Matthew Grabelsky
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Commuters Go Wild in Matthew Grabelsky’s Uncanny Subway Paintings

“Giddy Up” (2022), oil on canvas, 14 × 16 inches. All images courtesy of Thinkspace Projects, shared with permission
Urbanites know the subway is a prime location to spot the city’s oddities, and yet, a run-in with one of Matthew Grabelsky’s characters would be a particularly wild encounter. The Los Angeles-based artist has spent the last few years rendering human-animal hybrids that nonchalantly ride public transit. Sometimes snacking on a cracker or brushing up on some reading, the characters are surreal, uncanny additions to an otherwise mundane scene.
Grabelsky’s newest oil paintings, which are currently on view as part of Riders at The Brand Library & Art Center in Glendale, California, are hyperrealistic and laced with witty details similar to earlier works in the series. Set on the New York City Subway and London Tube, the portraits are narrative-driven and embedded with pop culture references. The artist shares:
My goal is to create the effect of looking at a scene on the subway as if it were a diorama at a natural history museum. The images present richly detailed moments frozen in time allowing the viewer to closely inspect every element and make connections between them to read an overall story. In this world, people are transformed into part-animal to create scenes that are strange, funny, and endearing.
Curated by Thinkspace Projects, Riders is on view through March 17. You can find an extensive collection of Grabelsky’s commuters on his site and Instagram.

“Curious George Takes A Train” (2022), oil on canvas, 16 × 20 inches

Left: “Crow-Magnon” (2022), oil on canvas, 28 × 38 inches. Right: “Polly Wanna Cracker” (2022), oil on canvas, 24 × 36 inches

“Texas Hold’em” (2022), oil on canvas, 12 × 16 inches

Left: “An American Werewolf In London” (2022), oil on canvas, 24 × 32 inches. Right: “Sichuan Express” (2022), oil on canvas, 14 × 20 inches

“Gotham Local” (2022), oil on canvas, 12 × 16 inches
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Art
Animal-Human Hybrids Spotted on New York Subway in Surreal Paintings by Matthew Grabelsky

Images courtesy of the artist, used with permission
Los Angeles-based artist Matthew Grabelsky (previously) is back with a new collection of oil paintings of people with animal heads casually navigating the New York City subway system. The paintings combine the mundane with the surreal, as others on the commute and the environments remain neutral to the hybrid creatures.
Grabelsky’s paintings are inspired by the years he spent riding the subways in New York as a kid and by his early fascination with Greek mythology. Small details including zoo posters, stickers, T-shirts, and toys add humor to the art, while light reflecting off subway tiles and molded sets show the artist’s technical ability to paint hyperrealistic scenes.
In a recent interview with Thinkspace Project‘s blog Sour Harvest, Grabelsky shared that his characters will soon leave the subway, but added that he wants the shift to be organic. “My concept is that these characters started on the subway and then go out into the wider world. I certainly want to do paintings set in different locations in New York. I was born and am currently living in Los Angeles and so I expect that my characters will make it out to LA at some point.”
To witness the characters’ eventual emergence from the East Coast underground, follow Matthew Grabelsky on Instagram.
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Art
Surreal Paintings by Matthew Grabelsky Take the New York City Subway for a Wild Ride
New York City is sometimes affectionately (or disaffectionately) referred to as a “concrete jungle,” but for Los Angeles-based artist Matthew Grabelsky it’s more of a big cageless zoo. Using the New York City subway system as the setting for his work, Grabelsky paints surreal portraits of people who are seemingly normal from the neck down, but who have had their heads replaced by animals, both wild and domesticated.
Having grown up in New York and being fascinated by the imagery of Greek mythology as a kid, Grabelsky’s paintings are an exploration of human nature and of the way that animals represent various parts of the human subconscious. “The characters are symbolic of the kinds of thoughts that lie under the surface of people’s minds, and they reveal that the most extraordinary can exist in the most ordinary of everyday settings,” the artist told Prohbtd in an interview. “This theme is communicated through the juxtaposition of these ostensibly irrational images with otherwise completely mundane scenes. My idea is that my creatures are not original but are ultimately part of a much larger cultural continuum.”
Since graduating Cum Laude from Rice University in 2002 with a BA in Art and Art History (and a BS in Astrophysics), Matthew Grabelsky has shown in dozens of group exhibitions and solo shows around the world. In 2017 he was tapped by electronic musician Moby to paint an album cover featuring a father cow reading a book to his calf. To see more of Grabelsky’s work, follow him on Instagram.
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