Currently on view at the Place Des Festivals in Montreal, Impulse is a new public art installation comprised of 30 completely illuminated seesaws and a series of video-projections on nearby building facades. When the seesaws are used they “activated” and begin to emit tones resulting in various musical harmonies. The project is part of a collaboration between CS Design and Toronto-based Lateral Office.
“Once in motion, the built-in lights and speakers produce a harmonious sequence of sounds and lights, resulting in a constantly evolving ephemeral composition,” say organizers of the event. This past summer the project was selected as a winner of the 6th annual Luminothérapie event.
Impulse will be on display through January 31, 2016, and you can see a bit more over on Arch Daily. (via Dezeen)
Montreal artist Roadsworth (previously) continues to make his mark on the streets of Montreal by introducing elements of wildlife and humor onto an asphalt canvas. In his latest pieces we see flocks of geese swooping down tree-lined streets and schools of sardines move with the flow of pedestrian traffic (or end up wedged inside a tin can), unexpected symbols against an urban backdrop.
This year marks a decade since Roadsworth was charged with 53 counts of public mischief, after which he received considerable public support and was let go with a slap on the wrist. Since then the artist has created artwork for municipalities, exhibitions, and arts festivals around the world. You can see much more on his website, and he also has a book.
In 2001 artist Peter Gibson began a guerrilla street art campaign to encourage the city of Montreal to build more bike lanes. What began as a project borne of activism eventually became an art project that continues to this day. Assuming the name Roadsworth stating, “where Wordsworth is a poet of words, Roadsworth is a poet of roads,” the artist has cleverly modified roads, sidewalks, parking lots and any other publicly visible asphalt surface he can transform with paint. If you want to learn more, the artist recently took a moment to share some thoughts with My Modern Met and you can see much more of his work on his website.
Update: Colossal reader Roula adds via Facebook: The first image “is a visual translation of ‘nid de poule‘—chicken nest, which is the quebecois expression for potholes.”
21 Balançoires (21 Swings) is a recent project by Canadian design collective Daily Tous Les Jours, known for their wide variety of interactive public installations and experiences. Surrounded on both sides by a new music complex and science center, designers Mouna Andraos and Melissa Mongiat chose to bridge the gap between the two by converting a narrow strip of land into an enormous interactive instrument. Pre-recorded sounds from a xylophone, piano, and other instruments were programmed into color-coded swings that when in use play various notes, however when swung in unison with careful cooperation, more complex melodies and harmonies arise. An additional “secret mode” was programmed to only play when all 21 swings were in use. What a fun idea.
Earlier this week a few blogs reported a photo from this series as being some type of swingset bus stop. According to Andraos, while the installation has close proximity to the street it does not actually serve the purpose of a bus stop. All photos courtesy Olivier Blouin.