immerse themselves in the wonders of a landscape.
This ultimate harmony is the result of a long process of preparing for and setting up the photo shoot. Materials such as moss, bull kelp, puffball mushrooms, and millet must be gathered and assembled into what amounts to a wearable sculpture. The strangest materials they tell Colossal include “sea urchins and starfish. And there was the time we collected a whole load of Rhododendron tomentosum (marsh Labrador tea) while in the very north of Norway, luckily the intense smell made us look the plant up in more detail before engulfing our collaborator in its poisonous terpenes. Collecting wearable-sized-icebergs in Greenland was one of those moments that we both remember vividly also!”
On-site, Hjorth and Ikonen shoot with analog cameras on film. The process also can be long and challenging for the collaborator, who sometimes is wearing a delicate sculpture of itchy twigs or kneeling for hours in wet moss, not to mention dealing the variable conditions—wind, rain, sleet, and dense fog—that the environment throws at them day-to-day. The end result is a portrait of a subject who exudes a playful confidence as they are one with the landscape.
As for the future, the duo shares their vision with Colossal. “We are open to working with all curious souls and as we re-angle ourselves to looking at the effects of climate change and our role in it. The intergenerational movers and shakers exist in all demographics across ages!”
Hjorth and Ikonen currently are working on Eyes as Big as Plates Vol. 2, which they are attempting to fund via Kickstarter before March 15. Follow their fascinating journeys around the world on both Karoline’s and Riitta’s Instagrams and their growing project Eyes as Big as Plates.
Share this story
Photographing the jewel-toned waters jutting up against beaches and the salt-speckled lagoons, Tobias Hägg frames some of Earth’s most striking landscapes. Based in Stockholm, he captures nature’s movement and the inevitability of change within environments, offering a broader look by shooting from above. Hägg often features ocean waters as they ripple, slosh, and crash into the land, although he also documents trees as they transform at the beginning of autumn, showing a thick forest full of orange hues. “I find pleasure in the most simple scenes. In a way, I think it defines me,” the photographer wrote on Instagram. To see more of Hägg’s stunning aerial shots or to add one to your collection, head to his site.
Share this story
Editor's Picks: Craft
Highlights below. For the full collection click here.